The 1999 recording from Light Of The World, 'Inner Voices' proved the band were ready for the dawn of the 21st century. Founder members of LOTW McKrieth, Wellington and Baptiste returned to compose some material, add their arrangements and produce a real follow up many years later to the 'Round Trip' album of many years earlier, and signed a recording agreement with Sanctuary Music. This being the first time that so many key members turned up for the recording of the songs. Only one invited member failed to show due to prior commitments. The production of the album was by Richard Bull and Kenny Wellington. This contractual agreement and reunion on record was brought about by Kenny Wellington after being approached by music business impressario Junior Hart during a tour of Japan along with David Baptiste whilst working with M Beat who had had recent success working on record with these guys and the mighty Jamiroquai as well other chart singles.
Light Of The World began in 1974 when Breeze McKrieth approached Kenny Wellington at the famous Crackers afternoon funk session in Wardour Street, London about joining him with some friends for a rehearsal with some other young musicians at Ickburgh Road, Clapton. Kenny agreed to come along and this band became Light Of The World, inspired by the classic Kool And The Gang album Light Of Worlds.
At that time, a really great way to spend a Saturday afternoon was standing around in Contempo Record Shop in Hanway Street , West London where you could hear the guys in the shop spinning the latest imports from the USA, people like Geoff Brown who also wrote great articles for Blues & Soul magazine which was housed in the same block and was connected to the shop. Kool And The Gang and The Kay Gees were a big influence on the early sound and concept behind Light Of The World with recordings like 'Swingin' and 'Midnight Groovin' being written when the band were excited by the discovery of The Kay Gees and dreamed that Kool And The Gang might come to these shores and take LOTW under their tutelage in the same way.
Light Of The World dreamed that their music would be played at Lacey Lady, Hunters, Crackers and Waterloo Birds Nest, the clubs many of them had frequented around these times. Often pretending they were eighteen years old to gain entry. Now they had a chance to record their own music. These songs were written by the core band members
After playing many shows in London and the home counties, arranged by then manager Brent Clarke who had spotted some potential in the band , some of the guys became disillusioned and quit the band, with Earl Appleton leaving the UK to head for New York. Norman Walker concentrated on using his brilliant choreographic skills and went on to tour with many major artists. Junior King decided to concentrate on his martial arts, and Roger Thomas a very advanced saxophonist even at that early stage of raw development left for the world of computer technology where he has done very well. However, fortune was around the corner when Kenny Wellington was asked to attend a rehearsal in North West London by saxophonist Earl Okai and a band he was working with. Impressed by the keyboard player Peter Hinds and percussionist Chris Etienne, Kenny asked them to join Light Of The World.
Ensign records heard this music being played in clubs by DJs like Tom Holland at Lacy Lady and offered the band a deal with the company which was run by Nigel Grainge and reknown DJ Chris Hill.
The first album did reasonably well yielding some dance floor hits like 'Swingin', 'Midnight Groovin' and 'Who Are You'. Although still quite raw these tracks began to get the band noticed. However, the band were then involved in a tragic accident returning from some shows in Scotland at the end of their first national tour. The vehicle some of the band members were travelling in was struck by an articulated lorry.The band resident comedian and percussionist Chris Etienne died as a result of this tragic accident. Other members suffered differing scales of injury and were pulled from the wreckage by McKrieth and Baptiste who miraculously had escaped injury.
After mourning the loss of their dear friend and brother, the much loved Chris Etienne, the band decided to carry on. A new percussionist from Manchester, Ganiyu, joined the band along with Nat, a local trombone player which really excited Wellington and Baptiste who had been looking for such an addition for a while. The first album was also dedicated to their friend and brother Chris Etienne.
For the second album Augie Johnson of Side Effect was brought in as producer with Breeze, the original founding member of LOTW, credited as executive producer for his great contribution in the studio. The band also now had the opportunity to augment their music with some of the finest musicians in the world. People like Wayne Henderson, the great vibraphonist Victor Feldman and Bobby Lyle guested on the album with the fine vocals also of Micki Howard. Jorge Dalto also provided some brilliant string arrangements on the McKrieth penned 'I'm So Happy' a tribute song to the wisdom and words of Martin Luther King, I'ts melancholy melody creating an enchanting contrast with the positive lyrics. The arrangements of Kenny Wellington and David Baptiste were now greatly enhanced by the addition of some of the finest players in the business.
This in itself was to be a great learning curve for the band and resulted in the LOTW/Beggar & Co horn section being asked to play on a number of recording sessions themselves, having taken a lot of this musical education on board. The band had been busy writing with McKrieth credited on most tracks followed by considerable writing contributions from Wellington, Baptiste, Williams and Hinds. Hinds making a major contribution with the excellent Pete's Crusade, a nice groove Peter had first played in rehearsal which became a band classic with the added toplines of Wellington and Baptiste.With an arrangement inspired by their love of The Crusaders it was a real coup when Wayne Henderson agreed to play on the record. Peter Hinds also produced hit records for The Chimes as well as having success as a key member of Atmosphere and the classic 'Dancing In Outer Space' and co-writing the the Incognito national hit 'Everyday' with Bluey. The album was the seminal 'Round Trip' which sold steadily for the next year and yielded the now classic recordings 'London Town' the homage to the city with Kenny Wellington and David Baptiste writing the lyrics in a small room at the back of Utopia Studios in Chalk Farm, London within an hour of being presented with the music. The album also yielded the still popular 'Time' 'I'm So Happy' and 'Pete's Crusade'. Some of thes tracks appeared also on a number of compilation albums, each of which sold over 100,000 copies. This meant the band members received a number of gold records for their contribution but more importantly placed them on record alongside bands like Kool And The Gang and Earth Wind & Fire which was great in terms of the band reaching this audience. The Wellington, Mc Krieth, Baptiste penned 'Time' had also been massive around the dance floors of the UK and Europe.
Feeling really confident as well as creative, the band members began working on other projects in small collectives. This being inspired at the time by US bands having various alter egos like Parliament, Funkadelic and Bootsys Rubber Band. That was the original idea behind this thinking. Wellington, Baptiste and McKrieth immediately had two Top Forty national chart recordings, 'Somebody Help Me Out' and 'Mule (Chant No 2) under the name Beggar & Co which was great for everybody initially, because the Beggar & Co team simply added their name on the billing posters and the band could at last play shows in the major UK venues like Hammersmith Odeon having played there previously as support to The Players Association. This incidentally and with the greatest of respect had proved to be a bit of a surprise to The Players Association as LOTW had brought the house down.
Beggar & Co were also heavily featured on the Spandau Ballet album Diamonds particularly on the track Chant No 1 which reached No 2 in the national charts and again brought a lot of public acclaim and publicity. Bluey, Paul Williams and Peter Hinds recorded the classic Jazz Funk album under the name of Incognito which Bluey would take around the world and record many classic recordings to this present date.
After a much acclaimed concert LOTW decided that it was financially very difficult to continue as an eight piece band with the contract that they had earlier signed and split into the three units. McKrieth Wellington and Baptiste agreed that the newer members could continue to use the LOTW name to ensure that they could secure a recording deal as a duo. Beggar & Co had to secure their release from the original contract and initially embarked on this through the courts. The success of Beggar & Co was also quite ironic, since it kind of heralded the band stripping back down to the original roots without the augmentation of Augie Johnson's brilliant all star cast and scoring their biggest selling records to date. The commercial success of Beggar & Co and the massive Incognito had somehow always eluded Light Of The World, but the timeless value of the Round Trip album would sustain the band for years to come.The dispute with the record company was eventually settled amicably and allowed the band the band to maintain their previous good relationship and goodwill with Ensign Records.
LOTW released 'Check Us Out' on EMI before the remaining duo decided to make some solo recordings,with Ganiyu recording a solo album. Nat signed a deal with A & M and did some work in the States with Dexter Wansell before eventually releasing a cover version of 'Too Busy Thinkin' Bout My Baby', before joining the group Imagination and recording the album 'Fascination Of The Physical' with Leee John. Wellington, Baptiste and McKrieth had released a Beggar & Co album which contained a variety of different ideas, some of which worked well. The album contained two hit singles and some jazzier tunes like 'Bahia De Palma'.
In 1985 Ensign asked Wellington and McKrieth to work on remixes of 'Time' and 'London Town'. This they did adding the vocals of Phil Fearon and Galaxy to a revised version of London Town. Once again Light Of The World got back together for some promotional work and tv shows like &..39;Soul Train'.
.The band then followed this with various configurations releasing covers of classics like 'Got To Get Your Own' by Reuben Wilson and a cover of 'Expansions' which featured many of the original band, with Stevie V and Billy Osborne involved as producers after an introduction from Kenny Wellington.
After some intermittent appearances at clubs around the southern counties things had ground to a halt until Kenny Wellington was approached about recording an album with the band by record label owner Junior Hart after Kenny and David Baptiste had toured Japan with some of his artists. This resulted in what is presently the last album of new material by the band to date
'Inner Voices' probably represents the closest thing to the natural development of the founder members of the band McKrieth, Wellington and Baptiste and the original ideals that they first had way back in Ickburgh Road, Clapton. Songs like 'City Life' and 'I Like' being the updated versions of classics like 'London Town' and 'Pete's Crusade' and the excellent 'Bahia' and 'Back 2 Back' highlighting the influence of bands like Spyro Gyra and early Kool And The Gang. Bass player Frank Felix who had been playing live with the band was also invited to join the band for this project and finally appear on record with the band after his fine contribution in place of the outstanding bassist Paul Williams. Nat who had joined the group Imagination was also invited to contribute to this album. This album kickstarted the band in terms of resuming live appearances.
Since then Light Of The World and Beggar & Co have appeared with various line ups in the studio to this present day. The last studio album featuring original members McKrieth, Wellington and Baptiste was the excellent 'Inner Voices' released in 1999 with 12 new and original compostions including the popular 'Bahia' and 'I Like'.
EMI have also released 'Addicted To Funk' an anthology album which charts the band ( no tracks unfortunately from the 'Inner Voices album' as EMI do not own this part of the catalogue). There are of course the major commercial contributions of Beggar & Co and Incognito as well as some work by The Team and some other more rare and by definition scarce material.
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