Ian Franklin Sadler profile picture

Ian Franklin Sadler

About Me

Let the adventure begin

Let the Adventure Begin

The adventure began for me in the late summer of 2005. I took my eldest daughter to see Maddy (Prior) & the Girls in Ilkley (or it might have been Otley). I had a minor interest in Steeleye Span andowned a couple of the early albums, and upon reading about the gig/style thought it would be suitable for my daughter, then aged 10. So, tickets were obtained and off wewent. The get-out clause for my daughter was that if she really didn't like it we'd come home at the interval (and at that time I wasn't sure there was one....). Thankfully mydaughter loved it, we stayed until the end and afterwards Maddy came out to chat and sign autographs. I bought my daughter a disc and Maddy duly signed it; she alsotalked to my daughter like a person, not as if she was talking to a little kid, and I remember that impressed me. We got home, and in the disc was a little leaflet orsomething like that, or maybe I'd picked something up at the gig. I really don't know. But somehow I discovered 'StonesBarn' . It mentioned Maddy/singing/ Abbie Lathe / Rose - not that it meantthat much to me then, but little did I know.
Photography or Singing?
Around that time I had also been getting into photography. I was on the verge of booking a 4 day photography course in London as I wanted to learn to develop my ownpictures, as well as understanding more about my camera. I'd even got as far as researching how I could put a darkroom in my garage. I don't really know why but I'd got itinto my head that the singing course would be full of people sticking their finger in their ear, singing through their noses while staring sideways into the upper corner of theroom (sorry Maddy and folkies ). I know, I know, I know - a bit stereotypical but I'm not really a "folkie", though overallI enjoy many different styles of music. Somehow my wife became involved with the decision making process. Cheques were written, envelopes addressed and, before Iknew it really, I was on my way to Stones Barn .The Barn
I can't remember what exactly I signed up for - "Singing from the Gut" I think from a Thursday lunchtime through to a Sunday lunchtime with a performance at thelegenary "Roadhead Hall". The format is fairly simple. Turn up, eat. Sing. Tea. Eat some more. Drink. Sing - as much or as little as you want. First night's meal is usually ata local hostelry such as Bailey Mill , The Crossings or The Drove . Day two is pretty much the same - turn up, sing, tea, sing, lunch, sing, tea,eat, sing.... Abbie, Maddy and, in this case Rose (Kemp), quickly put you at ease. If you fancy a stab at a solo thereis a lot of encouragement. My first effort was Dylan's "You Ain't Goin' Nowhere" with a nice chorus for allthe group to join in with.The Aftermath
All too soon it was over. I knew something was up on the Sunday morning. I felt great, but also a sense of melancholy. It was over, and soon I would return back to theworld of mobile phones, business, hustle and bustle. On the one hand I couldn't wait to get home to tell my wife all about it, but on the other emotions were welling that I didnot understand. Sunday morning was low key. You know the routine by now. Turn up.....OK OK OK. But after lunch photos were taken, a farewell song, and a fewhugs...we were on our way. For me, and not only me, the emotion bubbled over. I was a mess. "Job done" said Abbie. Something within me was changed forever, though Ididn't know it then. But to quote Supertramp, I took the "long way home" so that I could mull over my experience. I drive a lot with my day job, and I get a lot of thinking done driving

Now

Before I went to Stones Barn I owned a guitar. I had a song book with about a dozen songs in it (still got it) and only ever played one tune..... Sweet Jane by Lou Reed. I now have a songbook with over 100 songs in it, have written enoughmaterial for my first album and managed to record the princely total of one track! Somehow the experience at Stones flipped a switch within me, enabling me to find a part ofme that had been lost for a long time - or perhaps I never knew it was there. I imagine it like an old door in a garden, overgrown with creepers and vines, and a treasure troveof experience behind it, discovered by accident one day. I became more inwardly calm, a better husband to my wife and father to my daughter. I am not alone in feelingthis. For some, the Barn experience is a one off. For me, it changed my life.


Thanks Abbie, Maddy and Rose. To quote Nick Lowe "You Made Me Want to be A Better Man ".

My Interests

Music:

Member Since: 28/01/2008
Band Website: Under construction!
Band Members:

Ian Franklin Sadler

Why? (Copyright Ian Sadler 2008 - 2009)

"Why?" was written in November 2008 in response to the news of the death of "Baby P". I am very much an amateur songwriter but I do get a lot of satisfaction out of it. I don't know where the words came from, they just did. My wife and I were getting ready to go and see Stacey Earle and Mark Stuart in Newcastle, and I kept nipping back and forth to my study to add verses and lines as they came. By the time we were ready to leave, lyrically it was pretty much as it is today. I looped the rhythm section and bongos in Live and warped them to bring the beats into line. The rest evolved over the last few months. Compared with "Jimmy Beam" I was much more frugal with the tracks and it ended up with about 15.

    Recorded Live
    Vocal - Recorded through a Red V RV10, dry. Vocal - SM58 recorded simultaneously through a Yamaha MG8 using just a touch of onboard reverb. Bass - this too was doubled using the DI and a Mic. J45 Acoustic Guitar - ditto as per the bass. One track was then heavily processed to give the jangly sound. The other left natural, mirroring it and panned to contrast in the mix. Mandolin - pretty much untreated
    Ableton Live Clips/Samples Bongos Rhythm Crash Cymbal
    Samples Viola Violin Cello
    MIDI Tambourine Hi Hat
    MasteringThe file was imported into Sony Sound Forge 9 and processed using the Izotope bundled software.
This song is dedicated to Baby P , Rhys Biggs and Victoria Climbie. It's also for all the kids out there that don't get enough love. As a parent, I often wonder if what I am doing is right. It can be a scary thing being a parent, but what really scares me is how as a society we can continue to get it so wrong. The lyrics say it all - it's a hard song to sing and difficult to enjoy.

Ian Franklin Sadler
May 2009


Influences: The Waterboys, Bob Dylan, Steve Earle, Lou Reed, The Pogues, van Morrison, Sara McLachlan. Basically, singer songwriters.
Sounds Like: To quote Mike Scott of the Waterboys:

"The Waterboys belong to no movement, genre, school or fashion. We play Waterboys music - and good luck to any brave person who tries to categorise it."

I'm pretty much in line with that. I play what I like. I've not written much but some of my tunes are pretty much straight folk songs, others probably more Dylan influenced - telling stories.


Record Label: Lone Groover
Type of Label: Indie

My Blog

Track notes archive.

I'm not really a blogger, so I decided to use the blog facility to keep a record of my notes that accompany each song I publish. Jimmy Beam It's basically me, and my computer - Minstrel 1 (Lap...
Posted by on Sat, 09 May 2009 13:59:00 GMT