Charley Pope profile picture

Charley Pope

About Me

Cyrus
After graduation, each woman in my family
celebrates in South America -
stepping off the plane,
a roll of film stripped and left to dry under a low red lamp.
The men stay behind,
make jokes about sunburn and Ecuadorian boys
and for two weeks, the phone doesn't ring.
Postcards arrive like mail-bombs. Photographs like flint
unable to endure the cold gray of the North Pacific. The men dream
the feet of daughters and sisters teasing the sand on some beach
in some seared country, fingers reaching to a sun
close enough to touch.
Erica came back with a torrent of freckles taking root on her face.
Natalie found twin horseflies sleeping in her leg.
But three months after Monica arrived on her mother's doorstep,
lips stained, neck swollen, eyes two runaway cue balls
lolling back into those dark pockets, her stomach
blossomed into a bowl of papaya and lime. A tumid basket of fruit
the men recoiled from. Peering at her navel,
schoolchildren gathered around a dying bird
and when the skin burst, peeled back to reveal
the culprit, there was no pit, no hollow of black kernels
but a cherub slick with blood, glistening
in all of their hands -
a child of flame so vibrant,
they could not bear to take their eyes from his.
These Days
When the sun sets, the boys
see their reflections
for the first time that day,
t-shirts matted to their chests,
faces loose with heavy sleep.
The landlords ignore the smell,
the rolling bottles, the cans
piled in the sink.
These days, the boys feel
the gentle sheet of their mothers hands
slipping from their shoulders. They prepare
quietly, walk to the corner store,
see the city, the car dealerships,
the distant hotels. Maybe
they get breakfast, or hitch
a ride downtown. It's still
early in the year.
In a few weeks
they'll get jobs.
When they drink they'll know
their mothers grieve for them,
calmly resigned to the coming
snow melt. These days
the boys gather at night,
laughing, and when soft
voices are found in their phones
they erase them. Just wanted
to hear you, she says. I love you,
she says, too quickly, so it sounds
like a friend, like nothing important.

My Interests

Music:

Member Since: 18/01/2008
Band Website: http://www.seecharley.com
Sounds Like: Six-Year-Old Charley Tells His Dream

Mom took me to see a play and now I dream about the moon. Not the moon like it is, with pot marks and shadows that never move, but a moon with a bad face. A face like the underside of God. The side that always winks at the other planets but never turns to us. Never trips. Always revolving, up and down, over and over and over. Through the day. Into the ocean. The scars that heaven blocks from view, yanking on the tides in us like a magnet about our skulls.

In the dream, I can never see the face. I never try to. But I can hear what it says to me. Like a circus of razors falling from the sky. That meteoric voice. Lacerating the atmosphere in the most unforgivable way. Pulling down the curtains. Leaving everything behind except me and the moon. Laughing like it has every second of every year left ticking to hover there and speak its mind.

Boy, remove your skin. You will never need it. Leave it here with me, so that I may keep it for you. Do a jig on the pinhead of a mountain, let it crumble beneath your feet. Raise your arms and sing. Do not fall. Do not mind the cold. Look me in the eye and let me see you. Keep dancing. Let the meat of you boil from the bone. Rattle that skeleton like a bat in a cage. Keep singing. Look up. Look at me. Let me see you singing.

This Is What Happens

The water heats up in the sun and boils the air. The air rumbles up into the sky and makes clouds. The clouds have resented this process for generations. They are jealous of the sea. So they spill their own ocean out onto the ground in protest. But this is death for the children of cirrus and cumuli. They cannot hold the Atlantic in their guts, and when they can no longer bear the rumbling in their throats they split open, spilling down ice and light and all the fury of the sky.

If weather could speak the language of froth and kept, they would know that the sea is jealous of the shapes the clouds make as they tumble over the edge of things. Always spilling but never spilt, forever sucking up all the air and letting it loose down upon the world. The ocean has no border, no form to hold it, and it is a quiet thing. Willing to only watch and mirror what it sees, sometimes mimicking the anger of its brother above with a wave, a whirlpool, but never with its own strength. The sky rages enough for the both of them, and the ocean is a forgiving thing.

The mountains know nothing of any of this. This is why we chose them to be the homes for our feet, the place to plant the roots of our houses so that we may sit and watch the war above the water. Imagine the turmoil of a city built upon a cloud, or the silence of a road paved to the bottom of the ocean. We were built to brew in our own, quiet little way. Letting the world storm around us as we play with the dirt, trying to make out words on the wind.
Type of Label: Unsigned