Browning Porter profile picture

Browning Porter

About Me

I have instructed my publicist to write this little bio in the first person to make it seem more intimate, and not so much as if I have a team of talented professionals crafting my image for me. (Which I totally do. Thanks, guys, as always, for your fantastic work. Did you get the fruit basket, by the way?)

I started writing as a very small kid. My first poem was about the discovery of the platypus, and it was a big hit with the other kids on the school bus. I'd get requests. Which totally warped me for life. I decided I wanted to be a writer when I grew up. Well, actually, a writer/ventriloquist/oceanographer. My dreams of speaking without moving my lips have died slowly and painfully in the intervening years. But I have continued to write. (And someday I hope to photograph a giant squid in the wild.)

I spent the first half of my childhood in poor-and-dysfuntional-but-mostly-happy, rural American, bohemian isolation. Dad dropped out of the rat race to become a struggling painter. My parents divorced. Mom left to find herself (which she did, eventually), and my sister and I stayed with Dad in the drafty, slightly unfinished house he designed and built himself in the boonies of Northern Virginia. Nearest neighbor miles away. No money for furnace oil, so crank up that woodstove every frosty morning. No A.C., just two industrial-sized exhaust fans in the living room ceiling. No TV (busted, never got fixed). Clothes from thrift stores. Many an evening spent riding with my Dad in his van through the moonlit Virginia countryside, listening to 8-track mix tapes he recorded off the radio while he painted during the day. My sister sat in the passenger seat, and I sat on the cooler between them. I'd have get up sometimes when we came to a stop sign so I could refill my Dad's clay mug with ice and wine.

Some nights we'd just drive out to White's Ferry, and old barge that for $2 would give you passage across the Potomac into Maryland. We'd stop the van at the river bank and honk the horn, and we'd hear the motor kick in across the water, and watch the ferry creep out of the darkness, the coast the van aboard and ride to the other side of the river. Then we'd park the van in the woods at the edge of the water, and my Dad would get out his guitar, and we'd sing Jerry Jeff Walker songs, and "Mamas, Don't Let Your Babies Grow Up to Be Cowboys," and then my Dad would drink some more wine, and tell us stories, and listen to ours. Then we'd ride the ferry back across and go home.

The kids at school thought I was really weird. They were not wrong. I kept to myself, read books every free minute of the day, preferred my Dad's esoteric 8-track music -- Jerry Jeff, Tom Waits, Leo Kottke, John Prine -- to my peers' rockin' Top 40 -- Kiss, Rush, Hall & Oates, Supertramp. I had a reputation at school as a badly-dressed, eccentric smartypants -- which is to say, a nerd. But secretly I knew that I was cool. I actually had a night life, after all. I spent many an evening each week hanging out in actual bars with my Dad and his friends, who all thought I was aces. And, come on, Supertramp?

More to come later....

My Interests

Music:

Member Since: 11/01/2008
Influences: Spaulding Gray.
I saw Swimming to Cambodia the year it came out (1987), and I remember thinking, "Wow. I wonder if I could do that? I wonder if I could do that with my life?"

Ira Glass. Scott Carrier.
I started listening to This American Life when a friend lent me a tape of Scott Carrier talking about "Running After Antelope." And I remember thinking, "Wow. I wonder if I could do that? I wonder if I could do that with my life?"

David Sedaris.
I was sitting in my car in a shopping center parking lot listening to David's now-famous story about being a Santa's elf, and laughing my ass off. I think it was probably the first time it aired on NPR. And I remember thinking... Well, you know.

Bailey White.
I always loved people who told a good story. Whatever happened to Bailey White? I miss her. On the radio, she had this voice that sounded like a little old lady, but then in print she seemed like someone I could date, that is if I weren't somehow related to her on the Southern Gothic side of my family. I re-read Mama Makes Up Her Mind recently cover to cover and loved it just as much as I ever did.

Garrison Keillor.
And I loved the old Lake Wobegon stories. My wife and I called them "The Sermon," and we would listen to them ever Saturday while we cooked dinner together. We'd say, "That was a pretty good Sermon tonight." Or "Eh. The Sermon was little off tonight. Enough already with the hotdish." But then we'd tune in again next week. We'd turn the volume down for the goofy radio plays and the godawful gospel singalongs, but then rush over to turn it up again just the hear the Sermon. Say what you will about the man. Bruno the Fishing Dog will always be welcome at my table.

Leo Kottke.
Someone gave me a tape of Leo doing a radio show at a strange DC station called WJFK that was supposed to be experimental New Age back in the early 90's. I think it's obnoxious talk radio now, but back then they played this odd mix of stuff like Donald Fagen and Bruce Cockburn and Michael Hedges and Lyle Lovett. Which was wonderful and weird and unheard of before or since. This tape was a long live interview interspersed with Leo playing his signature virtuoso guitar instrumentals. And before each song he would tell a story about the song. And the stories were perfect. I've never forgotten them... the one about Cave Eye, and the one about the guy who used to get drunk on submarine fuel strained through a loaf of french bread. Then he'd eat the bread.

Arlo Guthrie.
My band opened for him in the 90's. Actually we were the first opening act, and the second was his son's heavy metal band. So I hung out with him backstage with his son and all his son's bandmates. And he was just the same in real life as he is in Alice's Restaurant, except kind of more Dad-like. He was back there telling all us of youngsters stories, with all the same warmth and flair that he has on stage. It was like our own private Alice's Restaurant.

Poets. C.K. Williams....
Especially his books Tar, Flesh and Blood, A Dream of Mind. That one long poem "She, Though" still haunts me. It's a beautiful, dark story about his early days as a poet, and what it means to be an artist at all. I read it again recently for the first time in probably ten years, and to be honest I was a little afraid of it. I felt as though maybe I had become the "she," that person that real artists avoid becoming. That's the sign of a good poem if you are a little afraid to read it. (It was okay though.) His poems often sound like a really good story someone might start telling you by accident, and then they couldn't stop. I inhaled that stuff in my youth. In poetry school I wrote a 40-page essay on the syntax in his poem "My Mother's Lips." And I'd do it again too. Don't think I wouldn't.

Heather McHugh.
I had trouble appreciating her poems at first. They are packed so tight with puzzles and verbal curiosities that its hard to catch your breath. And then I happened to shoot pool with her one night in a North Carolina roadhouse. And then suddenly I loved her work. Her poems just opened up to me after that. It taught me something about art appreciation that still feels important. You could love this or that person's art -- really love it. You just need to shoot pool with them first, if only in your mind.
Type of Label: Major

My Blog

Lonesome Blinky McGee

My pal Lonesome Blinky McGee made a rare appearance at Keith Morris's Candyapolis Revue show (for kids). "Someone done flung it up the YouTube," as he would say.
Posted by on Mon, 01 Sep 2008 21:00:00 GMT

Stuff in my Music Player

This is the best way I can think of to comment on the stuff in my music player, and I have some things I want to say about them. 1. The Princesses. Recorded live at the King of my Living Room sho...
Posted by on Wed, 23 Jan 2008 08:12:00 GMT