Member Since: 11/01/2008
Influences: Spaulding Gray.
I saw Swimming to Cambodia the year it came out (1987), and I remember thinking, "Wow. I wonder if I could do that? I wonder if I could do that with my life?"
Ira Glass. Scott Carrier.
I started listening to This American Life when a friend lent me a tape of Scott Carrier talking about "Running After Antelope." And I remember thinking, "Wow. I wonder if I could do that? I wonder if I could do that with my life?"
David Sedaris.
I was sitting in my car in a shopping center parking lot listening to David's now-famous story about being a Santa's elf, and laughing my ass off. I think it was probably the first time it aired on NPR. And I remember thinking... Well, you know.
Bailey White.
I always loved people who told a good story. Whatever happened to Bailey White? I miss her. On the radio, she had this voice that sounded like a little old lady, but then in print she seemed like someone I could date, that is if I weren't somehow related to her on the Southern Gothic side of my family. I re-read Mama Makes Up Her Mind recently cover to cover and loved it just as much as I ever did.
Garrison Keillor.
And I loved the old Lake Wobegon stories. My wife and I called them "The Sermon," and we would listen to them ever Saturday while we cooked dinner together. We'd say, "That was a pretty good Sermon tonight." Or "Eh. The Sermon was little off tonight. Enough already with the hotdish." But then we'd tune in again next week. We'd turn the volume down for the goofy radio plays and the godawful gospel singalongs, but then rush over to turn it up again just the hear the Sermon. Say what you will about the man. Bruno the Fishing Dog will always be welcome at my table.
Leo Kottke.
Someone gave me a tape of Leo doing a radio show at a strange DC station called WJFK that was supposed to be experimental New Age back in the early 90's. I think it's obnoxious talk radio now, but back then they played this odd mix of stuff like Donald Fagen and Bruce Cockburn and Michael Hedges and Lyle Lovett. Which was wonderful and weird and unheard of before or since. This tape was a long live interview interspersed with Leo playing his signature virtuoso guitar instrumentals. And before each song he would tell a story about the song. And the stories were perfect. I've never forgotten them... the one about Cave Eye, and the one about the guy who used to get drunk on submarine fuel strained through a loaf of french bread. Then he'd eat the bread.
Arlo Guthrie.
My band opened for him in the 90's. Actually we were the first opening act, and the second was his son's heavy metal band. So I hung out with him backstage with his son and all his son's bandmates. And he was just the same in real life as he is in Alice's Restaurant, except kind of more Dad-like. He was back there telling all us of youngsters stories, with all the same warmth and flair that he has on stage. It was like our own private Alice's Restaurant.
Poets. C.K. Williams....
Especially his books Tar, Flesh and Blood, A Dream of Mind. That one long poem "She, Though" still haunts me. It's a beautiful, dark story about his early days as a poet, and what it means to be an artist at all. I read it again recently for the first time in probably ten years, and to be honest I was a little afraid of it. I felt as though maybe I had become the "she," that person that real artists avoid becoming. That's the sign of a good poem if you are a little afraid to read it. (It was okay though.) His poems often sound like a really good story someone might start telling you by accident, and then they couldn't stop. I inhaled that stuff in my youth. In poetry school I wrote a 40-page essay on the syntax in his poem "My Mother's Lips." And I'd do it again too. Don't think I wouldn't.
Heather McHugh.
I had trouble appreciating her poems at first. They are packed so tight with puzzles and verbal curiosities that its hard to catch your breath. And then I happened to shoot pool with her one night in a North Carolina roadhouse. And then suddenly I loved her work. Her poems just opened up to me after that. It taught me something about art appreciation that still feels important. You could love this or that person's art -- really love it. You just need to shoot pool with them first, if only in your mind.
Type of Label: Major