About Me
Heaven 17 Biography:
Taking their name from the Stanley Kubrick movie A Clockwork Orange , based on the story
by Anthony Burgess , the U.K. techno-pop trio Heaven 17 grew out of the experimental dance project the British Electric Foundation, itself an offshoot of the electro-pop outfit
Human League .
The core of Heaven 17 was comprised of Martyn Ware
and Ian Craig Marsh ,
a pair of onetime computer operators who first teamed in 1977 as the Dead Daughters, a duo which integrated synthesizer patterns with a heavy reliance on tape loops. Soon,
Ware and Marsh
were joined by Philip Oakey
and Adi Newton
and changed their name to the Human League, where they remained before exiting together in 1980.
As a means of establishing the synthesizer as an expressive, human instrument,
Marsh
and Ware
formed the British Electric Foundation, a production project which employed a variety of Musicians and singers including
Tina Turner ,
Sandie Shaw ,
and Gary Glitter .
The B.E.F.'s debut, 1980's Music of Quality and Distinction, Vol. 1, also included vocalist
Glenn Gregory ,
a former photographer whom Ware
and Marsh met at
a Sheffield drama center; in 1981, the duo enlisted Gregory
for Heaven 17, the first and most successful B.E.F. alter ego, and debuted with the single "(We Don't Need This) Fascist Groove Thang," a minor hit banned by the BBC over its title. An album, Penthouse and Pavement, followed the same year.
By the release of 1983's The Luxury Gap ,
the B.E.F. had fallen by the wayside, and Heaven 17 had become
Ware and Marsh's
primary focus; the LP proved highly successful, spawning the hit singles "Temptation," "Come Live With Me," "Crushed by the Wheels of Industry," and "Let Me Go."
The follow-up, How Men Are ,
was another British hit, but the group receded from view after its release; when they returned in 1986 with the album
Pleasure One ,
it was with a number of guest musicians and vocalists.
After the commerical failure of 1988's
Teddy Bear, Duke & Psycho , Heaven 17 officially
disbanded; Ware focused
on production chores and worked on Terence Trent D'Arby's debut Introducing the Hardline According to
Terence Trent D'Arby. In 1990, he and Marsh
resurrected the B.E.F. aegis, releasing Music of Quality and Distinction, Vol. 2 the following year. In 1996,
a reformed Heaven 17 returned with Bigger Than America .
DISCOGRAPHY - Vinyl/ CDs
- The major releases
Penthouse & Pavement
