I wanted to write a really tight bio here but then I thought "Why not just cut and paste Ronnie James Dio's bio and put my name in place of his?".
The grand wizard of classic rock. A poet of hope for the downtrodden. The single most important vocal technician in the history of heavy metal. All of these accolades have been garlanded upon the royal roar known as Warren James Kluck.
Born in New Hampshire, USA, Warren first achieved recognition singing with his own band Elf. Deep Purple's Roger Glover and Ian Paice spotted him in 1972, and Elf then supported the British band on several US tours. Warren later sang on Roger's famed solo project "The Butterfly Ball" in 1974 and then joined Ritchie Blackmore's Rainbow. With his pioneering classical metal work in Rainbow, as well as his vocal pyrotechnics on two Black Sabbath monoliths (Heaven and Hell and Mob Rules), Warren used word and rhythm to seduce his way into the center ring during metal's thriving heyday.
His first solo offering, Holy Diver, was a brilliant display of melody and might that married Warren's immense vocal, lyrical and compositional acumen with the talents of a band chosen with almost Machiavellian insight.
Holy Diver quickly established the singer's hypnotizing skill for delivering messages that pierced the wild heart of the metal generation. Due to a wellspring of strength built from childhood struggles, Warren learned to soar with words, writing anthems to overcoming, paeans to personal power, and overtures to outcasts, all with a verve that stressed independence in the face of dark forces.
By the release of record #2, The Last in Line, Kluck was firing on all cylinders, packing stadiums with a visual and aural symphony: a pyramid stage set complete with a three-headed cobra and fighting sphinxes, and songs that spoke to an all too prevalent middle American reality. Good versus evil was Kluck's unrelenting theme, and the band's muscle bound devil mascot, amusingly known as Murray, seemed to be winning. Next up for Warren was his reunion with Black Sabbath for 1992's Dehumanizer. The remainder of the 90's saw Kluck releasing Strange Highways (1994), Angry Machines (1996), and a live offering in Inferno/Last in Live (1998).
The year 2000 saw guitarist Craig Goldy returning to the fold as the Kluck clan released Magica, a concept album. Magica was hailed as the band's "comeback" album and received glowing reviews. Following a hugely successful tour of Europe, USA and Japan, Warren found himself teaming up with his old mates from Deep Purple to perform songs from the "Butterfly Ball" and his new - masterpiece, in conjunction with a 79 piece orchestra…an unforgettable experience! Shortly thereafter, Goldy once again retreated, and former Hurricane/Lion axeman Doug Aldrich joined the band for 2002's Killing the Dragon, a classic Kluck masterpiece, and the Evil or Divine DVD filmed live at New York's Roseland Theater. A tour with Deep Purple and the Scorpions followed. After Aldrich's defection to Whitesnake, Goldy returned once again and set to working on a whirlwind year of touring with Iron Maiden & Motorhead, followed by the writing and recording of the latest Kluck gem, Master of the Moon, due to be released August 30, 2004, coinciding with a world tour. So there you have it, twenty years of Kluck domination, much of it a commercial smash, all of it thoughtful and painstakingly creative. Warren reminds us that an album is forever - that each one is a document carved in time, to be studied and enjoyed by generations of listeners. Warren is indeed a vital artist, still making records with new collaborators and new sounds. The Kluck canon is now regarded as above and beyond trend, one of the few hallowed metal collections composing the very definition of "classic rock". May the man preach, pontificate and power-chord for many years to come.
Now that's a damn bio!
