Member Since: 11/26/2007
Band Members: Studio A
---Recording
Otari/IZ RADAR II 24 bit 24 track x 2 for 48 channels... one can be used as front/back end for...
Protools LE, 24 in with up to 48 tracks with 24 stem outputs
---Mixing
Auditronics 501 "Son of 36 Grand" 24 channel 16 buss console, 1970s vintage
---Speck Extramix CMI 72 input rackmount sidecar for extra FX sends/returns, second RADAR, etc
---Monitoring
Focal Twin BE6 nearfield monitors
---Compressor/limiters
Universal Audio 1176LN x 2
Empirical Labs Distressor x 2
Manley "Vari-Mu" (2 ch) tube comp/limiter with Sidechain HPF and T-Bar factory modifications
ADR Compex (2 ch) FET comp/limiter... think "When the Levee Breaks"...
Altec 438C tube variable-Mu compressor
Langevin Electro-Optical (2 ch)
Calrec DL-1656 x2
Ward Beck M466 x 2
Soft Sciences DSC2A, crazy tube homebrew LA2A based unit with dual sidechains, loves being used on bass
Raytheon RL-10 x 2, 1940s vintage tube compressors, gigantic 8 rackspace units
Inovonics 201 FET compressor/limiter
---Mic Preamps
24 channels Auditronics 501 w/ Jensen Transformers
2 channels Universal Audio 2108
2 channels Calrec PQ-1253
4 x 2 channels Ampex MX-10 tube microphone mixer
---Equalizers
24 channels Auditronics 501 4-band inductor based passive EQs with HPF/LPF
4 Channels SpectraSonics 500 2-band inductor based discrete passive EQs with 101 preamps for makeup gain and transfomer based output
2 channels Calrec PQ-1253 4-band parametric EQs
2 channels Ward Beck sweepable HPF/LPF
2 channels EAG passive cut-only vintage German mastering EQs
---Effects
AKG ADR-68K digital reverb
AKG BX-20 spring reverb
Roland RSS-303 digital reverb
EMT 140S stereo plate reverb with Jim Cunningham low-noise modifications
Massive Modcan/Serge/MOTM modular synth
Record Label: Audio Eagle
Type of Label: Indie