Bowies Lodger profile picture

Bowies Lodger

About Me

UNCUT magazine interviews Bowie in 2001:UNCUT: Lodger is an album which really divides Bowie fans - it is either devout love or total indifference. Can you understand both reactions?DB: I think Tony and I would both agree that we didn't take enough care mixing. This had a lot to do with my being distracted by personal events in my life and I think Tony lost heart a little because it never came together as easily as both Low and Heroes had. I would still maintain though that there are a number of really important ideas on Lodger. If I had more e time I would explore them for you…but…you can probably pick them out as easily.UNCUT: Moving away from pure electronic sounds - was this a deliberate strategy to stay ahead of the synthesizercopycat bands who were busy aping Low and "Heroes"?DB: I think it's the lack of instrumentals that give you the impression that our process was different. It really wasn't though. It was a lot more mischievous though. Brian and I did play a number of 'art pranks' on the band. They really didn't go down too well though. Especially with Carlos who tends to be quite 'grand'.UNCUT: Was the backwards tape of All The Young Dudes for Move On originally an accident? And does this song have any connection to the unfinished Iggy collaboration Moving On?DB: Not really an accident but I did stumble upon it. I had put one of my reel to reel tapes on backwards by mistake and really quite liked the melody it created. So I played quite a few more in this fashion and chose five or six that were really quite compelling. Dudes was the only one to make the album, as I didn't want to abandon the 'normal' writing I was doing completely. But it was a worthwhile exercise in my mind. It has the same title as the song I wrote for Iggy. But as the one for Jim was a working title, I passed it onto the Lodger song.UNCUT: The final refrain in Red Money - "project cancelled". Is this significant? A curtain being drawn on the Eno triptych?DB: Not at all. Mere whimsy.UNCUT: What is 'cricket menace'?DB: Little crickety sounds that Brian produced from a combination of my drum machine ( I would and still do, use one to write with when I'm on my own) and his 'briefcase' synth. You can hear them on African Nightflight . MyGen Profile Generator

My Interests

Music:

Member Since: 21/11/2007
Band Website: www.davidbowie.com
Band Members: David Bowie (vocals, piano, synthesiser, Chamberlain, guitar)Adrian Belew (guitar, mandolin, rhythm guitar)Carlos Alomar (guitar, rhythm guitar, drums, vocals)Brian Eno (ambient drone, prepared piano, cricket menace, synthesisers, guitar treatments, horse trumpets, eroica horns, piano)George Murray (bass, vocals)Dennis Davis (drums, percussion, bass, vocals)Sean Mayes (piano)Roger Powell (synthesisers)Simon House (violin, mandolins)Tony Visconti (bass, mandolins, rhythm guitar, vocals)Stan (saxophone)
Influences: Nothing
Sounds Like: Lodger
Record Label: RCA
Type of Label: Major

My Blog

Lodger Review - Spunik Music.COM

Summary: An album so underrated I had to add it in order to review it! One of Bowie's most under-appreciated albums, Lodger is part three of Bowie's famous Berlin Trilogy, the other two being Low & "H...
Posted by on Fri, 29 May 2009 07:46:00 GMT

Lodger Review - Rolling Stone

David Bowie's albums are non events, though given the aura he insists on, they're halfheartedly presented as such: time and again, ideas are run up the flagpole, but try and find the flagpole. Wh...
Posted by on Fri, 29 May 2009 07:42:00 GMT

Bowies Low

Your MySpace account has been deleted for violating our Terms of Service. This is usually due to one of the following: * Nude images, sexually suggestive or violent photos* Covering our banner ads wit...
Posted by on Wed, 12 Dec 2007 17:15:00 GMT

New York Rocker - 1979

David Bowie: From Low to LodgerPaul Yamada | New York Rocker | July 1979THE LAST TWO studio LPs by David Bowie seem to make up some sort of unit. The release of a third album in collaboration with Bri...
Posted by on Wed, 21 Nov 2007 08:23:00 GMT

Jon Savage review 1979

AVANT AORBy Jon Savage | Melody Maker | May 27 1979Another year, another record. Like Burroughs, David Jones, rootless, looks for unconventional commitment: Burroughs found it in junk, control-systems...
Posted by on Wed, 21 Nov 2007 08:16:00 GMT