Chairman Kaga profile picture

Chairman Kaga

Myspace . . . gimme a break

About Me

As I said, this is pretty self indulgent . . . but since I have the opportunity . . .
I've got two children, Chloe' and Alex and I'm married to Anne. I play piano in the Uptown Savages. Chloe' just got her Masters from San Francisco State, with honors. Alex is married to Andi (Andrea) a wonderful addition to the family (raised smart kids) - he's a musician, plays guitar in the Avalon 4, and is a manager at Interstate Music, and Anne is the coolest and most beautiful woman I know.
Here I am as an "actual" mod playing New Years Eve at the Pfister Hotel in 1968/9. Got the Hammond thing going, through a Leslie 147 of course, and if you look close, a back-line of black, Kustom amps. You can't see it but in true mod fashion I'm wearing my favorite red velvet tight trous and my black suede needle toe boots with 1.5 inch cuban heels. Pretty cool if I do say so myself. And no, I didn't ride a scooter. That was pretty much a UK/European thing. I did drive a 1965 lavender Impala convertible with white bucket seats, rear speaker - SS 327 for the car buffs.
We were playing that night with The Robbs, a national act/Mercury/Atlantic Records out of Milwaukee via L.A.. Their show on ABC, "Where The Action Is" had gotten tanked by the network. It was a cheapo version of "Shindig" and "Hullbaloo." Download their tunes Bittersweet, Rapid Transit, and Race With The Wind off Limewire. Pretty good 60s pop tunes. Touring around the area with them was pretty heady stuff for a 17 year old. Christ, they had their own ex-Greyhound bus.
Then I moved on to play in a "progressive" garage rock band called "White Cross." Named after the pill of course and I can thank the Robbs for that. Very good band.
In 71/2 I co-founded and played in one of the first punk/glam-punk bands in the nation called Death. We received national press, local noteriety and no money. We had James Chance of The Contortions/No-Wave fame on sax.
http://www.pitchforkmedia.com/interviews/c/chance_james-03/
We were influenced by the Stooges, Velvet Underground, MC5, Detroit Wheels, ?-Mark . . . Iggy took a liking to me at an empty show in a Madison bar (Funhouse had just come out) and sang "I Wanna Be Your Dog" with his head in my lap . . . but that's another story.
I then played in a band called "Fore Arm Smash." This band featured Howie Epstein (Tom Petty & The Heartbreakers) on guitar and vocals. This was kind of Death's attempt to be "commercial" by playing covers. Unfortunately the covers we selected - 13th Floor Elevators "You're Gonna Miss Me," Shadows of Kinght "Gospel Zone," Love "7 & 7 Is," weren't as commercially accepted as we'd thought they'd be. It was also around this time that we got thrown out of Teddy's or the Barn, (I can't remember what is was called at that time but it's now Shank Hall) for heckling the New York Dolls - what a bunch of hacks.
Then a brain dead period of time leading up to some sit in work with the Exotics and the pleasure of recording a few tunes with them on their CD . . . .
So here I am now playing an instrument that's basically a computer with weighted keys, through an amp that reminds me of Darth Vader's helmet, doing tunes that are about as old as I am, with guys who weren't born when that pic of me was taken, for less money than I made playing music when that pic was taken. Yeah . . . I agree, what a bunch of long-winded crap and who cares.
Bands I'm currently playing in:The Uptown Savages (of course) Tim Cook and The Riverwesterners Transistor Royale

My Interests

fried food

I'd like to meet:

Someone who'll buy me a drink

Music:

Crikey . . It's not odd for me to finish listening to a Cecil Taylor album and the become engrossed watching the Lawrence Welk Show on PBS. I'll go from old Bob Dylan to Ray Condo and then put on The Stone Roses, perhaps followed by some Roy Brown or James Brown, and then maybe some Moon Mullican followed by Bud Powell and ABBA. Toss in some Stones, Kinks Animals, and God forbid, the Beatles (Christ I was 16 in 1967 after all) and I guess you can say my taste is rather broad. About the only music that I can't handle is most classical, the bad vocal gymnastics that pass for pop nowadays, endlessly repetitive techno loops, and big stetson country.

Speaking of big stetson country, the modern stuff that has wimpy guys with salon trimmed beards, oversized cowboys hats, doing songs that are basically really slick soft rock tunes, what's up with the look? This is a phenomena that I find hard to understand. You've got a bunch of "dudes" singing to what appears to be a conservative, Christian audience, who when I see their promo shots in advertising look stereotypically gay. No Merles or Waylons here. As someone who supports gay marriage and the whole she-bang, I just find this really odd. These new big stetson guys sport really neat, trimmed beards to give them that "rough and ready" look and wear tight pressed jeans, etc. The only other guys that dress this way are . . . gay. Don't the big stetson guys know this? It's just weird to me. I don't get it. Are they and their audience clueless to this fact, or are they going to slowly transition into modern day country Liberaces, appearing and acting overtly gay while playing to a solidly homophobic audience?

All I can say is let's hope this is what's occurring.

Movies:

I primarily like movies that have little artistic value or deep meaning. Just being truthful.

Television:

Television shows and commercials that feature trained chimps and monkeys are my favorites, however there's so little of this on that I seldom watch.

Books:

I like books the best of all and read a whole bunch of them each year.

Heroes:

The two Ronnies - Jeremy and Schneider