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this is a slasher movie tribute page
My name is Mitch and i hate siskel and ebert who hate slasher movies.this is my way of saying fuck you to the scum bag film critics who have trashed slasher movies.
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Psycho (1960) - Though not technically a slasher film per se, Psycho helped create the archetype of the disguised, mentally deranged killer who preys on innocent (if sexually indiscreet) young women, and would directly influence many later films. As the slasher craze took off in the 1980s, Psycho was resurrected in the form of three bloodier, less subtle sequels. The film was also remade in 1998.

Twitch of the Death Nerve (1971) - A Giallo by Mario Bava, this atmospheric film truly borrows from (or aids giving birth to) the slasher genre. Halloween, Friday the 13th, Friday the 13th Part II, and others that followed stole an amount of kills for the formula. A gory whodunit, with sleaze and shock that makes it stand out proud among the large horror section.

The Texas Chainsaw Massacre (1974) - The film most often credited with establishing the "staples" of the slasher genre, including young people poking around in places where they don't belong (and harm consequently befalling them), the lone female survivor (or Final Girl), the lumbering masked killer who never speaks, etc. The film was followed by three sequels, a remake, and a prequel to said remake. Over twenty years later Wrong Turn was released. This film was influenced by such films as the above and others like Just Before Dawn & The Prey. Wrong Turn was followed by a sequel, which went straight to DVD.

Black Christmas (1974) - One of the first films to combine the elements of a murder mystery with the slasher genre. Notable for use of long tracking shots from the point of view of the film's killer, an element that would later be cemented by Halloween as a staple of the genre. Later remade by Dimension Films.

Halloween (1978) - Popularized the "classic" slasher formula and, together with Friday the 13th, helped kick the slasher film craze of the '80s into high gear. Also established the tropes of the innocent, virtuous "Final Girl" (as opposed to her more free-spirited, promiscuous friends), the long tracking shot representing the point of view of the villain (often accompanied by ominous breathing), and the unstoppable, seemingly immortal masked killer. Halloween was followed by seven sequels, and a remake. Certain slasher movies afterwards (such as Offerings & Sorority House Massacre) emulated heavily from this motion picture.

Friday the 13th (1980) - The first in one of the longest and most well known slasher series. Notable for the increased level of gore when compared to earlier genre entries, and increasingly elaborate or unique death scenes. Followed by ten sequels. It has also been emulated by 1981&2 video nastys Madman and The Burning. The latter being one of the more controversal slashers that introduced the movie industry to Holly Hunter, Jason Alexander and Fisher Stevens whilst provoking considerable outrage from censors in the antagonist's weapon of choice. (distinguished for a notorious scene where five victims are killed at once while on a boat combined with a difference in ideology; since two of the more questionable cast not only both survive but execute the killer).

The Funhouse (1981) - Paying homage to his previous work along with psycho and Halloween Tobe Hooper portrayed the killer as a less human more monsterous character but this movie is also noted for being one of the first slashers that displayed a general feeling of sympathy towards Gunther Straker (the deformed killer in question) and made the audience take pity on him (Dean Koontz wrote a novelization based on the screenplay that gave a backstory behind the events of this film).

My Bloody Valentine (1981) - One of the most heavily butchered slashers, by the MPAA, even though it has 9 min. of gore cut out, it still has received a small cult staus. My Bloody Valentine is one of the most well executed slasher films of the golden age, though little gore, still creates good suspense and jumps. Paramount Pictures has still yet to release a uncut version of the film.

Sleepaway Camp (1983) - A classic slasher film with one of the creepiest atmospheres in the entire genre. Its characters, drama, and various methods of murder gave it a cult following on VHS. The film is best remembered for its disturbing climax, which has been hailed as one of the scariest movie scenes ever. It was followed by two campy sequels, an unfinished sequel, and another sequel is expected in the future.

A Nightmare on Elm Street (1984) - First in the series that gave slashers a supernatural twist. Unlike some of its darkly lit, shadowy predecessors, Nightmare on Elm Street films used make-up, special effects and post-production techniques to create startlingly realistic horror images. Followed by seven sequels, and a television spinoff

Silent Night, Deadly Night (1984) - Most notable for the amount of controversy surrounding it during its release: the film was condemned by critics such as Siskel and Ebert, and was protested by various parents and religious groups for its depiction of Santa Claus as a murderer (but it should be noted in that its differed from other slashers as this concentrated solely/focused on the killer in question and showed/displayed in great detail how he became a psychotic slasher). Followed by four sequels, with a remake currently planned.

Deliria (film) (1987) - Known for combining Giallo with elements of Halloween's "classic" slasher formula! It also delivered some rather clever symbolism (notably the killer's choice in mask). Whilst depicting, it's protaganist: Irving Wallace; The Night Owl as having a classical thespian past, displaying in his behavior and movements as being warped, but also (in a way almost) flamboyant artistic flair, who played deafening pieces of opera music inbetween his murder-spree only to later on proceed to position his slain victims in artistic & theatrical poses (later as did the character, Francis Dolarhyde: Irving even situates himself amongst their now (almost) lifelike corpses...as if struggling to be part of this group).
Child's Play (1988) - Another notable series in the genre to combine traditional slasher elements with both humor and a supernatural twist. Followed by four sequels. Scream (1996) - This horror/dark comedy film added a satirical and tongue-in-cheek approach to the standard formula (teens being brutally killed off). The film contained many references and nods to previous films in the slasher genre. Scream began the 1990s slasher revival, and it was followed by two sequels. However, despite its many jabs both at previous slasher movies and itself for following film clichés, the series in fact broke the traditional mold by focusing on the surviving victims rather than a returning killer. A similar movie; Cherry Falls changed the ideologies further by having a killer targeting specifically virginal teenagers (plus also having a more compelling back-story that thus portrayed the killer in a more sympathetic light).

I Know What You Did Last Summer (1997) - The most successful of the post-Scream cash-ins. The screenplay was written by Kevin Williamson, who also wrote Scream. Followed by two sequels. Freddy vs. Jason (2003) - Combined the Friday the 13th and Nightmare on Elm Street franchises, as the main killers from the two series' clash after crossing into each others' killing territory. The eleventh film in the Friday the 13th series, and the eighth in the Nightmare on Elm Street saga.
Black Christmas (2006) Trailers
Maniac (1980) Trailers
Grindhouse Trailers
Friday the 13th (1980) Trailers
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