PermaPress Recording profile picture

PermaPress Recording

About Me

In 1997, Pat Kearns opened a small, 16-track recording studio in Portland named Studio 13, recorded tons of punk/garage bands as well as singer/songwriters. In the fall of 2006, he expanded operations by opening The Color Lab in Portland, OR. After 6 months, the Lab had run its course and Pat moved operations to SE Portland and named the new studio PermaPress Recording. A short list of Pat's credits include releases by:
Lovvers, The Exploding Hearts, Jerry Joseph & The Jackmormons, Pat mAcDonald (Timbuck 3), The Soda Pop Kids, The Nice Boys, The Clorox Girls, The Observers, Defiance, The Revisions, The Red Dons, The Goddamn Gentlemen, The Spider Babies, The Jolenes, Autistic Youth, The Neat, Absolute Rulers, and his own band; Blue Skies For Black Hearts.
PermaPress Recording's goal is to provide professional recording at reasonable rates for both official releases as well as demos. Freelance engineers are welcome. Owner producer/engineer Pat Kearns is often requested to provide musical arrangements, novel percussion, harmony arrangements, and even his own voice to projects that he is producing. His recording heroes are Sir George Martin, Phil Spector, Nick Lowe, Jeff Barry, Joey Levine, and Geoff Emerick. Mr. Kearns has also toured as a live-sound engineer for John Vanderslice, Spoon, and Death Cab for Cutie.
PermaPress Recording - 2833 NE Sandy Blvd, Portland, OR 97232
(503) 962.0321

We are located in the same building as Centaur Guitar
Since 2002 Pat Kearns has also been freelancing at Jackpot! in Portland, OR.

My Interests

Music:

Member Since: 27/10/2007
Band Members: Producer/Engineer: Pat Kearns *** Freelance engineer: Mark Brachman

Console: Soundworkshop Series 34 heavily customized for A&M Studios 32 Channels, 24 Bus (recently recapped),
Monitoring: ADAM ANF-10s, Tannoy 824s, AKG headphones
Microphones: AKG D112, Groove Tubes GT1, Groove Tubes GT2, HEIL PR40, Oktava MC012, Sennheiser 421 (2), Sennheiser 441, Shure SM57 (5), Shure SM58 (3), Shure Beta 57, Shure KSM32, Green Bullet, Sennheiser 409 (2), Audiotechnica 37r
Outboard Mic Preamps: Drawmer 1969
Dynamics: Universal Audio (UREI) 1176, Chandler LTD-2 linked stereo pair, FMR RNC, Symetrix 522, Drawmer 1969, Neve/Amek 9098
Outboard Effects: Ibanez AD202 Analog Delay, Multivox MX201 Echo, Alesis Microverb IV, Alesis Midiverb II, Platesonics MODEL3600 CATHEDRAL Plate Reverb
Instruments: Upright grand piano, , Hammond M-1 organ, Fender Rhodes MKII (1966), Lowry Organ, Farfisa suitcase organ, Fender Silverface Twin Reverb (1971), many other instruments plus discounted rental rates from our neighbors, Centaur Guitar
Software F/X: Waves Platinum collection, Universal Audio
A/D Converters: Apogee Rosetta 800, Lucid 88192, M-Audio Profire Lightbridge (16 input, 18 simultaneous output)
DAW Software: ProTools 7.3, Fruity Loops
Analog Recorders: Otari MX 80 2" 24 Track, Fostex B-16 1/2" 16 track

Influences: The Wrecking Crew, EMI/Abbey Road Staff from 1962-1975, Brill Building, Motown, Punk, Sub Pop circa 1989, late night AM radio.
Sounds Like: Chocolate and Vanilla. undefined Blue Skies For Black Hearts recording at PermaPress

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Record Label: Many
Type of Label: Indie

My Blog

Willamette Week's These Are The Days w/Arya Imig

Arya interviewed me for his Willamette Week Podcast, These are the Days.....Here is the article and the link to the show.These Are The Days PodcastAfter an extended hiatus, its great to be back with ...
Posted by on Sat, 02 May 2009 10:26:00 GMT

The Shivas - Willamette Week's Local Cut takes notice!

http://localcut.wweek.com/2009/02/26/the-shivas-we-go-on-unr eleased/I just finished The Shivas full-length a little more than a month ago....These kids are still in HIGH SCHOOL!!!  What the fuck is th...
Posted by on Fri, 27 Feb 2009 12:45:00 GMT