Member Since: 27/10/2007
Band Members: Producer/Engineer: Pat Kearns ***
Freelance engineer: Mark Brachman
Console: Soundworkshop Series 34 heavily customized for A&M Studios 32 Channels, 24 Bus (recently recapped),
Monitoring: ADAM ANF-10s, Tannoy 824s, AKG headphones
Microphones: AKG D112, Groove Tubes GT1, Groove Tubes GT2, HEIL PR40, Oktava MC012, Sennheiser 421 (2), Sennheiser 441, Shure SM57 (5), Shure SM58 (3), Shure Beta 57, Shure KSM32, Green Bullet, Sennheiser 409 (2), Audiotechnica 37r
Outboard Mic Preamps: Drawmer 1969
Dynamics: Universal Audio (UREI) 1176, Chandler LTD-2 linked stereo pair, FMR RNC, Symetrix 522, Drawmer 1969, Neve/Amek 9098
Outboard Effects: Ibanez AD202 Analog Delay, Multivox MX201 Echo, Alesis Microverb IV, Alesis Midiverb II, Platesonics MODEL3600 CATHEDRAL Plate Reverb
Instruments: Upright grand piano, , Hammond M-1 organ, Fender Rhodes MKII (1966), Lowry Organ, Farfisa suitcase organ, Fender Silverface Twin Reverb (1971), many other instruments plus discounted rental rates from our neighbors, Centaur Guitar
Software F/X: Waves Platinum collection, Universal Audio
A/D Converters: Apogee Rosetta 800, Lucid 88192, M-Audio Profire Lightbridge (16 input, 18 simultaneous output)
DAW Software: ProTools 7.3, Fruity Loops
Analog Recorders: Otari MX 80 2" 24 Track, Fostex B-16 1/2" 16 track
Influences: The Wrecking Crew, EMI/Abbey Road Staff from 1962-1975, Brill Building, Motown, Punk, Sub Pop circa 1989, late night AM radio.
Sounds Like: Chocolate and Vanilla.
undefined Blue Skies For Black Hearts recording at PermaPress
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Record Label: Many
Type of Label: Indie