About The High Speed Recording Complex
or : on a recording of a new type
It would not be useless, nor uninstructive, to inform the audience ears about how these recordings were captured, as long as we believe that their proper way of execution may not correspond either with the common form of recording investigation, nor with any usual musicians--group involvement being supposed to be properly called ' a band '.
It is a fact that the record you're holding in your hands is a total creation through the distance, one unique tangible point of concord on the Music map, should we claim----- such as one production's possible secretory beyond space geography & geometry.
This total D.I.Y experiment is conceived by a two men abstract convoy and, as we could say, by two purists of the 4 tracks tape ((cassette)) recorder method & technique : 4 TTR possibilities for distortion power as well as for capturing the tracks in high speed recording. Moreover, both experimentalists respectively own the same machine through & from which the sounds are injected and ejected. Then each other send the parts captured on their respective 4TTR channels, from France to USA, from USA to France...
5 tracks are the result of this distant collaboration process ((why didn't, big distance, the news, since i, no more said)) : GR playing drums & drumming feedback from France, and Michael Yonkers adding guitar wall of noise & vocals from Minneapolis ((usa)). Each newly global recorded stuff --_which is yet one pluri--dispatch product between both musicians distant channels--_ is re-injected as a combination into the 4TTR etc etc.
We are calling this The High Speed Recording Complex.
The other 4 tracks which feature on this record were entirely made by GR, -playing all instruments- ((Blindforce of the pulse dynamo---distortion, blow my mind!!--the sleepwalker//an electric sermon for M.R.Y--lineaments into a halo)).
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