Member Since: 21/08/2005
Band Members: To paraphrase Groucho, I won't be part of any organization that would have me as a member. :)
Fido is a one-man band, but I have collaborated with several other artists, some of whom are here on MySpace: kiddk8, luckily77777, TheLonePhoeniX, zendada, Emily J. Carmen, and XeroMonster, among others.
I wanted to call this project Chris P. Bacon & The Eggs, but it turns out there is a real Chris P. Bacon. When I found that out, it really burned my toast :P
Influences: I love lots of different genres and artists. But what music has had an impact on my work? If I had to distill all the musical influences that have shaped my music, and all the music that has moved me, into one sentence, this would be a starting place: I derive equal parts influence from the acid rock and garage rock of the sixties and the punk and post-punk of the seventies and eighties.
More specific influences:
British Invasion, Garage, Psychedelic, Folk Rock, Freakbeat, and Mod from the 60s, and Acid Rock and "heavy" rock from the late 60s and early 70s. Some of my favorite artists from this period: The Beatles, The Rolling Stones, The Yardbirds, The Who, The Troggs, Les Fleur De Lys, Sly and the Family Stone, The Blues Magoos, The Seeds, The Kaleidoscope, Cream, The Doors, The Byrds, The Animals, The Nazz, MC5, The Music Machine, Jimi Hendrix, Syd Barrett-era Pink Floyd, The Easybeats, Love, The Standells, Vanilla Fudge, Buffalo Springfield, Jefferson Airplane, Hot Tuna, Bob Dylan, Spirit, The Creation, The Pretty Things, The Blues Project, The Lemon Pipers (their nine-minute raga rock masterpiece Through With You is worth whatever trouble you have to go through to find it), Deep Purple Mk. I and Mk. II, Ravi Shankar, The Chocolate Watchband, Mouse And The Traps, Traffic, Quicksilver Messenger Service, The Litter, The Blue Things, early Black Sabbath, and Bloodrock, as well as a host of more obscure artists. I love the James Gang's early stuff but I'm not sure that they really fit in any of these genres, not even the "heavy rock" genre.
Krautrock, Prog Rock, Punk, New Wave, Power Pop, Post-Punk, and Cowpunk from the 70s and 80s. Examples include Amon Duul II, Can, The Pretenders (I freaking love them), Buzzcocks (I freaking love those guys too), The Germs, The Gun Club (R.I.P. Jeffrey), The Runaways, Joan Jett with and without The Blackhearts, Big Star, Lou Reed, Uriah Heep, Television, Japan's punkier stuff such as Adolescent Sex, Iggy Pop, X, The Dream Syndicate, Minor Threat, Swell Maps, The Stranglers, Tex and the Horseheads, Public Image Ltd., Joy Division, XTC/The Dukes of Stratosphear, Siouxsie and the Banshees, Plan 9, The Cars (first two LPs only), The Plimsouls (their masterpiece Everywhere At Once is authentic, jangly, sixties-style rock made in the eighties), Psychedelic Furs, 45 Grave, Talking Heads, Angel City (known Down Under as The Angels), Jason and the Scorchers, Husker Du, Motels (their early song Dressing Up is the bomb), Loop, Void, Missing Persons, Jim Carroll Band, The Chesterfield Kings, Violent Femmes, and Game Theory. I also love anything that Dom Mariani has been involved with, regardless of decade (The Stems, DM3, et.al.). And then there's Badfinger. Badfinger recorded in the 70s but don't really fall within any of these 70s categories; they belong more with the 60s bands because of their affinity to their labelmates The Beatles. But Badfinger, particularly their late bassist/lead singer Pete Ham, hold a place of great reverence in my heart. It could be argued that The Divinyls don't fall in these categories either, although some consider their early material New Wave (and I don't entirely disagree with that assessment). Regardless, The Divinyls' 1983 album Desperate is a rock masterpiece IMHO. Their version of Aussie sixties legends The Easybeats' I'll Make You Happy is one of the few covers I've ever heard that outdoes the original. And it doesn't hurt a bit that lead singer Chrissy Amphlett was and still is sexy as hell. Her picture on the front album cover of Desperate is just drop-dead sexy. Sexy is good; drop-dead sexy is something else altogether.
Punk, Math Rock, Grunge, Britpop, Stoner Rock, Riot Grrrl, and Shoegazing from the 90s. Some faves include Soundgarden, Nirvana, Hole (Courtney Love is more talented than Kurt Cobain ever was; Hole's 1991 album Pretty on the Inside is Exhibit A), Kyuss, Liz Phair, Veruca Salt, The Hives, Blind Melon, Slant 6, Smashing Pumpkins, Slint, Oasis, and Catherine Wheel. Lenny Kravitz, Kula Shaker, and The Apples in Stereo are acts from this period that I like but that don't really fit with the others in terms of genre classification.
Selected stuff from the current decade. Some of my faves are The Catheters, 50 Foot Wave, Jet, Brian Jonestown Massacre, Mellow Drunk, The Shazam, Division of Laura Lee, The Jessica Fletchers, The Black Angels, Kinski, The Debutantes, The White Stripes, the amazing McFadden's Parachute, and more.
I also love classic rock, hard rock, and some heavy metal, but my influences are primarily drawn from artists such as the ones mentioned above, who in their time and in their prime were at the cutting edge of high-energy rock 'n' roll.
My favorite musicians? Favorite male musicians would include Pete Ham, John Lennon, Jeffrey Lee Pierce, Jim Morrison (may they all rest in peace), and others. I love Joe Walsh. He puts on an excellent live show, by the way. Joe's former bandmate Jim Fox was an incredible drummer; truly as good as John Bonham (albeit with a different style), and that's saying a lot. I love his work on The James Gang's classic The Bomber. The late Benjamin Orr of The Cars had a great singing voice. I had a chance to spend a few minutes talking to Ronnie Weiss (lead singer of Mouse and the Traps) back around 1988 or so, and he was a really nice, down-to-earth guy, not full of himself like so many musicians are. And I'd like to meet Todd Rundgren someday.
Fave female musician would have to be Chrissie Hynde; I would stop just short of saying that I would kill to meet her in person and be able to hang out with her and pick her brain. When I listen to The Pretenders' early material from when guitarist James Honeyman-Scott was still alive (first two LPs plus their EP), time stands still. Chrissie was in top form back then. She seemed to really take a creative setback when James died, and a lot of the emotion seemed to die in her work (although I must admit that some of her mid-period material is pretty good). I also love Courtney Love, think Grace is (well, okay, was) Slick, and would let Joan pilot my Jett any day of the week. If Dale Bozzio were a Missing Person, I would like to be lost right along with her. I really dig Kristin Hersh of Throwing Muses and 50 Foot Wave. Kristin's sexy and talented, her voice is truly one-of-a-kind, and as a singer/songwriter/musician she can kick some serious ass. Christina Billotte, who has been in various bands such as Autoclave, Slant 6, and The Casual Dots, is cool with me. I love Slant 6 (there are bands with similar names, so just to be clear, I'm referring to the Washington DC band that released a couple of albums on Dischord Records), and I wish they were still together. If you think you'd be intrigued by quirky, angular, guitar-centric pop rock with a punk ethos and a mathy edge, check out Slant 6's superb 1994 album Soda Pop-Rip Off; you won't be sorry. They rock, and the really cute, diminutive brunette (I think her name's Myra) can have my babies anytime. ;)
Sounds Like: Psychedelic rock, garage rock, old-school punk, New Wave, grunge, Krautrock, progressive rock, space rock, and classic rock. I'm hoping to stage the world premiere of a rock instrumental right here on this page in the next week or two, after I put the finishing touches on it. The song will also be posted at ACIDplanet.com in the near future.
The song that is currently on the page, Night Again, is an excellent track, probably better than anything I could have created on my own, but it doesn't give an accurate indication of my musical style. It is a 2005 collaboration with two very talented artists I met on ACIDplanet.com, kiddk8 and a lady named Emily who at the time was working under the tongue-in-cheek name There's No Place Like Home. You'll understand why it's tongue-in-cheek once you listen to it and/or finish reading this description.
If Night Again is an excellent track, it's primarily because I was only along for the ride and didn't screw it up. :) Drum 'n' Bass (DnB) is not exactly my area of expertise, so it's good that kiddk8 is an excellent DnB producer. I did leave my mark on 32 bars of the song, but I give kiddk8 and Emily all the credit. If one listen doesn't tell you it's a good track, consider this: It's had thousands of total plays and downloads at various websites, mainly at download.com. My friend kiddk8 says it's had over 3100 downloads.
In Night Again, Emily tells the harrowing, true story of growing up in a home with alcoholism and abuse. kiddk8's arrangement and production add a dark ambience well-suited to Emily's spoken word track. A word of warning: Don't listen immediately before bedtime.
Record Label: Unknown Indie
Type of Label: Indie