Ken Karsh profile picture

Ken Karsh

About Me

A respected and active guitarist, composer, and educator in the Pittsburgh area, Ken Karsh has been involved in music since he began playing guitar at the age of 9. His guitar instructors included Tom Mester, Denny Cameron, the late Alex Radulesco and Joe Negri. He attended Berklee College of Music and received his B.M. & M.M. in performance at Duquesne University. While at Duquesne University, Karsh studied composition with Joseph Jenkins and jazz composition with Michael Tomaro. He has performed with Jimmy McGriff, Barry Miles, Spider Rondinelli, Eric Kloss, Bobby McFerrin, Lee Konitz, Larry Elgart, Joe Negri, Joey DeFrancesco, “Papa John” DeFrancesco, Jack McDuff, Gene Ludwig, Bernadette Peters, the Wheeling Symphony Orchestra, the Pittsburgh Symphony Orchestra, the Pittsburgh Opera Orchestra (performing on Mandolin), Nathan Davis, Michael Gibbs, and Angel Romero. Karsh was the guitarist for numerous Pittsburgh Civic Light Opera musical theater productions, including Jesus Christ, Superstar, Chess, Chicago, A Chorus Line, Parade (composed by Jason Robert Brown, who also conducted), Fiddler On The Roof (performing on guitar and mandolin), Copacabana (composed by Barry Manilow) and recently The Lion King (at the Benedum Theatre with Gazelle Company). In 1981, Karsh was the electric guitar soloist in the Pittsburgh Symphony Orchestra’s performance of Andre Previn’s Concerto For Guitar And Orchestra. He has been featured on recordings with Bobby McFerrin, Gene Ludwig, Nathan Davis, Eric Kloss, Jimmy Sapienza, Arnold Sterling, Darryl Alexander, Lisa Ferraro, and the Wheeling Symphony. Karsh is a faculty member at the Mary Pappert School of Music at Duquesne University in Pittsburgh, PA and a faculty member at the Duquesne University Summer Guitar Workshop. Karsh is a member of the Duquesne University faculty guitar ensemble Catch 22 and is featured, along with his colleagues Bill Purse, Mark Koch, and Jeff Mangone on their CDs Reappearance and Sly On Life. Karsh’s composition Sly On Life, the title track of Catch 22’s new CD release, was featured on the Black Entertainment Television network (BET) and on WQED’s On Q television program (both performances by Catch 22). His arrangements and etudes are featured in the Mel Bay and Warner Bros. publications, Jazz Guitar Standards (2002) and Jazz Guitar Standards: Chord Melody Solos and Mel Bay’s Guitar Journals: Jazz. Karsh has authored two textbooks for guitar: Jazz Scale Workout (Mel Bay Publications) and Fingerboarding Made EZ: Scale & Arpeggio Visualization for Guitar (self published). Karsh has recently released a CD of his own compositions and jazz standards entitled Ventana. Karsh is an endorser for Brockman Guitars, Mendoza Classical Guitars, Fender Musical Instruments and John Pearse Strings. He lives in Pittsburgh, PA with his wife Andrea and their two children Alana and Aaron.

My Interests

Music:

Member Since: 10/11/2007
Band Website: http://www.kenkarsh.com
Band Members: "Ventana" available at alannarecords.com, iTunes & CDbaby.com.
Influences: Pat Martino, Johnny Smith, Wes Montgomery, James Taylor and many others.
Sounds Like: Here is a video of me performing with Gene Ludwig at Zanzibar Blue (now gone) in Philly. The personnel & video copyright is : Gene Ludwig at Zanzibar Blue Philadelphia (August 2005) video.video & copyright by Matt Rogers (11 minutes)

Gene Ludwig on Hammond B3 at Zanzibar Blue with Ken Karsh, Eric DeFade and Tom Wendt:

Record Label: Alanna Records
Type of Label: Indie

My Blog

Jimmy McGriff

A couple of days ago, I was informed that B3 icon Jimmy McGriff passed away. In 1981-1982, I spent the good part of the year on the road in his traveling band. We played various venues from Newark, Nj...
Posted by on Tue, 03 Jun 2008 06:38:00 GMT

my trigger finger release: an update.

Hi everyone:Well, to start with, let me say that I am recovering well and I will be playing at Jackson's Southpointe with Joe DeFazio tomorrow night (4/12/08) at 6:30 PM. So, what am I recovering from...
Posted by on Fri, 11 Apr 2008 22:56:00 GMT

The organic geek (a statement about the benefits of the old ways of practicing improv).

I am totally in favor of the use of technology in music. However, i feel that technology has made things too convenient. For example, chords can be typed, musical passages can be looped, etc. This is ...
Posted by on Tue, 01 Jan 2008 08:45:00 GMT

Update.

Hi all! It's been a busy time wrapping this semester up at Duquesne University & California University of PA. I have finally added some new audio. One is a sample of a live excerpt from a gig at Sassy...
Posted by on Tue, 11 Dec 2007 21:12:00 GMT