ARP Instruments Inc.

Alan Pearlman was an engineering student at Worcester Polytechnic Institute in 1948 when he foresaw the coming age of electronic music and synthesizers. He wrote: "The electronic instrument's value is chiefly as a novelty. With greater attention on the part of the engineer to the needs of the musician, the day may not be too remote when the electronic instrument may take its place ... as a versatile, powerful, and expressive instrument." Following 21 years of experience in electronic engineering and entrepreneurship, Pearlman founded ARP Instruments in 1969 with US$100,000 of personal investment and a matching amount from investors. Throughout the 1970s, ARP was the main competitor to Moog Music in the field of musically useful synthesizers. There were two main camps - the Minimoog players and the ARP Odyssey / ARP 2600 players - with most proponents dedicated to their choice, although some players chose to pick and chose between the two for specific effect, as well as many who dabbled with products produced by other manufacturers (in a similar manner to the ongoing PC versus Mac debate). The ARP 2500 was featured in the famous movie Close Encounters of the Third Kind. The ARP technician sent to install the unit, Phil Dodds, was cast as the musician who plays the alien tones on the synthesizer. The demise of ARP Instruments, Inc. was brought about by the ill-fated decision to invest a significant amount of money in the development of ARP Avatar - a synthesizer module closely resembling ARP Odyssey, but equipped with a guitar pickup and a pitch to voltage converter. Although an excellent instrument by all accounts, the Avatar failed to sell well and ARP Inc was never able to recoup the R&D costs, which resulted in its bankruptcy...ARP 2600 "Patch 2"Stevie VS ARPARP Odyssey Model 2821 (part 1)"This page is in no way affiliated with ARP Instruments Inc.. All names, logos, and photographs here are used for the sole intention of historical & educational purposes only"