Shaela Miller profile picture

Shaela Miller

About Me

With lyrics that offer an uncensored peek at the internal workings of the artist’s heart, the music of Shaela Miller is not to be missed. Playing with raw, real emotion Shaela enraptures the listener from the first strike of the string until the reverb dies. A fusion of cheatin’-hearts, dirty deeds, lost loves and wine-soaked thoughts of better days, her songs bring to mind Patsy Cline, Kitty Wells, Hank Williams with a collection of Iris Dement and Lucinda Williams albums with a healthy dose of rich guitars and steel strings. It is the soundtrack to a red light district of broken promises and barbed tongues. Shaela Miller’s music leaves you wanting more. With subject-matter not necessarily often found on the dance-floor, her music will have you dancing in spite of yourself.
Although born and raised in Victoria B.C, Shaela Miller has been living in the prairies of Lethbridge AB since the age of twelve. Learning to play guitar at fourteen, writing her own songs at sixteen, she hit Lethbridge's live music scene before coming of age. Performing at several music venues, festivals, and events she continued on that vein by working at Lethbridge's Tongue n Groove where she found herself surrounded by the sort of people and atmosphere perfect for an up and coming songstress. A former member of Les Sangreales and Red Wine Smile and current member of the Shaela Miller Threesome, Shaela is now a veteran in the local music scene in Lethbridge. She is also the face on the mural of The Slice Bar & Grill- a prominent live music venue. Solo or with her band, she has opened for touring acts such as Elliott Brood, Agnostic Mountain Gospel Choir, Danny Michel and Twilight Hotel to name a few.
The Shaela Miller Threesome consists of upright bassist Paul Holden (The Turncoats, Hippodrome), drummer Tyler Bird (John Wort Hannam, Queen of the Worms), and herself on lead vocals and semi-hollow electric and acoustic guitars. Bringing to the show an all original performance filled with songs reminiscent of the country music played in the 50's and 60's with a dark indie twist from the present and future, you will find yourself stunned with the immense emotion and passion of this trio. Vocal lines with Shaela's infamous vibrato and warble will give you shivers beyond belief and you'll be twisting your feet and shaking your tail before you know it.
Shaela’s music has begun to spread beyond the confines of Lethbridge as she has appeared on the cover of the Calgary Herald for Juno fest’s Music in Motion, and has played on Breakfast Television on Calgary’s A-Channel. She has also recorded in Los Angeles with Tim Feehan and is expected to have a song that she and Feehan co-wrote played on the hit television series 'My Name is Earl'. Shaela Miller won Alberta's South Country Fair 2009 songwriting competition for her song "Loving Me".

My Interests

Music:

Member Since: 02/09/2007
Band Website: coming soon
Band Members: Shaela Miller - voices, guitars
Tyler Bird - drums, percussion
Paul Holden - upright bass

Randy Shaver and I produced these tracks in his basement recording studio.

In these songs:

Shaela Miller - vocals, electric, acoustic, keyboards.

Randy Shaver - backing vocals, bass, electric, percussion.

Shaela Miller
Prairie Girl Lights The Night On Fire
By Mustafa Mutabaruka for Beatroute Magazine

Like most musicians, not only is Shaela Miller late for everything except a gig, but without her guitar and lipstick, she's also shy. "Don't look at me," she laughs, rushing past. "I don't have any make-up on yet."
I've been waiting for ten minutes. Seated at her kitchen table, I will wait for ten more - only then does she invite me to see the portrait a fan has painted of her. "Beautiful, huh?" she says. Absentmindedly twirling her wet, black hair into a braid, she no longer seems shy. Thin and pale, with lipstick and Cleopatra eyeliner, she reminds me of Edie Sedgwick. "It is," I agree, wondering if her remark refers to the painting or to its subject. The painting, I guess.
Leaving her house, we soon settle into a corner table at the Round Street cafe. As we eat and talk, I again contemplate her similarity to Edie Sedgwick. Maybe it's just her youth, I think - her leather boots and kinetic energy. Then again, it might just be the thick, black eyeliner.
"Babies are so cute," she soon whispers, looking at a young couple seated nearby, "but not newborns. They look... disjointed." Glancing over my shoulder, I look at the tiny, red-faced infant lying limp in its mother's lap. It's true. It does look disjointed. Recognizing Miller, the baby's father asks if she's currently on tour. "Not right now," she replies, smiling as she looks at the man, then again, warily, at his baby.
A celebrated performer throughout southern Alberta, Miller's star has yet to fully rise. However, with several upcoming shows and the release of a new album in June, such a step seems inevitable. "There's still so much to do, to learn," she says, picking at her chicken and Brie sandwich, "but it takes time. I'm only 22, right?"
JunoFest 2008, a brief stint with producer Tim Feehan in Los Angeles, countless gigs - she has already, nonetheless, learned a lot.
"Like, how to get paid after a gig," she explains, "or using a cover song to connect the audience with my own work. A lot of things."
Renowned for her unique voice and dark, lyrically-driven melodies, Miller is also a gifted, intuitive musician. Her instrument of choice? A six-string, hollow-body Cort guitar. "It's not country," she explains, when asked to describe her music, "and it's not rock. It's dark, indie alt-country rock."
Indeed, Miller's music, with its heavy reverb and even heavier themes, recalls Nick Cave or the deceptively dark and morbid early songs of Dolly Parton.
"A lot of artists are inspired by the same things," she observes. "Love, lost love. Death and sex are just the extremes."
I ask her a final question.
"Have you ever heard of Edie Sedgwick?"
Warhol's muse, and the inspiration for such iconic songs as the Velvet Underground's "Femme Fatale" and Bob Dylan's "Like a Rolling Stone," Sedgwick died of a drug overdose in November of 1971 at the age of 28.
Thoughtfully, Miller looks again at the couple and their newborn infant. Any life but that life, her expression seems to say.
"No," she finally replies. "Who's that?"
And for this, I am glad.
Influences: The Smashing Pumpkins
Patsy Cline
Placebo
Neko Case
Jon Spencer
Chris Isaak
Elliott Brood
Rae Spoon
Tongue N Groove
Les Sangreales
Red Wine Smile
Tod Robinson and the Gleu
The Turncoats
Trevor Kohlman
The Perpetrators
The Messenger Band
Queen of the Worms
Kory Istace
The Void
Fifteen Famous Minutes (AKA Randy Shaver)
The Vespas
Michael Bernard Fitzgerald
The Uncas
Twilight Hotel
Red Ram
Honky-tonk piano
Slide guitars and Banjos
The Captain's Spiced Rum
Broken hearted fools
And maybe you.. Maybe..
Sounds Like: pointing my toes like a dancer
I wished once for all the answers
sitting in the sun, I wept with a nun
hoping she'd cure all my cancers.

she wiped the mess from my eyes
and craving the simpleness of lies
I leaned over to kiss her, touch her, dismiss her,
on my tongue I can still taste her cries..

Record Label: Unsigned

My Blog

New Album

Friends and folks,A lot of people have been asking about when the new album will be finished and for sale :) I was ill for about a month and that halted our recording process. I am estimating the time...
Posted by on Fri, 27 Mar 2009 16:46:00 GMT