Member Since: 25/08/2007
Band Website: www.tomkitchen.com
Band Members: Too many awesome peeps to list here. I have been doing this for a long time.
Current collaborations include Elly Vahey, Pat Vahey, Tim Sul, Doug Russell, Aaron Forsyth, Rick Sadlier, Ralph Reitinger, Patrick Vahey, Jr., Dev Jana, Rick Dibello, Lea Bodine, Tommy Morrison, Anthony Makusi, Jeff Vavala, Trevor Huster, and Mofryky.
Current Bands:
Eastave
Letters to the Dead
Zero Hour Effect
Mofryky
Tommy Morrison
OVM '08
Torn Curtain (as a new addition)
A Few Notable Former Bands:
Hammered Bass
Organic Voodoo Machine
Higgledy Piggledy
Pink Bombers (AKA the Rocky Horror Show Band....we kick ass and come out for a couple of weeks every Halloween!)
The Thirteenth Story
The Angry Wigs (house band for Hedwig and the Angry Inch... and we actually played some real shows outside of the stage production.)
Influences: Animal (the Muppet)
Jameson (the Irish)
B.F. Skinner and Steven Hayes (genius and genius-plus)
Drums:
Carter Beauford - Matthews Band
Stewart Copeland - The Police
Buddy Rich- sometimes known as "The greatest drummer to ever draw breath"
Abe Laboriel, Jr. - Vanessa Carlton, Paul McCartney, Independent
Steve Jordan - Independent, John Mayer Trio
Brady Blade - Jewel, Independent
Dave Weckl - sick jazz fusion/latin player
Jose Pasillas - Incubus
Tommy Lee
Dennis Chambers - Independent, jazz/funk maestro
Will Kennedy - formerly of the Yellowjackets
Chad Sexton - 311
Tyler Stewart - Barenaked Ladies
Chad Smith - Red Hot Chili Peppers
Vinnie Paul - Pantera
?uestlove - The Roots
John Bonham
Peter Erskine- jazz giant
Danny Carey - Tool
Sounds Like: I play pretty much anything: Rock, jazz, jam, pop, hip-hop, theater, funk, acoustic, etc. I have even done some electronica-ish stuff.
You tell me what it sounds like, because I wanna play on YOUR project.
Here's my thing:
Drummers can be an integral part of the creative process. I pity the people whose experiences with bad drummers have led them to think that drummers aren't on equal footing with other musicians. The best drummers are the best listeners, 'cuz we have to be the glue that ties everything else together. That's why we can make some effin' great producers, too! Often, what sets one musical endeavor apart from another is the ability of the drummer to support a song while expressing the emotion, flair, or lack thereof that is required by the piece. A great drummer can make a mediocre band/project sound great, and on the flipside, a mediocre or bad drummer can make an otherwise great band/project sound amateurish.
It takes a sensitive musician to play without a preconceived notion, and allow the song to dictate the rhythmic direction. Spaces are as important as the notes we play, and I have worked hard to learn this over the past few years. So, I will sometimes go the simpler route and play next to nothing if that is what the music calls for. At the same time, though, I often wanna take some risks and stretch out even if it goes against the formula that shackles and binds a lot of people into a narrow-minded box. I try not to be stuck within the formula, but rather at the mercy of the music. It tells me what needs to happen. If the music is formulaic, so is my drumming. If, on the other hand, the music is dynamic or intense, I am going along for the ride. (Only, of course, if that is what the producer or songwriter wants...No matter what I think, they're the boss, applesauce!)
Some songs call for a roaring frenzy, while others call for drama over bombast. I strive to play parts that are both "tasty" and "tasteful" at the same time. I consider myself to be a "drummer's drummer," but equally appealing to singer/songwriters. I have worked hard to strike this balance, as have many of those whose playing has inspired me the most. Intricate parts with flair can be musical. Full-on percussive assault also has its place, and I love it. But I also realize that sheer dynamic simplicity is also as cool as anything. Sometimes a shaker is all you need, baby!
Record Label: Unsigned