from free Dominguez
to anyone without A.D.D.:
***
This medium of expression has opened a portal to limitless galaxies right in my tiny skull. Or maybe it is my tiny heart. Chicken and egg. Pork and beans. I had finally found a use for my somewhat dyslexic, spaghetti highway of a thought process, dreams that speak to me, wonderings (e.g., "where do butterflies return to die?"), and impressions of energy and virtual particles that sometimes seem more real than skin. Bruce and I have gone through a lot in the past 3 years and 11 months: 2 record deals, 3 managers, many legal situations, 2 bands, many debts and other challenges. Oh yeah, and in the midst of everything, we managed to write 2 albums, with an excess of song zygotes in culture dishes (computer hard drives!) waiting to be born. Now we have the foundation. The balance. We have committed to growing upward and outward, our branches reaching infinitely through our expression. The fruits of our labor manifest first from being the most content in employing our inspiration. We put it to work, baby. We push ourselves; we push each other. We tell each other when it sucks and when we think it rules. The love and respect for the auric syrup that pours when we write has brought us to this point. ZerØspace.
The first album, Trickster, told a story about looking at the shadows of unspoken internal wars and shedding identities and illusions that veiled pure Self. Trickster ends with realizations -- memories, dreams and reflections, if you will. Exit Trickster. Enter KT's second record, ZerØspace. ZerØspace is balance. The album begins with the insight that now the inner stuff has been tossed around, faced, and set in the White Room, a balance between this internal platform and the external world needs to happen. It begins by seeing with new eyes. Everything looks different. Nature is speaking. You're driving a vehicle, and what is most important before the ride ends? The first third of the story in ZerØspace explores understanding and acknowledging the equal opposite of a 'thing or action' (the "hallu-c-in-ation"). The next third is about relating, integrating the outer world, and how no experience or situation is a "bad" or a "good" one. They are just experiences, and the observer's attitude can change everything. The last third of the record is about keeping the delicate balance, taking 'serene dream' into a mantra that turns thoughts battling thoughts into one calm sea. The balance. The last 2 tracks are symbolic to moving on to the next awakening, pushing the limits of knowledge aside for more growth. We wanted ZerØspace to musically represent the search for balance with twists and turns, highs and lows and different influences that we love. We sought to translate opposites and extremes with every fiber of our ability -- for the balance. There is a thread of humor throughout the record, although it seems to be for my own personal amusement. That's okay, it's my piece of pie in the corner. Location, location, location. . . .
The band coming together has been a grand ole extension of familial essence. The "build it and they will come" theory comes to mind. Everyone has a brilliant attitude and a common resonance of humor. Christian (a.k.a. "Fidget"): he's the Old' Dirty Bastard of the band, I think. We may be taking out a separate insurance policy on him. Sean is quite the Taurus - an herbivore, dedicated, a big heart, tactless, stubborn and always helpful. Moni is The Spaceman. I say these things with the utmost respect -- I believe an ancient philosopher once said, "It takes one to know one." We've been known to laugh during rehearsals and destroy a song, but sometimes we just can't stop giggling like kids. Laughter rules, and everyone is extremely talented and devoted to the sonic drama. KT are finally going to tour properly! The full album comes out in February at stores near you - and at a dot-com near your fingertips.
We strive to provoke and to be rockafiably tasty. So hopefully at the root of all this, something is felt. And in the most sincere words Bruce and I have said to each other yet: "Um, like - whatever." Forget everything you just read. These words can now be thrown away. Just be. . . . peace & love fd
Kidneythieves are:
free dominguez - vocals
bruce somers - guitar
chris schleyer - guitar
christian dorris - bass
sean sellers - drums
management:
Warren Entner Management
email: [email protected]
"Zerøspace is the place you find balance," explains vocalist and lyricist Free Dominguez. "This record is all about the search for balance in life, and how you really can't ever find it unless you acknowledge the presence of and understand the extremes."
Throughout their sophomore release Zerøspace, Kidneythieves not only acknowledge the presence of extremes, they embrace them and oscillate freely between them in a quest for balance. Entrancing the listener with teasing jaunts to musical and lyrical tangents, Zerøspace stands testament to a creative team that has grown emotionally and spiritually.
"We needed to vomit in a lot of ways on the first record, from our psyche and the repression that we both had inflicted on ourselves," explains Dominguez. "On this record, we've grown mentally, physically and spiritually, and have taken some of the tools we've found together and made things better."
Dominguez and musician/engineer Bruce Somers employ their cooperative tools to explore extremes within each composition on Zerøspace, carefully crafting cohesion from apparent chaos. While Bruce Somers diligently layers thick industrial guitar parts and electronic tweaks over driving low end and haunting atmospheric effects, Free Dominguez allows her vocals to run the gamut of emotion, effortlessly flowing from soft and endearing ethereal plains to angst-ridden emotive strains. Kidneythieves' music consistently gels effortlessly from blatant dichotomy.
"We have a natural chemistry in terms of her patience to work with me and my being completely inspired by her as an artist, singer, and wonderfully creative person," explains Somers. "The chemistry is the magic."
The chemistry between Somers and Dominguez is readily apparent on the salacious "Arsenal," which enthralls the listener in a hypnotic swirl of throbbing beats, fades and effects. Amidst the aural trance, Dominguez sensually suggests, "She's a time bomb with her vibe on, she's gonna use it and surprise them." Similarly, "Placebo" emerges mysteriously from atmospheric vastness, gradually gleaning percussive elements and settling into a languorous existence. As the song evolves, Dominguez whispers a lesson to herself, "No more wishing wells that never come around. No more growing trees without a ground."
"When I listen to those two songs it doesn't feel like I had anything to do with them," explains Somers. "Free and I listen to each song, and I do everything from stringing the first guitar to preparing the recordings for the final mix/master. When I listen to those two, I don't remember anything about creating them - not to sound flaky, but that's the magic of how things come together for us."
Kidneythieves' compositional magic allows Zerøspace to adeptly roam from the hard-edged industrial guitar onslaught of "Before I'm Dead" and semi-apocalyptic mayhem of "Dyskrasia" to the sweet placidity of "Serene Dream."
"I had this amazing dream that was so incredibly real and I was in this amazing place," explains Dominguez of "Serene Dream." "You take that feeling out into the world and it just fades, and fades, and fades. I wanted to capture that feeling of how you feel when you wake up and something seems so real."
Replete with cello and viola, "Serene Dream" exemplifies Dominguez's penchant for releasing her emotive inner voice, eliciting tacit involvement with everyone who comes in contact with it. With a soft and alluring innocence, Dominguez recounts her nocturnal experience, "Serene Dream / free of thirst and pain / heavy turns to cake / Serene Dream / where the ethers speak."
Where "Serene Dream" appears as an angelic apparition on Zerøspace, the primary essence of the album fittingly resides in the teasing title track. Lumbering out of the gates on disjointed guitar snippets, low end and a variety of effects, the cut stops and changes directions at will, evolving through the last note without losing an ounce of allure. Lyrically, "Zerøspace" underlines Dominguez's playful storytelling style with the contradictory assertion, "I am a fallen zero / below the glaciers of the evil / I am a golden superhero / above the sun and all the people."
"Looking back, I had already figured out how to find my own delicate balance, and I wanted to express how I got there," explains Dominguez. "How can you know unless you've already experienced it?"
Dominguez and Somers have both experienced unsatisfying career extremes prior to creatively gelling as Kidneythieves. Originally a drummer, Somers met his musical mentor Sean Beavan of Nine Inch Nails fame (credited with assistance in mixing Zerøspace) at Ohio University in the mid 80s. Aside from a propensity for playing early 90s dirge, Somers became interested in an emerging industrial artist named Trent Reznor.
"I was always sort of blown away by what he had done with Pretty Hate Machine and everything since," explains Somers. "My biggest inspiration was what he did to take industrial music from being not very accessible to something very listenable - combining pop melodies with heavy industrial dirge music, and all the studio tricks and fidelity of it - everything about it."
Somers gradually built himself a studio via proceeds from various gigs with a variety of musicians, as well as composed music for movies and television.
Having written her first song by the age of six, Dominguez lost track of her musical destiny in lieu of other creative pursuits such as poetry and dancing. Regaining her direction later in life, she too experienced a number of creative pitfalls prior to meeting Somers through a neighborhood restaurant manager.
"I realized I was not completely fulfilled writing with the person I was working with, and a few days later I went into the restaurant and there was Bruce," explains Dominguez. "We went into the studio and it clicked. It just seems like what we should've been doing all along."
Whether delivering catchy subtleties with sultry attitude ("Glitter Girl," "Black Bullet") or exuding brooding sexuality on a delightfully twisted version of Patsy Cline's "Crazy," Somers and Dominguez maintain a hauntingly tactile connection with the listener. Throughout Zerøspace, Kidneythieves lesson on balance defies and transcends conventional rules of composition, succeeding in creating musical hybrids from seemingly unmatchable extremes.
"Once there is an awareness of sustaining balance, it's time to move forward, " explains Dominguez of Zerøspace. "This struggle is over."
