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Michael Messer

About Me




"Michael Messer is a virtuoso slide guitarist who has one of the best bands performing some of the greatest blues tunes produced this century. His playing encompasses the entire history of the blues but is totally individual and contemporary. His use of turntables in the band adds a new element to the music and Messer’s haunting vocals ooze authenticity and integrity. The American magazine, ‘Spirit’ listed Michael as one of the greatest slide guitarists ever alongside Duane Allman and Ry Cooder". Dave Tracey
Michael Messer was born in Middlesex in 1956. Throughout his childhood and teens he played rock music with his two brothers and in various local bands. In his early twenties, Messer spent time in Nashville where he had the chance to meet and hear some of the ‘greats’ of country music performing in their home environment. These included Roy Acuff, Hank Snow and Johnny Cash. Back home in England in the late seventies, Messer was mastering the art of Mississippi delta blues slide guitar, buying his first National steel guitar in 1979. He began playing blues gigs, both as a solo artist and in various local bands in the early eighties.
In 1983 he met Ed Genis and they began playing music together, a partnership that has lasted for the past two decades. During that year, Messer started gigging regularly with British blues singer, Mike Cooper, and through him he got known on the folk and blues circuit. In 1984, Cooper asked him to play slide guitar on The Continuous Preaching Blues, an album he was recording with Ian Anderson (now editor of fROOTS).
The Michael Messer Band was formed in 1985 and they cut their first album, Diving Duck, in 1987 which received some fantastic reviews. “Beautifully played. Diving Duck is the kind of album Ry Cooder should be making”. Q magazine
In 1989 Messer produced and played on an album with the legendary Venice Beach busker, Ted Hawkins, called I Love You Too, which was later re-released as Nowhere to Run. In that same year he became friends with the late S.E. Rogie and produced some tracks for his New Sounds of S.E .Rogie album.
Messer’s second album Slidedance was released in 1990, and one year later, he was voted Acoustic Blues Artist of the Year at the B.B.C Awards. “To say that Messer is a slide guitarist is like describing Mother Theresa as a nun! Slidedance is possibly the finest blues / world music album of the year. One of the best slide guitarists Britain has ever produced”. Time Out
Rhythm Oil, a trio album with songwriter Terry Clarke and Texas guitar ace, Jesse ‘Guitar’ Taylor, was released in 1993. The CD boasts sleeve notes written by the late Johnny Cash, a rare honour shared with Bob Dylan and Kris Kristofferson. “What I hear here is the real thing - Bare-bones blues gut-bucket rural rock. This record carried me away to a long time ago, down a delta dirt road to a land of my musical good-old-daysing. PS…Don't squeeze the trigger, if you can't stand the recoil.” Johnny Cash
1995 saw the release of Moonbeat, which featured a mixture of world music and blues, as well as DJ Louie Genis (son of rhythm guitarist Ed) scratching old blues vinyl. A practise that became popular a few years later with the likes of Little Axe, Moby and R.L. Burnside. "MOONbeat is an extraordinary, innovative album that deserves to be heard".
In 1999, Messer went to Alberta to record with Canadian guitarist/songwriter Doug Cox. One of Cox’s songs from the sessions, Cold When I’m Dead, which features Messer playing electric slide guitar, can be heard in the latest Terry Gilliam movie Tideland.
In 2001 Messer released King Guitar, a compilation album comprising of sixteen tracks from back catalogue. The album received critical acclaim on both sides of the Atlantic, reached number one in the US Living Blues chart and in May 2001 was the most played album on US college radio. One prominent American reviewer described him as “an unavoidable force in modern blues” and commented that “King Guitar has met a new century with style, grace and a new colourful direction for the music”.
Second Mind, recorded and released in 2002 followed the widespread success of King Guitar. This highly anticipated and critically acclaimed album featured Messer’s regular band, plus the great Ruby Turner on backing vocals. DJ Louie Genis came back into the fold and this time instead of working on one or two tracks, he cut loose and played on the whole album, creating a sound that was both totally contemporary and very traditional. The album won the Best Blues Guitar Album at the 2003 International Guitar Federation awards, beating other nominees including Chris Rea, Sonny Landreth and Eric Bibb. On ‘Second Mind’, Michael delivered a set of recordings that stretch across the musical landscape. Deeply rooted in and inflected with the blues, the album incorporates a rich and diverse texture of different styles that appeal to an array of musical tastes.
‘Michael Messer is one of the most important bluesmen in Britain and mightily relevant throughout the blues world. He has progressed from being an excellent technician - on the National Steel especially, to being in the vanguard of the 21st century blues. And that doesn't mean he has forsaken traditional values either. A beautiful amalgam of history and foresight; musicality and grit; blues, boogie and beats - Second Mind is a work of near genius’. Joe Cushley – Mojo/Blues Matters
Messer signed to Cooking Vinyl in 2005 and released his eighth album, Lucky Charms, in February 2006. Recorded and mixed the old way with no digital trickery or computers, just reels of tape, live performances, an old mixing desk and a lot of patience. The album features ten original songs. Louie Genis, now very much a part of the Michael Messer sound, is scratching and texturing with loops, old vinyl and home made samples, and the music has a more acoustic feel to it than Second Mind. Ed Genis is playing rhythm guitar, Richard Causon is ..boards, Jerry Soffe is on bass, Simon Price is on the drums, and of course Michael Messer is singing and playing slide guitar. Lucky Charms has garnered many fantastic reviews and along with recent tour dates, festival appearances and live sessions for various radio stations since the album's release, Michael Messer is becoming known worldwide for his unique sounding band, Michael Messer & the Second Mind Band.
In 2007 Soyuz Music in Russia released Lucky Charms, Second Mind & King Guitar. The albums are currently garnering excellent reviews in the Russian press.
Michael Messer’s significance as a blues artist is further confirmed by his inclusion in "The Virgin Encyclopaedia of the Blues.” Messer’s name appears alongside many of the blues ‘greats’ who influenced his playing.
Newtone® Guitar Strings in conjunction with National Reso-phonic® Guitars have a Michael Messer brand specifically made for the National steel guitar, which reflects the esteem in which he is held. These are the brand leaders in their field and used by most National steel players around the world.
MICHAEL MESSER ALBUMS, SINGLES, DVD & VIDEO
1988 DIVING DUCK (vinyl LP) - PT Records
1990 SLIDEDANCE - Minidoka
1990 DIVING DUCK (CD) - Minidoka
1990 HUMMINGBIRD (CD single) - Minidoka
1993 RHYTHM OIL - Minidoka
1995 MOONBEAT - Appaloosa
1996 NATIONAL AVENUE - Scratch
1998 SLIDEDANCE (re-release) - Koch
1998 RHYTHM OIL (re-release) - Koch
2000 SLIDE GUITAR volume 1 - Video/DVD - MM
2001 KING GUITAR - Catfish
2002 SECOND MIND - Catfish
2003 PLAY THE BLUES 3CD box-set - Catfish
2006 LUCKY CHARMS - Cooking Vinyl
2006 LUCKY CHARMS (single) - Cooking Vinyl
2006 SECOND MIND (re-release) - Cooking Vinyl
2006 KING GUITAR (re-release) - Cooking Vinyl
2006 GUITAR MAESTROS - DVD - Sound Techniques
2006 INTRODUCTION TO BLUES SLIDE GUITAR - DVD - Euro Blues
2006 BRBF 'LIMITED EDITION' DVD - BRBF
2007 SECOND MIND - Soyuz (Russia)
2007 KING GUITAR - Soyuz (Russia)
2007 LUCKY CHARMS - Soyuz (Russia)
OTHER RECORDINGS & GUEST APPEARANCES
1984 slide guitar THE CONTINUOUS PREACHING BLUES IAN ANDERSON & MIKE COOPER - Appaloosa
1988 produced & played TED HAWKINS – I LOVE YOU TOO - PT (later re-released as NOWHERE TO RUN) - Catfish
1989 co-produced three tracks THE NEW SOUNDS OF S.E. ROGIE - Workers Playtime (MM is not credited on album credits)
1989 slide guitar/banjo FRANTIC FLINTSTONES - NOT XMAS ALBUM - Link
1995 one track BLUES TO BOP compilation - Blues to Bop
1995 two tracks TOTAL GUITAR 'ULTIMATE SLIDE GUIDE' CD
1996 seven tracks THE GUITAR library music CD - Funtastik
1996 one track GET WEAVING compilation - Weaving Records
1998 slide/steel guitar on four tracks THE KENNET SHEIKS - Sheik Music
1998 production & guitar - TED HAWKINS 'SUFFER NO MORE' - Rhino
1999 one track GIVE ME THE BLUES compilation - Valve
1999 one track BLUES TO BOP compilation - Blues to Bop
2000 guest slide/steel guitar STAY LAZY - DOUG COX - Ragged Pup (one track from this album featuring Messer's electric slide playing can be heard in the Terry Gilliam film, TIDELAND)
2001 one track - Ginni Hogarth BETWEEN THESE WALLS - Kano Music
2001 one track BLUES IN BRITAIN 2001 compilation - Blues In Britain
2001 TED HAWKINS - NOWHERE TO RUN (re-release) - Catfish
2001 two tracks GUITARIST 'PRECIOUS METAL' - Guitarist
2002 one track CATFISH RECORDS sampler compilation - Catfish
2003 slide/steel guitar - DAVE PEABODY – SLIDE BY SLIDE - Appaloosa
2004 one track CAUGHT IN THE NET compilation - Spyda
2004 one track A HISTORY OF PROGRESSIVE BLUES volume 1 - Proper
2005 one track A HISTORY OF PROGRESSIVE BLUES volume 2 - Proper
2005 guest appearance GOURMET GUITARS volume 1 – DVD Sushi Overdrive
2007 slide/steel guitar NATIONAL DEBT - FROM THE HORSE'S MOUTH - No Tom
2007 one track PLAY magazine RUSSIA - COVERMOUNT CD - Soyuz
2007 two tracks THE BEST OF THURDSDAY BLUES - Woke up this mornin'
BOOKS
1998 VIRGIN ENCYCLOPAEDIA OF THE BLUES by Colin Larkin - Virgin
2004 AMERICAN BLUES GUITAR by Rick Batey - Hal.Leonard
Michael Messer & the Second Mind Band Italy 2007
Guitar Maestros- Michael Messer

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Member Since: 7/1/2007
Band Website: http://www.michaelmesser.co.uk
Band Members: MICHAEL MESSER & THE SECOND MIND BAND

Michael Messer
- Vocals & Slide Guitar

Ed Genis - Rhythm & Lead Guitar

Louie Genis - Turntable

Jerry Soffe - Bass Guitar

Simon Price - Drums

Occasional shows - Richard Causon - Piano
Occasional shows - Matt Round - Bass Guitar & Upright Bass

Sounds Like:

On some tracks super guitar player Messer is the equal of Ry Cooder.
Marc Nolis - Mazz Musikas - Jan 2007

This track…just excellent…this is called Lucky Charms.
Mark Lamarr – BBC Radio 2 – July 2006

Michael Messer's approach to his music isn't just idiosyncratic, it's a whole personal blues genre.
Nigel Rose – BLUES MATTERS! - June 2006

If Beck & Nick Cave ever had a love-child, it would be Michael Messer. His use of modern music composition blends so perfectly with the Rhythm & Blues beats that it's a surprise nobody has melded the two to this extreme before. This does for Rhythm & Blues what Jamie Cullum has done for jazz.
GK - The Works - Jan 2006

Knife Song comes across like a demented out-take from Exile On Main Street. Messer dazzles on the slide throughout.
HMV Choice - Mar 2006

Havana Blues could have been from Moby at his best. Lucky Charms is an indispensable CD for those wondering what future blues might sound like.
Antoine Légat - Bobtje Blues - Mar 2006

Michael Messer and his ensemble were very much the cherry on the cake, a truly awesome live band. Its the genuine article. From the opening whistle the chuffing slide guitar delivers stand up feelgood blues with the ghosts of the blues forefathers ever present lurking in the background courtesy of some very clever sampling, a little English quirkiness with a tinge of Mississippi essence. What a wonderful flavour! Wow vintage new blues. Don't miss this train, it could be the journey of your dreams!
Simon Rowan - AMAZON.CO.UK - Feb 2006

Lucky Charms, is a sharp elbow to the ribs of a genre where there are many legends much skill, but few surprizes. It's fresh and colourful, yet Messer and his Second Mind Band sound as if they were recorded by some 'collector' on a Southern cotton picker's front porch and archived for posterity in a sepia photograph. Keep an open mind - you'll be intrigued and captivated. I can't imagine anyone with a blues soul and a beating heart not being blown away by Messer's Lucky Charms. Play the album loud and listen how the individual parts are put together to make this stunning Second Mind Band whole.
Sue Cavendish - NetRhythms - May 2006

This album, Lucky Charms, is like a slightly rawer Gomez. It’s very, very good.
New Noise - Dec 2005

The 17th International Guitar Festival of Great Britain was opened by one of the best guitarists in the world. Michael’s self-deprecating manner and pure musicianship shine naturally, a master of his instrument, his music almost creating a genre of his own. If you need to look for analogies there is much here; not just Duane Allman and Ry Cooder, try Moby, Little Axe, even Brian Jones. With possibly two of the best guitar albums of the 21st century to his credit, ‘King Guitar’ and ‘Second Mind’ - Michaels playing will become legendary. Michael Messer is the most important British blues guitarist of the modern era.
Mike C - (International Guitar Festival of GB 2005)

Michael Messer is probably the best thing to happen to the blues since that sad day R.L. Burnside abandoned his guitar in his manager's office. Don't believe me? Go and see him live; acoustic or with his Second Mind band. His electric slide guitar weaves and duels with the sampling and scratching from young Louie Genis's turntable and collection of old blues vinyl. This is contemporary blues with its heart in US delta country and urban Chicago, but here's something going on that makes the hairs stand up on the back of your neck......here we have guitar blues at it's most skilful, melodic and creative with the deepest of blue roots. Messer and band rocked us and rolled us through an awesome set.
Sue Cavendish - NetRhythms - July 2004

Moby eat your heart out. Second Mind is the best British blues album of the 21st century so far.
What's On London - Jan 2003

Second Mind is a work of near genius.
Joe Cushley - Blues Matters! - Oct 2002

MOONbeat is an extraordinary, innovative album that deserves to be heard.
Jeremy Isaac - Maverick - June 2004

Michael's own seriously stunning musicianship dazzles on every cut. The mere appearance of scratching on a blues album might seem heresy to purists, but it's saying something for Michael's skill that it's selectively and intelligently used and not remotely out of place. In the end, then, if you want a blues-based album that's full of excellent playing, yet startlingly original and refreshingly different, then don't "messeround", check Second Mind out pronto!
David Kidman - NetRhythms - Nov 2002

There’s a feel of being on the street in Clarksdale, Messer’s vocals drifting in & out....then you hit the killer smooch of Tail Feather Blues, a Green Onions riff attacked from behind by DJ scratching as Messer’s slide duels with harmonica. Dark & Demonic. ( 4 stars )
Nick Dalton - Maverick - Nov 2002

In the hands of Jerry Douglas, Michael Messer, Sonny Landreth & Stacy Phillips, the resophonic guitar has journeyed light years from its country/blues roots.
Paul Alcantara - Guitar Buyer - Dec 2002

....and the inventive slide-guitar stylings of Michael Messer, who gives Sonny Landreth a marathon for his money on King Guitar
Tony Russell - MOJO - May 2001

....it's Messer's vocals which are the real revelation: heartfelt and pained, full of trial and struggle just like the best blues. If he were American he'd be right behind Eric Bibb & Alvin Youngblood Heart in the hipness sweepstakes.
Sid Griffin - Q / The Long Ryders - June 2001

One of the best versions I have heard of ‘Diving Duck’ since Taj Mahal in the 60’s. The audience were on their feet roaring their approval.
Tony Pugh - Blues In Britain - Feb 2003

There's enough skill and imagination on display here to fire half-a-dozen albums.
Tony Russell - Amazon.co.uk - June 2001

Michael Messer's acoustic work is his most special. He approaches Roy Acuff's "Steel Guitar Blues" almost from the perspective of the first bottleneck guitar players like Casey Bill Weldon and Kokomo Arnold. The sense of melancholy this brings to this old showcase piece is both entirely traditional and utterly fresh. "Moonbeat" is a classic blues tale of love in vain that evokes Bukka White's "Sky Songs" in its metaphors; Messer's guitar sounds limpid, cloudy at first, slowly becoming more and more penetrating, like the chill of the night about which he's singing.
Joe Milazzo - All About Jazz - May 2001

Mr. Messer's arrangement of "Diving Duck" is one of the best I've heard!
Ken Bays - Blues Revue - May 2001

This US release of King Guitar promises to take care of Messer's anonymity problem. The slide work throughout King Guitar is as refined as it is raw. "Robert Johnson's Wake" follows blues back to its tribal roots.
Brian Beatty – Blues Revue – Sept 2001

It did not take long for the audience to realize that it was in for a spectacular treat. Messer is an artist in every facet of his music. His personality is magnetic, and his remarks to the audience were witty and informative. His guitar playing was faultless and his vocals were amazing. What a performance!
Tony Madison - Country Music People

Record Label: Cooking Vinyl, London UK
Type of Label: Indie

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