JAMES GOODE profile picture

JAMES GOODE

About Me

James Goode is a composer, writer, and artist living and working in San Francisco. He has produced electroacoustic works for gallery, museum, and private installations, as well as for dance, live performance, radio, recorded media, and the Internet. His idiosyncratic approaches to the creation and transmogrification of sound have stimulated audiences in the United States, Canada, Australia, and Japan.
He has composed a number of pieces inspired by non-ordinary states of consciousness. Somniloquy, conceived in 2007, is one example. The narrative score for his 1999 ensemble piece Foment in the Brailles of Zoopsia references synesthesia; pareidolia; auditory, gustatory, olfactory, tactile, and visual hallucinations; multiple personality disorder; and other scientific phenomena. Spatio-sensory, an eight-channel sound installation of 2003, assigns a different sensory process to each of four pairs of speakers in the room; in this scenario, the speakers are thought of as sense organs—four eyes, two ears, one nose and one tongue—and movement of sound between them as analogous to specific types of sensory fusion.
Goode has played and/or recorded with many musicians, composers and groups, including Christopher Fleeger, Matt Davignon, Sunburned Hand of the Man, Charlie Callahan, Carrie Barclay, Walter Funk, Michael Henning, Brian Relph, Bill Horist, Jake Rodriguez, Joshua Churchill, David Slusser, Eric Glick Rieman, Dylan Bolles, Bevin Kelley, Kristin Erickson, Ji-Yoon Chun, Linda Hagood, Brenda Hutchinson, Phil Franklin, Gregg Turkington, Secret Chiefs 3, Trey Spruance, Ches Smith, John Zorn, Alan Tower, John Ingle, Matt Ingalls, Tom Nunn, Jai Young Kim, William Winant, Greg Saunier, Daan Van Der Walle, and Faxed Head.

My Interests

Music:

Member Since: 6/25/2007
Band Members: James Goode
Influences: The human brain, the human body, the natural world, corporeal morphology, sleep, sleep deprivation, synesthesia, pareidolia, sensory bombardment, altered states of consciousness, geology, archeology, paleontology, daydreaming, memory, travel, music, film, art, theater... More specifically: Le Comte de Lautreamont, Antonin Artaud, Serge Prokofiev, Nicolas Slonimsky, Marcel Duchamp, Max Ernst, Yves Tanguy, John Cage, Edgard Varese, John C. Lilly, R. Buckminster Fuller, (early) Pink Floyd, (early) Soft Machine, Eno, Wire, Dome, Residents, Virgin Prunes, Beatles, Velvet Underground, Stanislaw Lem, Philip K. Dick, The Urantia Book, Small Wonder, Bohack, Mummenschanz...
Sounds Like: Spatio-sensory:

“I really enjoyed your soundscape experience at Granny's! It was a great stimulant for my imagination. I haven't made a painting in a while but your sounds are just the thing to step into another dimension and get the imaginative juices flowing.

I felt like I was hallucinating, but it was very gentle, abstract and pleasant. The only other time that happened to me was when I was at a Philip Glass concert. The living room seemed to open up and expand and the walls seemed alive and vibrating. The corners and angles around me seemed to disappear and be replaced by mushy terrain. Could I be inside an intestine? The sounds were nice and fluid, organic. I liked the fact that I couldn't recognize the sounds and they seemed otherworldly. The thing that really became apparent to me is that when the machine-like sounds came on, I seemed to tune them out like white noise, but the more intriguing sounds woke my brain up and made me very curious and aware.”
-Rene

“I kept visualizing giant insects chewing...”
-Mike

“I think it might be interesting at some point to get up and walk around. I know it was interesting for me to stand up during part of it. I was very impressed by the sounds that you have collected. I would appreciate a Youtube type video of your collecting of some of them...”
-Bob

“Listening to Spatio-sensory made me think about the potential of sound for expanding or reinforcing the physical manifestation of an idea. I am particularly interested in the scientific influences on your work--and the almost alchemical (hope you aren't offended by that word) aspects of combining seemingly disparate base elements to create something wholly new..."
-Alison

"I felt like I was sitting under a waterfall..."
-Devendra

Fastigium:

"Quietly intense. A fantastic way to experience your environment through sound."
-Ryan

"Awesome auditory POSTCARD!"
-Chaik

"I have insomnia and sleep with a noise machine. I had moments of wondering if I was asleep or awake. Also, enjoyed feeling like I was in the midst of a fire—unusual feeling."
-Jah

"Nice mix of mechanical vs. nature. Stimulating!"
-Nawchoate

"I couldn't tell what sounds were really happening around me and which were recorded. Just had a glass of wine and that heightened the sensations."
-Anon

"Weird. A whole world opened up behind me—but I still kept looking forward. The world felt bigger."
-Anon

"Compelling... I'm not sure what to make of it yet, but certainly something to think about. Thank you. Moments like this give life its texture."
-Anon

"Excellent sound quality. Loved the juxtaposition of man made and natural sounds."
-Anon

Vibratory Platform:

"I hear it AND I feel it!"
-Ellen

"Like being outside a cinema. Like sitting on an agitating washer, or being inside an MRI. When it slows down, I feel like my heart is going to stop."
-Anon

"Reminds me of an early-morning minor earthquake... Also, scary movies in surround sound."
-Anon

"Like riding on a train, laying on a bridge, seeing myself on the rock edge of a sea cliff with the waves crashing—almost on me."
-Anon

"It reminded me of having my teeth worked on by a grinder at the dentist."
-Anon

"Being wheeled in to an MRI, the way it feels BEFORE the surgery... reminds me to keep on noticing the details..."
-Anon

"I like the way you incorporate 2 senses in this experience—touch and sound... and how you get to experience vibration through sound waves. My Pacinian corpuscles have never been so excited..."
-T

"The background noise reminds me of my growling stomach."
-Miroslava

Record Label: Mimicry, Amarillo, Xero Ink, Awesome Vistas
Type of Label: Indie

My Blog

SOMNILOQUY CD out NOW featuring members of SC3

James GoodeSOMNILOQUYLive at The Stone, NYC, July 13, 2007Over 70 minutes of hypnagogic music performed by members of Secret Chiefs 3 and special guests.1. A chord called "Axelrod"2. A nosetree can't ...
Posted by on Mon, 06 Apr 2009 15:42:00 GMT

SOMNILOQUY at Meridian Gallery, April 8th

PRESS RELEASE James Goode will present Somniloquy, an interpretive musical performance exploring the influence of verbal suggestion on the dreams and hypnagogic experiences of a group of individuals. ...
Posted by on Tue, 17 Mar 2009 16:38:00 GMT

TSPC at YBCA through Oct. 19th

Third Street Phantom Coast guides us down the corridor of 3rd Street and explores past and present neighborhoods adjacent to San Francisco's eastern coastline. This thoroughfare between Candlestick P...
Posted by on Thu, 11 Sep 2008 14:30:00 GMT

Spatio-sensory and Protean Septet: brief descriptions

SPATIO-SENSORY (title is the actual piece, as experienced by listener) was composed with an eight-channel audio system in mind. This consists of one ADAT player, eight channels of amplification, and e...
Posted by on Tue, 28 Aug 2007 17:43:00 GMT

newmusicbox article

How important is the scientific aspect of your work?
Posted by on Mon, 27 Aug 2007 21:26:00 GMT

Excerpts from AIR IS RARE WHEN THE WAX HAS MELTED

(based upon the "personalities" from Protean Septet) C. At the funeral held for the identical twinswho, though they had lived many miles apart from one another for several decades, and hadn't even sp...
Posted by on Tue, 28 Aug 2007 12:40:00 GMT

PROGRAM

Foment in the Brailles of Zoopsia is an attempt on my part to create a living, connective tissue between my short story, Diorama, upon which the narrative structure of the concert is based, and the co...
Posted by on Mon, 27 Aug 2007 21:40:00 GMT