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Sabino de Bari

About Me



Layout by CoolChaser Sabino de Bari born in 1977 in Molfetta – BariEDUCATION:“J, Piaget” Institute, Rome - DIPLOMA in Social Management studies. “A.Briccialdi” Institute, Terni - CLASSIC GUITAR DIPLOMA.SPECIALIZATION COURSES with:Dale Kanavagh, Eduardo Pascual, Carlo Carfagna, Lui Quinterno, Massimo Delle Cese, Eliot Fick, Roland Dyens, C. Molina, Leo Brower, C.Domeniconi, Roberto FabbriJAZZ STUDIES with:U. Fiorentino, M. Lazzaro, S. Micarelli, F. Zeppetella, F. Cardosa, A.Avena 2000/2001 - attended several workshops with Eliot Fisk and Roland Dyens; part of the line-up at "MAURO GIULIANI" Guitar Festival (Bisceglie – Bari) under the direction of Roland Dyens.2001/2002 - Touring Italy with "THE FULL MONTY" musical orchestra, under the direction of actor Gigi Proietti.2002 – Worldwide specialized magazine "Chitarre" (“ Guitars”) publishes one of the personal compositions entitled "Nostrano tango nostrano"Winter 2006 – Musical performance at the “Casinò dei Principi”, Villa Torlonia – RomeApril 2006 – Music and dance variety show and concert together with Valeria Andreozzi, creating an original, guitar only, music based on a literary story.The 19th of June 2006 - Performance at the “SAN VITTORE SING SING” event in San Vittore, Milan under sponsorship of the City of Milan.July 2007 - Performance at “Fiuggi International Guitar Festival” under sponsorship of the City of Fiuggi.August 2007 – Performances featuring Paolo Rozzi on the squeeze box at the 18th Edition of “Frassomusica” concerts season under sponsorship of the “Il Messaggero” newspaper, Argentina and Uruguay embassies and the Presidency of the Council of Ministers.CONTRIBUTIONS:2004 - Collaborations with Maestro Franco Piana in a “chamber pop” project ( music influenced by ethnic sounds and rhythms, bossa and jazz music, with the versatile voice of Ilaria Patassini, also known as Pilar to create a system of acoustic and peculiar sonorities using instruments like the violoncello, the flugelhorn, the accordion, the piano, the acoustic guitar, the contrabass and the drums.2005 – from “Ambra Jovinelli” theatre performances touring with the "Prossime aperture" (“Next openings”) show with Lisa Lelli and Andrea Rivera, symbolic artist of the singing theatre tradition and master of the busker attitude.The same year, together with Andrea Rivera, was one of the guests of the TV programme "Parla con me" (“Talk to me”) hosted by Serena Dandini, on the national programme channel Rai 3.April 2005 – Together with Pilar, finalists in the competition "Primo maggio tutto l'anno" (“1st of May all year long”) for the Provinces of Lazio and Abruzzo.21st of April – Together with Pilar, winners of the “L’artista che non c’era” (“The artist who did not exist”) competition in Milan, sponsored by the music magazine “L’isola che non c’era” (“The isle which did not exist”) and the Tenco Club.July 2005 – performances in Laura Do Strobel’s show ”ERO COI SENSI AD ASCOLTARE…PIERPAOLO PASOLINI E ROMA” with Hossein Taheri, Pilar, Franco Piana, Gianfranco Benigni. The show, based on the original compositions of F. Piana and Sabino de Bari is a journey through musical, poetic and visual suggestions which drew their inspirations from the movies and texts written by Pasolini and the city of Rome. ECOVANAVOCE Productions – City of Rome.November and December 2007 - Performances at the “Cronopios, Famas e Speranze” show directed by F. Cardosa, at “Euclide” theatre in Rome. The text is inspired by the works of J. Cortazàr.DISCOGRAPHY:“Sabino de Bari”: solo classic guitar (2001 UNPUBLISHED)RECORDING CONTRIBUTIONS:2003 – Recordings of “Le città invisbili” (Invisibile cities), work based on the book of the same name by the famous writer I. Calvino. The work was reviewed and set to music by Maestro Fabrizio Cardosa.2007 - Recordings “Cronopios, Famas e Speranze” by Maestro F. Cardosa, Crisalide editions.TEACHING EXPERIENCES:2001 - intense teaching activity of classic, modern, jazz and acoustic guitar at the “Nova musica & arte” and “Viva Musica” music schools in Rome, run by Maestro Paolo Rozzi He is the director of “Viva Musica” school for modern and acoustic guitar courses.2002 – Collaboration with R. Fabbri for the book “ Guitar scales “on the development of different guitar methods, published by Carish Warnerbros; occasionally wrote for the magazine “Chitarre” (Guitars).

My Interests

Music:

Member Since: 23/06/2007
Band Website: www.sabinodebari.it
Band Members: “Pas De Chat” is an acoustic and classic guitar recital that takes us on a broad musical journey. PAS DE CHAT: SABINO DE BARI COMPOSITIONS,GUITARS,GRAPHICSWith a leap reminiscent of the famous dancing step, which was inspirational for the CD title and the four movements composition here included, the audience will quickly find out in every track new linguistic and expressive musical experiences.The classic guitars tracks, part of this musical journey, show the composer’s inclination towards a language, not strictly academic but, nonetheless, bursting with the new overtone-melodic resources that arises from the jazz style fusion with the twentieth-century classical stance. The result is a more complex musical atmosphere charming by its expressive vitality.At the same time, the acoustic guitar compositions rediscover the simplicity of several melodic harmonies intensified by an exalted technique which runs through the album without being its absolute goal.The musical attitude adopted by the author Sabino de Bari in “Pas De Chat” clearly shows him as a performer of his own music, although unequivocally emphasising the compositional act itself.
Influences: VOICES:DE BARI SABINO COMPOSITIONS,ARRANGING, GUITAR, GRAPHICS(WWW.MYSPACE.COM/SABVOICES) “Voices” project was established by the cooperation between Sabino de Bari, musician and composer, and the “Whimsy Sounds Vocal Trio”, a new and uncommon vocal group. The project aims at finding a musical dialogue between the different instruments, above all guitar and voices. This “relationship” is created first of all by a choral use of the voice, almost always without making use of any lyrics; in fact this process wants the audience’s attention to be focused on the tones and the sound of the voice treated as an instrument among other instruments, without searching for other interpretations than the musical one. This dialogue pointedly appears also in the numerous choral or solo improvisations, performed on the guitar and with one or more voices simultaneously; anyway this “interplay” which is at the basis of improvisation itself enhances the willingness to dialogue of the various parties. This dialogue is also due to the frequent use of the counterpoint with voices (and not only) both in the themes and in their developments, in order to give each voice its own independence although maintaining a strong link with all other voices. If the special treatment accorded to voices patently wants to highlight the sense of belonging to the European music, it is for sure jazz music in its most modern meaning that embraces everything. Here swing music (a rhythmic concept more than ever in search of its own contemporary identity) is the connection for a global melting of musical experiences that are totally different from each other but that the historical process tends more and more to blend. Sabino de Bari
Record Label: Unsigned

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