Sam Parkins aka Leroy Parkins profile picture

Sam Parkins aka Leroy Parkins

About Me

Leroy (Sam) Parkins: born in reign of Calvin Coolidge. Heard Benny Goodman, Duke Ellington, Lionel Hampton 1936 - 1945. Charlie Parker from then on. Normal life no longer possible. Cornell for composition; New England Conservatory for Masters. Saxophonist-in-residence two whorehouses (Bowdoin Bar & Grill, Boston, 1945; Barbara Kelly's Glass Hat, NYC 1960), the Heroin Capital of the North Shore (Melody Lounge, Lynn MA, 1954 but didn't sample the wares); Carnegie Hall (one-shot, 1976) etc.etc. Sixteen years with two major society orchestras. Duties included playing New Years Eve for the Carnegies and Mellons at Rolling Rock Country Club, Ligonear, PA.; deb parties as far away as St. Louis, MO. Joined production staff CBS Masterworks 1967. Recorded the complete Charles Ives chamber music. One Grammy (European); four Grammy nominations. Recorded Milton Babbitt, John Cage, Charles Wuorinen et al for New World Records, 1975. Black composers series, various labels: Music of Jelly Roll Morton, James P. Johnson, Eubie Blake, Cecil Taylor, Benny Carter, Scott Joplin. Stravinsky's 'Ebony Concerto' with Richard Stolzman and Woody Herman's Thundering Herd, RCA Victor, 1987. Grammy nomination. As featured soloist, 'Take Me To the Land of Jazz', Aviva records. Stereo Review, Album Pick of the Year, Acoustic Jazz, 1979. Recorded 'Preservation Hall Live!' for Sony Classical, 1991. Miscellaneous recordings since; clarinetist-in-residence, Cajun Restaurant, NYC; ditto weekly stint New York Public Library. Commence writing 'Journey to Bohemia' 1997. Lived.

My Interests

Music:

Member Since: 15/06/2007
Band Members: Everybody
Influences: Ben Webster, John Cage, Charles Ives, Jelly Roll Morton, Eubie Blake.
Record Label: Unsigned

My Blog

"The Death of Junior Raglin" from JOURNEY TO BOHEMIA, The Boston Jazz Scene, 1944-'55

Date: Sat, 28 July, 2001 "The Death of Junior Raglin, or How Jim Woode Got the Gig". I should say at the outset that memory is not perfect after 46 years - Jim Woode's and Charlie Bourgois' version ...
Posted by on Sat, 30 Jun 2007 19:01:00 GMT

"Big Nick Nicholas" from JOURNEY TO BOHEMIA, The Boston Jazz Scene, 1944-'55

GEORGE "BIG NICK" NICHOLAS As you read this, you are likely to think that here we go again with a self-destructive jazz musician with a huge potential who, what with booze and whatever, only partia...
Posted by on Tue, 26 Jun 2007 04:49:00 GMT

"The Near Knifing of Don Asher" from JOURNEY TO BOHEMIA, The Boston Jazz Scene 1944-'55

THE SUNNYSIDE CAFE or THE NEAR KNIFING OF DON ASHER In the world of jazz you can write all day, blow all night and the subject of race will never come up. But it's always there, and us northern white...
Posted by on Tue, 26 Jun 2007 00:18:00 GMT

"Dick Twardzik" from JOURNEY TO BOHEMIA, The Boston Jazz Scene 1944-'55

DICK TWARDZIK 1931-'55 Greetings gentle readers (that's a 19th century locution. May not hold in today's world): There's a way over due bio published (back-ordered at Amazon) which may cause me to m...
Posted by on Thu, 21 Jun 2007 10:08:00 GMT

Notes for songs

Notes for Profile songs: I wrote "Go and Catch a Falling Star" for Wendy Sayvetz' 1995 album, "Silky". Here are the original notes. There is only one lie. In the 40s faculty members didn't smoke ...
Posted by on Mon, 18 Jun 2007 07:45:00 GMT