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The thirst of reign and sweetness of a crown That caused the eldest son of Heav’nly Ops To thrust his doting father from his chair…A peculiarity of this metre is that it is so simple that it needs to be ‘broken’, thus creating the first step towards free verse. Since a series of perfectly regular pentameter lines would sound artificial and boring, poets writing in English have long allowed themselves a number of irregularities or ‘licences’. For instance, one very common licence is to invert the first two syllables, so that the line starts off with a strong stress. Eg:Down the assembly line they roll and pass.Another is to pretend that an unstressed even-numbered syllable is stressed, provided the syllables on either side of it are unstressed. Eg:That evening I had dinner with a man.Conversely a quite strongly stressed syllable can be regarded as ‘un-stressed’ provided the syllable after it is at least as strongly stressed.

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Such a ‘weak’ form needs taut writing. Prosy environmental free verse, especially when it is preachy as well, can fairly be called a vehicle with a poor power-to-weight ratio. Free verse, regardless of subject, can rarely tolerate padding. If it cannot offer the old-fashioned metrical satisfactions it needs to compensate the reader with a speed and precision of ideas and images. It is a common – often fatal – mistake to imagine that free verse is a forgiving form into which one can pour loose or narcissistic material. Rather, what we free verse poets must do is to skate with deft speed across the thin ice of our intrinsically ‘weak’ form.

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