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The official site of the New York Grand Opera is run by affiliates of the opera company, not by Vincent La Selva himself. Although he is aware of the website.Vincent La Selva, conductor, has been a New York institution for almost fifty years. Founder of the New York Grand Opera Company in 1973, he is unique in the world for presenting fully-staged grand opera productions that are free to the public. Since 1974, Maestro La Selva has chosen New York's Central Park and outlying boroughs for his grand opera productions, which, over the years, have been attended by a total of more than three million people. Maestro La Selva has earned special renown for leading performances that cut to the musical essence of these scores with a directness, lyricism, and passion that has often evoked the conducting style of the late Arturo Toscanini. The New York opera company, led by Mr. La Selva, is synonymous with grand opera, idiomatically performed -- and accessible to all.The 2001 - 2002 season highlights for Maestro La Selva will include three productions of Puccini operas (Manon Lescaut, Le Villi and Tosca) in New York's Central Park in July as well as an all-Beethoven symphonic program (Coriolan Overture, "Sanctus" from Missa Solemnis, and Symphony No. 9) at Carnegie Hall on March 26, 2002.Maestro La Selva's most recent achievement is the completion, in the summer of 2001, of "Viva Verdi!," devoted to the performance in chronological order of all twenty-eight operas of Giuseppe Verdi. Begun in 1994 with a performance of the little-known "Oberto," at Central Park's Summerstage Pavillion, this grand but daunting project was completed eight years later with acclaimed renditions of three of Verdi's greatest operas, "Aida," "Otello," and "Falstaff." It is estimated that at least 300,000 people attended the performances over the entire eight-year period. Mr. La Selva's contribution to the cultural life of New York was commended by President Bill Clinton, New York Governor George E. Pataki, and New York Mayor Rudolph Giuliani, an avid opera lover, who awarded La Selva the coveted Handel Medallion, New York City's highest distinction for achievement in culture and the arts. As Anthony Tommasini wrote in The New York Times: Taken in context, these productions have been a great gift to the city and an important artistic venture. . . Mr. La Selva is an insightful Verdian , with a sure grasp of style and a special sympathy for the music. Whenever the music threatened to break down, there was Mr. La Selva , confident in his sure knowledge of every page of every score, rallying his forces and holding it all together. (August 4, 2001)The concept of providing free concerts for New Yorkers has its origin early in Mr. La Selva's career when he founded, in 1954, the all-volunteer Xavier Symphony Society, which offered free symphonic concerts, then opera at the magnificent auditorium of St. Francis Xavier High school on West 16th Street. It was here that a notable low-cost revival of his opera production of Menotti's "The Saint of Bleeker Street" came to the favorable attention of the composer, who was so impressed with what La Selva could do with limited resources, that he arranged to have La Selva lead a revival production of the "The Saint" at New York's City Opera. This led to Mr. La Selva's appointment to New York City Opera where he would also conduct productions of "Tosca," "Nabucco," "Mefistofele," "Cavalleria Rusticana," "Madama Butterfly," "La Fanciulla del West," "La Bohème," "I Pagliacci," and Menotti's "The Consul." After his appointment to City Opera, La Selva directed a series of Italian operas and was hailed for his passion, respect for the composer's intentions, and clarity of baton technique. He was compared favorably to Arturo Toscanini by no less an authority than critic B.H. Haggin, who credited La Selva with "what Bernard Shaw has called the highest faculty of a conductor, the magnetic influence under which an orchestra becomes as amenable to the baton as a pianoforte to the fingers." And the Verdi scholar George Martin in the British journal Opera wrote that "La Selva is probably the best conductor of Verdi, and perhaps of Puccini, currently at work in New York." In addition, during this period Maestro La Selva conducted performances of "La Bohème" at the Opera Company of Boston with Renata Tebaldi and Placido Domingo, and many other important regional companies with casts including Franco Corelli, Mirella Freni, Sherrill Milnes, and Samuel Ramey.Maestro La Selva is an accomplished conductor of symphonic music, whose love of Beethoven's symphonic scores predates his involvement with opera. In 1966, he was appointed Music Director of the Greater Trenton Symphony, and he has also conducted concerts with the New Jersey Symphony, the Symphony of the Air, the Juilliard Symphony, the Brno State Philharmonic in the Czech Republic, and the Bern Symphony in Switzerland. He numbers among his collaborators such soloists as Leonard Rose, Ruggiero Ricci, Zinka Milanov, Rudolf Firkusny, Murray Perahia, and Peter Serkin. Since 1969 Mr. La Selva has been a member of the Juilliard School faculty, teaching courses in symphonic and operatic conducting, and opera appreciation. Newport Classics recently released a highly praised recording of Maestro La Selva conducting Verdi's complete overtures with the Bern Symphony Orchestra, including the overture composed for the La Scala premiere of Aida which was never performed in the opera house. In naming this disk "Hot Pick of the Week," New York's classical music station WQXR stated that "La Selva clearly owns this repertoire" and has referred to him as "the greatest conductor of Verdi in the world today."A native of Cleveland, Maestro La Selva began his musical career at the age of eight, when he began learning the trumpet. By the age of 12, he was already conducting student ensembles. Later, the young La Selva attended the Juilliard School, where he studied conducting under Jean Morel. After graduation from Juilliard, he entered military service and was a conductor of the First Army band at Fort Jay on Governor's Island.Mr. La Selva has been a faculty member of The Juilliard School Evening Division since 1969. He teaches courses on Italian opera and often showcases young and promising singers. In October 2001, Mr. La Selva received from New York Governor George E. Pataki the Governor's Award for Excellence. In 1995 the President of Italy knighted Mr. La Selva as a "Cavaliere" in the Order of Merit of the Italian Republic for his distinguished service to Italian music. Mr. La Selva divides his time between his studio at Carnegie Hall in New York and his home in Montclair, New Jersey, where he lives with his wife Danny.

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Member Since: 07/06/2007
Band Website: http://www.newyorkgrandopera.org
Band Members:Like the music? Buy the CD! Just click on the link below or copy and paste it into your browser.http://www.amazon.com/Verdi-Complete-Opera-Overtures -Giuseppe/dp/B000056OE5/ref=sr_1_1/104-0443541-7191149?ie=UT F8&s=music&qid=1181305338&sr=1-1IN HONOR OF LUCIANO PAVAROTTI...WE ARE SO SORRY TO LOSE HIM!
Influences: SOME REVIEWS OF VINCENT LA SELVA:THE NEW YORK TIMES WROTE: "Vincent La Selva has earned a reputation as one of the best conductors around"THE NEW YORK POST NOTED: His ability to achieve sweep, drive, color and sensitivity with a score, and to blend the inuendo of the phrase in the orchestra with the singing line".TIME MAGAZINE OBSERVED: "He whipped his orchestra through a fiery performance that seemed to burn with fresh brilliance along the arching melodic lines."OTHER VARIOUS REVIEWS FROM ALL THE PAPERS AND LONDON'S OPERA MAGAZINE:"The strongest attribute about this Nabucco was the idiomatic and dramatically convincing conducting of Vincent La Selva, who built the opera from strenght to stength. There was a compelling structural integrity to Mr. La Selva's conception.""This season Mefistofele had a new conductor, Vincent La Selva who led the score with almost Toscaninian demonism. La Selva's control was the equal of his inspriation"."Vincent La Selva's enthusiasm for the music is infectious. He conducts Italian opera with the kind of passionate thrust and grand line that has apparently become a lost art".Much credit for the success must be given to Vincent La Selva who kept the various instrumental and vocals scattered throughout the house in splendid coordination. Under the baton, the orchestra sounded firm, the phrasing plastic and well molded. The choruses were also strong and impressive"."The electricity generated by tenor Placido Domingo and conductor Vincent La Selva while not entirely unexpected, was overwhelming"."La Selva knows the Italian repertory intimately and watching him conduct was like reading a map of the score. His beat was clear his tempos brisk and he has that crucial sense of dramatic timing so necessary for a successful operatic interpretation."Vincent La Selva, who may have conducted the performance of his life, full of reverence beautifully balanced with hard hitting drama. Tempos throughout were just right, never ever pressed or dragged, a wide range of dramatics was impeccably judged ..the performance had an unusual glow and dedication. In many ways it was a superior rendition to some others heard in New York in the recent past.""The fact is that La Selva is probably the best conductor of Verdi and perhaps of Puccini, presently at work in New York"."La Selva has a tremendous gift. There is a movement, a flow to the music when he conducts. It lives. The best way I can describe it is to recall something that happened many years ago when Toscanini was conducting a rehearsal of Beethoven's "Missa Solemnis". A violinist was playing a solo when Toscanini interrupted the music and called to the brass section, 'Do you hear him?', then he said 'He sings, you play'. That is how it is with La Selva. Most conductors make an orchestra play but La Selva makes it sing. It has nothing to do with musical phrasing. It comes from the heart. He has great integrity, sincerity, and he is not a show off all for his own glorification. he works hard but him it's the music that counts.""Vincent La Selva has was George Bernard Shaw described as the highest faculty of a conductor, namely the magnetic influence under which an orchestra becomes as amenable to the baton as a pianoforte to the fingers~ and not only an orchestra but singers too". So said the critic B.H. Haggin, writing in the Hudson Review, of the conductor Vincent La Selva.
Sounds Like: For more information on New York Grand Opera please send email to: [email protected]
Record Label: Newport Classics
Type of Label: Major

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