Xavier Quijas Yxayotl profile picture

Xavier Quijas Yxayotl

About Me

My indigenous name is "Yxayotl", which in Nahuatl means tears. In 1977 during a peyote ceremony, an old Shaman from the Huichol tribe, Don Jose Matsuwa, gave me that name.
I was born in Guadalajara, Jalisco, Mexico on December 28, 1952. I am proud to be a descendent of the Huicholes. During the 1970's, I decided to follow my dreams and to investigate and play the pre-Columbian music; that same music that was prohibited for 300 years due to its intensity and deep spiritual impact it had on the people of those times. My passion took me to the mountains of Jalisco and Nayarit, Mexico where I lived with the Huicholes and Tepehuanes for long periods of time.
I participated in indigenous ceremonies and rituals, sharing their knowledge. My passion for the handmade instruments, i.e.; Mayan and Aztec drums and flutes, Tarahumara drums, turtle shells, rain sticks, Teponaxtli log drums, Mayan ocean drums, rattles, gourds, and many others, grew without limits. With the experience and knowledge I acquired, and through the studies I did, I have become one of a few Mexican artists who are able to construct with my own hands instruments identical to the instruments used by the prehispanic peoples. They are replicas of the instruments used by the Aztecs, Mayas, and other indigenous nations from Mexico, and based on ancient manuscripts. The magic of my instruments is a faithful reproduction of the autochthonous musical instruments and the music is authentic and natural.
After researching the museums and private collections for these instruments, I have been able to reproduce these beautiful instruments. I brought the clay Mayan and Aztec double and triple flutes here to this country expressly to share this knowledge of the ancestors. The road traveled has not always been easy, but this music and my art "is my reason to live".
Most of my life has been spent constructing and playing these instruments. In looking at my cultural roots and musical roots, I realized music crosses all barriers! It was at this time in 1985 that I decided to form a group in Los Angeles and I named it America Indigena. The group is composed of people who share my musical sentiments. During our travels of concerts and ceremonies, we interpret the authentic music of the Mayans, Aztecs, Tarahumaras, Yaquis, Tepehuanes and Huicholes. I also sing in Tarahumara and my native Huichol and Nahuatl languages.
Besides musical performances and always creating new and different flutes, I am an artist. At the young age of eleven, I was placed into the the University of Fine Arts studying and working hard amongst the adults and other artists to become great at refining and fine tuning different art techniques. As a result, today I can create all styles of art. My preference is to paint very large paintings, and currently my focus has taken me to places of interest with California landscapes. Although, I am most known for my favorite art style of "Surreal-Mystic of Sacred Spirit".

My Interests

Music:

Member Since: 12/05/2007
Band Website: http://www.yxayotl.com/
Band Members:

Concerts, Lectures, Dance, and School Presentations:

Experience the wonders of the world of Mesoamerica, Mexico's ancient music and dance. To immerse audiences with cultural representation, a program is intertwined with music along with indigenous cultural education. Traditional music of the Maya, Aztec, Tarahumara, Yaqui, Tepehuanes, and other indigenous nations is presented in true authenticity.

All instruments are handmade by the artist, most being authentic replicas of ancient instruments. This is a great opportunity not only to hear them, but also to learn about them and their importance to these cultures. Artist, Xavier Quijas Yxayotl has worked hard for 30 years researching and investing his life to this ancient musical tradition. The results are a very unique sound and he is a very unique artist.

Xavier uses only traditional rhythms and ancient instruments of Mexico. There is no mixing of other instruments; i.e. panpipes of Peru, Bolivia, Chile, and Argentina of South America. Part of his educational program explains that the Aztec and Mayan civilizations are from Mexico, North America. And North America consists of Canada, the U.S., and Mexico, since many people today still have confusion about this.

Xavier is an established professional who currently has released 7 CD recordings, three of which are under the Canyon Records Productions label. PBS has produced 2 videos; "Codex" is Xavier and his group America Indigena, and "Crossroads" is with Mr. Robert Tree Cody.

Sounds Like: Flute and Percussion Instruments used:

Ancient "Percussion" Instruments of Mexican Indian Civilizations

-Huehuetl - Aztec big drum from a hollow trunk. There's different sizes with different carving designs symbolizing different aspects in different ceremonies. Huehuetl in Nahuatl (the Aztec language) means voice of the grandfather.

-Teponaxtle (or Mayan Tunkul) - two-toned wooden slit log drum (different sizes and carving designs also). The Teponaxtle and Huehuetl are always played together in Aztec music and dances. In Nahuatl it means singing wood.

-Tarahumara Drums - from the Tarahumara Indians of Northern Mexico. The sound of this drum represents thunder.

-Bubaleks - Mayan water gourd drums are floating inverted hollowed out gourds, producing a rich, unique sound. Also used by the Yaqui Indians of Northern Mexico.

-Ayotl - Turtle shell drums. Tapping percussion, often played with deer antlers. The turtle offers their body to make music to walk in beauty.

-Oyoyotl - Cascabeles, seeds of the Ayoyote tree (Danzante ankle wraps & hand rattles).

-Chicahuastli ; Ayacaxtli - rattles & shakers of seedpods, goat hooves, deer toes.

-Tenabaris - cocoon rattles. From the Yaqui Indians. Represent the transformation in life. The cocoon rattles around his legs were once homes of the butterflies. As they dance they want the butterfly to know that, even if he is dead, his spirit is alive and his house is occupied.

-Homichicahuastli - big rasp.

-Tepehuan - Arco Musical Bow

The gourd has always been around and has many uses as vessels, etc. Xavier likes to create instruments with them such as: water gourd drums, large Mayan trumpets, big rasps, rattles, and the Musical Bow. The Musical Bow is a huge gourd with the top and bottom cut out. Around the top rim is an armrest to hold a 9-foot bow. When played the string makes two very unusual tones. This is much larger than the ones used by the Tepehuanes Indians of Northern Mexico. It is very ancient PREDATING ANY DRUMS! The Indians use it in their ceremonies for the 'hunt ceremony'. In the beginning this instrument was a real weapon (bows and arrows). But the hunters play around the fire and sing at the same time, and they hit the bowstring with an arrow. The sound was very quite, but through the years they changed it and added a little gourd to make more resonance. Through more years they put a big gourd on the floor, and played the big bow on top of the gourd. Now the bows and arrows transformed to musical instruments.

Ancient "Flute" Instruments of Mexican Indian Civilizations

Tlapitzalli - Flute in Nahuatl language. The flutes are in different materials, wood, bamboo, and clay. Clay flutes are made in chambers -single, double, triple, and quadruple. But the most important is to use clay (of course) because clay represents the singing mother earth. And the earth is brown and so is the color of their skin. And for the ancient civilizations these flutes are very sacred. Xavier was the first to bring these double and triple clay flutes into the United States, and now many wood flute makers have copied this idea making these drone flutes.

The "Fire Flute" - Sounds of the Night Spirits, this flute is very dramatic having fire flaming off the end of it. When played the clay warms making haunting and spiritual sounds. Invented by Xavier, they are the only ones in the world with no one else having this rarity. These now famous flutes can have from 7 to 14 chambers in one! Some of these chambers are ocarinas replicating wind, eagle, hawk, and bird whistles. By having everything contained all in one flute he doesn't have to pick up any other ocarinas or flutes. The Fire Flute was born from a vision during a Huichol Indian peyote ceremony in 1976. Xavier was watching the fire, and the fire was singing and dancing. A little fire flame came jumping to him and gave him the inspiration to make this unique flute.

Wind Whistle - Creates the sound of the wind.

Chichtli - Clay whistle ocarinas creating different bird sounds.

Dead Whistle - Found only in Mexico it is used for the death ceremony, and has later transformed for the "Day of the Dead Ceremony" whistle. The Aztecs used it in their death ceremony when some important hierarchy died. They took the body through the streets with 100 or more dead whistles screaming and drumming, then continued to the burial tomb site or pyramid. Also the Aztecs used them went to war. They practically frightened the enemy by their drumming, dancing, and lots of screaming dead whistles. Xavier makes his look like skulls, which alone look very scary and intimidating. He is the only maker of this unique instrument known to us.

Record Label: Unknown Indie
Type of Label: Indie

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