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Lohengrin

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Synopsis

From http://www.opera-opera.com.au
(Summary by Alison Jones)

ACT I

A plain on the banks of the River Scheldt near AntwerpKing Henry of Germany has come to Antwerp to urge the people to join with him in battle against invading Magyars, but he finds the Brabantians locked in civil strife without a leader. Frederick of Telramund explains that on his deathbed the Duke of Brabant had entrusted to his care his two children, Elsa and Godfrey, on the understanding that he would marry Elsa and be guardian to Godfrey. But Godfrey has disappeared, Elsa is suspected of doing away with him and Telramund has married Ortrud, daughter of Radbold, King of the Frisians.
In her name and his own he claims the dukedom and accuses Elsa of fratricide and of having a secret lover. The king agrees to judge the case and Elsa is summoned. Her only answer to the accusations is to relate a dream in which a hero appeared in answer to her need. To him she will entrust her cause. The king decrees trial by combat, and the herald calls for a champion to appear.
A knight appears, in a boat drawn by a swan. He says he has been sent by God to be Elsa's champion. She accepts him as champion and husband, agreeing to his condition that she must never ask his name or lineage or where he came from. Telramund is defeated in the duel, but the stranger knight spares his life and is acclaimed by the populace.

ACT II

The fortress of AntwerpTelramund blames Ortrud for his downfall, as she had told him that she saw Elsa drown her young brother, but she convinces him that he was defeated by magic rather than divine intervention. She claims that the stranger's magic would fail if he could be made to reveal his name - or even if the tip of a finger were to be cut off.
As only Elsa can ask him to reveal his name, Ortrud plans to undermine her confidence. Elsa appears on the balcony and Otrud, calling to her from the darkness, succeeds in winning her pity, invoking the pagan gods in triumph as Elsa prepares to let her in. Ortrud begs Elsa to intercede for Telramund and suggests that as the stranger arrived by magic, so he may leave by magic, but Elsa's faith is unshaken.
At dawn the herald proclaims the banishment of Telramund and announces that the king has invested the crown of Brabant in Elsa's husband, who will lead the Brabantians into battle. Four nobles mutter their resentment at this decision and Telramund offers to lead them in rebellion.
As Elsa is about to enter the church for her wedding Ortrud claims that she must yield pride of place to her, since her husband has been falsely accused and is of noble birth, whereas no one knows anything about Elsa's husband. Claiming that he would be revealed a fraud if he had to divulge the source of his power, she challenges Elsa to ask the question. Telramund accuses the strange knight of witchcraft and asks his name and lineage, but he is answerable to Elsa alone. Telramund whispers to Elsa that if she were to let him cut off the tip of the stranger's finger his secret would be known and he would never leave her. She rejects the advice and goes into the church with her husband, who orders Telramund and Ortrud to leave.

ACT III

Scene 1. The bridal chamberFollowing the good wishes of their attendants, Elsa and her husband are left alone for the first time. Their delight in one another is soon undermined by her regrets that she cannot call her husband by his name and her fears that he may leave her. A hysterical vision of the swan returning to take him away leads to the fatal question. Telramund bursts in with his followers and is killed by Lohengrin, who tells the nobles to bring the body before the king. He calls Elsa's ladies to dress her and tells her he will answer her question before the king.Scene 2. The banks of the ScheldtThe king thanks the people for their support in defending Germany against the heathen. The body of Telramund is carried in, followed by Elsa and her husband, who tells the king he will not be able to lead the people of Brabant into battle. He is absolved from blame for Telramund's death.
Explaining that Elsa has been tricked into asking the forbidden question, he answers it: he is one of the champions of the Holy Grail, who are sent out into the world to defend the cause of right. But they must leave once their identities are known. He is Lohengrin, son of Parsifal, who wears the crown of the Grail. He prophesies that Germany will never be conquered by the eastern hordes. The swan appears and Lohengrin bids farewell to Elsa, telling her that if he had been able to stay, her bother Godfrey, who is not dead, would have returned.
Ortrud exults at her success in driving Lohengrin away and that Godrey must remain in the form of the swan as a result of her witchcraft. Lohengrin kneels in prayer and when he takes the chain from the neck of the swan, it is transformed into Godfrey. Elsa falls lifeless as Lohengrin leaves, his boat now drawn by a white dove.

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Music:

Member Since: 5/12/2007
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Cast:

Characters

Henry the Fowler, King Of Germany (Bass)

Lohengrin (Tenor)

Elsa of Brabant (Soprano)

Duke Godfrey (Silent)

Frederick of Telramund, a Count of Brabant (Baritone)

Ortrud, his Wife (Soprano or Mezzo Soprano)

King's Herald (Baritone or Bass)

Four Brabantine Nobles (Tenor/Bass)

Four Noble Pages (Soprano/Contralto)

CHORUS

Saxon and Thuringian counts and nobles, Brabantine counts and nobles, noblewomen, pages, vassals, women, servants

Background: From Wikipedia, the free encyclopedia

Lohengrin is a romantic opera (or music drama) in three acts by Richard Wagner, who also wrote the libretto. The first production was in Weimar, Germany on 28 August 1850 under the direction of Franz Liszt, a close friend and early supporter of Wagner.

Lohengrin was an immediate popular success. Several excerpts have become famous, including the preludes to the first and third acts, Lohengrin's aria In fernem Land, the opening music to Act II, Scene 4, which has been converted into the concert band piece "Elsa's Procession to the Cathedral," and the Bridal Chorus, which is traditionally played at Western weddings, and is commonly known as "Here Comes the Bride."

Among those deeply moved by the fairy-tale opera was the young King Ludwig II of Bavaria, who later built the ideal fairy-tale castle and called it, after the Swan Knight, "New Swan Stone," or "Neuschwanstein." The opening scene of the opera may be interpreted as a thinly veiled exhortation to Ludwig to unite Germany under his own flag. It was King Ludwig's patronage that later gave Wagner the means and opportunity to build a theatre for, compose and stage his Ring of the Nibelung.

Sources: From Wikipedia, the free encyclopedia

Lohengrin is a character in some German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans to rescue a maiden who can never ask his identity. His story is a version of the Knight of the Swan legend.

Lohengrin first appears as "Loherangrin", the son of Parzival and Condwiramurs in Wolfram von Eschenbach's Parzival. Loherangrin and his twin brother Kardeiz join their parents in Munsalväsche when Parzival becomes the Grail King; Kardeiz later inherits their father's secular lands, and Loherangrin remains in Munsalväsche as a Grail Knight. Members of this order are sent out in secret to provide lords to kingdoms that have lost their protectors, and Loherangrin is eventually called to this duty in Brabant, where the duke has died without a male heir. His daughter Elsa fears the kingdom will be lost, but Loherangrin arrives in a boat pulled by a swan and offers to defend her, though he warns her she must never ask his name. He weds the duchess and serves Brabant for years, but one day Elsa asks the forbidden question. He explains his origin, and steps back onto his swan boat, never to return. The Knight of the Swan story was previously only known from tales of Godfrey of Bouillon's ancestry, and Wolfram's reasons for incorporating into Parzival are not obvious, though it is not the only altered version of a popular story he uses in his narrative (he makes Prester John the son of his character Feirefiz).

The story was picked up and expanded in the late 13th century Lohengrin by a certain "Nouhusius" or "Nouhuwius", who changes the character's name and ties the romance's Grail and Swan Knight elements into the history of the Holy Roman Empire. The story follows Wolfram closely but adds certain details (Princess Elsa's questioning of her husband occurs only after prodding by an antagonist who spreads rumors that Lohengrin is not of noble blood) that extends the material into a full romance. In the 15th century the story was taken up again for the anonymous Lorengel. This version does not include the taboo against asking the protagonist about his mysterious origin, and Lorengel and his princess can live happily ever after.

Richard Wagner's popular opera is arguably the work through which Lohengrin's story is best known today. According to Wagner the Grail imbues the Knight of the Swan with mystical powers that can only be maintained if their nature is kept secret; hence the danger of Elsa's question.

Stage Productions: Act 2, Baden-Baden 2005. Solveig Kringelborn (Elsa), Waltraud Meier (Ortrud), Tom Fox (Friedrich). Conductor: Kent Nagano.

Lohengrin Act 2 Scene 2
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Act 3, Vienna 1990. Placido Domingo (Lohengrin), Cheryl Studer (Elsa). Conductor: Claudio Abbado.

Act 3 (Finale), Bayreuth 1989. Karita Mattila (Elsa), Paul Frey (Lohengrin), Gabriele Schnaut (Ortrud). Conductor: James Conlon.

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Lohengrin Act 1 full text (English)

PreludeACT 1A meadow on the banks of the Scheldt near Antwerp.SCENE ONEKing Henry, Saxon and Thuringian Counts, nobles and horsemen, who form the royal armed levy. Brabantine Counts and nobles, horsem...
Posted by Lohengrin on Sun, 13 May 2007 12:09:00 PST

Lohengrin Act 2 full text (English)

ACT TWOIn the citadel of Antwerp.In the background, centre, the Palas (the knights' quarters), in the left foreground the Kemenate (the women's quarters), in the right foreground the gates of the cath...
Posted by Lohengrin on Sun, 13 May 2007 12:08:00 PST

Lohengrin Act 3 full text (English)

ACT THREEPreludeThe introductory music depicts the brilliant bustle of the wedding feast. The stage shows the bridal chamber: in the background, centre, the richly decorated bridal bed; by an open bay...
Posted by Lohengrin on Sun, 13 May 2007 12:06:00 PST