Tom Lieberman left the group in the late 70’s and after a brief hiatus he was replaced by Roger Hernandez on vocals and drums. Beginning in 1980, Rio Nido switched to a quartet format of guitar, bass, drums and vocals and focused on the vocalese style of Lambert, Hendricks and Ross and Eddie Jefferson as well as Do-Wop classics like 60 Minute Man, which showcased Hernandez’ rich baritone. Prudence Johnson blossomed in this period as arguably the best jazz singer ever to come out of Minnesota.
In 1983 they released “Hi-Fly†on Bob Feldman’s Red House Records, which featured original lyrics by Jim Nance, Mary Jo Knox, and Sparks set to the music of Slide Hampton, Bud Powell, Charlie Parker, and Randy Weston. Hi-Fly featured Dave Maslow on bass and vocals, Dave Karr on flute and tenor sax and Jimmy Hamilton on piano. Rio Nido’s last recording was “Voicingsâ€, recorded for the Pro Arte Jazz label, one of the first early, all-digital recordings released in the then new compact disc format.. They were joined by a who’s who of Minnesota Jazz greats including Tom Lewis on bass, Jimmy Hamilton-piano, Dave Karr-tenor sax, Gary Berg-tenor sax and chromatic harmonica, Phil Hey-drums, Dave Jensen-trumpet, Kathy Jensen-tenor sax and flute, Pete Enblom-trombone, Billy Carrothers-keyboards, Dave Birget-bass vocals, and Marc Anderson-percussion.
Order Rio Nido CDs at MaraHaley Music.
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