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Änglagård were founded in 1991 in Stockholm and they disbanded in 1994 after their final perfomance at the Progfest in Los Angeles. During that time they released two albums which are considered to be classics in the realm of original Scandinavian rock music. 2002 saw the band revitalized and rehearsing again. Änglagård played a few concerts in the U.S. and Europe in 2003, including a very successful performance at NEARFest. Eventually, the band returned into a state of hibernation. Unlike nine years earlier, there weren't any personal or artistic differences, though. So there might be more ÄnglagårdIn the summer of 1991 Tord Lindman and Johan Högberg were looking for musicians with an interest for the progressive and innovative music of the early seventies. Thomas Johnson and Jonas Engdegård replied to their ads and eventually they met and listened to each others material. They became friends very fast and started writing and arranging songs immediately. In September Mattias Olsson joined the group and influenced the music with his classical training as a drummer. Anna Holmgren joined Änglagård in the spring of 1992 replacing the previously engaged flute player. With their line-up completed the band played several appreciated concerts in their hometown Stockholm. In April they visited Studio Largen and recorded a demo. The following two months were spent rehearsing and arranging the material for their first album "Hybris". The record was the result of not only four months hard work in the studio but the harvest of a one year struggle of creating music far from the commercial, musical nonsense of today. The progressive rock scene raved about the album and eventually the band was invited to play at the annual Progfest in L.A. in May 1993. The new track "Gånglåt från Knapptibble" was recorded in August 1993, because the English magazine Ptolemaic Terrascope wanted to release a single to come with the magazine. It was during a period of energetic flow that the song (which is an early version of "Skogsranden" from the "Epilog"-album) grew to something crazy and funny. In December the band toured the U.S. playing their own compositions as well as a couple of cover-versions."Epilog" was recorded in the summer of 1994. While "Hybris" featured some moments of somberness, "Epilog" finds this emotion intensified in an all-instrumental setting which is sometimes aggressive, sometimes contemplative and almost always heavy with wistfulness and stoicism. The music sometimes sounds closer to the band's Scandinavian roots than the more overt symphonic progressive of their first album. Flute and mellotron are both given prominent roles in defining the morose nature of the sound here, while electric guitar and organ are often at the forefront of the harder sections. At this time the band was already falling apart. In November Änglagård headlined the first day of the Progfest in L.A., which would become their last concert. The band stopped rehearsing and writing. A year later they met again to edit the recordings made during the Progfest which were eventually released as "Buried Alive".
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ÄNGLAGÅRD Live in Wurzburg 2003 - Höstsejd part I
ÄNGLAGÅRD Live in Wurzburg 2003 - Höstsejd part II
