TIMOTHY DOUGLAS: Most recently directed FENCES for American Stage Company, PRIDE AND PREJUDICE for Playmakers Rep, Robert O'Hara's GOOD BREEDING for ACT in San Francisco, the world premiere of Charles Randolph Wright's THE NIGHT IS A CHILD as well as TROUBLE IN MIND for Milwaukee Rep, and the west coast premiere of Sarah Treem's A FEMININE ENDING in a co-production for South Coast Repertory and Portland Center Stage. Last season I was honored with 2 Helen Hayes Award nominations (Direction & Ensemble) for my production of INSURRECTION: HOLDING HISTORY at Theatre Alliance in DC! In 2005 I directed the world premiere of August Wilson’s RADIO GOLF, (the final installment of the August Wilson cycle), for Yale Repertory Theatre. And recently I directed a workshop of a new translation/adaptation of Ibsen’s ROSMERSHOLM at the National Theatret in Oslo, Norway, and premiered the production off-Broadway at 59E59 Theaters ***** I served as the Associate Artistic Director (actors theatre of louisville from 2001 – 2004) where, in addition to facilitating the Humana Festival of New American Plays in partnership with artistic director, Marc Masterson, I staged A.M. SUNDAY, ALL MY SONS, ART, BLUES FOR AN ALABAMA SKY, CRIMES OF THE HEART, FENCES, JITNEY, THE LIVELY LAD, and THE PIANO LESSON ***** Representative directing assignments AH, WILDERNESS (american conservatory theatre), ANNA IN THE TROPICS (portland center stage) ASSASSINS (berkshire theatre festival), BOCON (mark taper forum), BLUES FOR AN ALABAMA SKY (syracuse stage, berkshire theatre festival), BLUE/ORANGE (shakespeare & company), COWBOYS #2 (magic theatre), THE CRIPPLE OF INISHMAAN (pittsburgh irish & classical theatre), CROWNS (city theatre), THE CRUCIBLE (pittsburgh public theatre, syracuse stage), FENCES (arden theatre), THE GAME OF LOVE AND CHANCE (san jose rep), GEM OF THE OCEAN (geva theatre center, indiana rep, syracuse stage), IN THE BLOOD (guthrie theatre), INSURRECTION: HOLDING HISTORY (berkshire theater festival, theatre allicance *2 Helen Hayes nominations*, toi whakaari - new zealand), INTIMATE APPAREL (indiana rep, syracuse stage), JITNEY (indiana rep, syracuse stage), JOE TURNER’S COME AND GONE (illinois rep), LA: X (ask theatre projects), A LESSON BEFORE DYING (roundhouse theatre, syracuse stage), LOVES LABOURS LOST (utah shakespearean festival), THE MARRIAGE OF FIGARO (juilliard school), MULES (downstage – new zealand), PERICLES (juilliard school), PORTIA COUGHLIN (pittsburgh irish & classical theatre), THREE SISTERS (toi whakaari – new Zealand), RAISED IN CAPTIVITY (american conservatory theatre), A RAISIN IN THE SUN (city theatre), RICHARD III, (folger shakespeare library) SHAKESPEARE’S R&J (city theatre), SORROWS AND REJOICINGS (city theatre), VALLEY SONG (berkeley rep) and the world premieres of THE LAST ORBIT OF BILLY MARS (woolly mammoth theatre company) and VENICE (crossroads) ***** Numerous new play development workshops (ask theatre projects, denver center theatre company, mark taper forum, mccarter theatre, o’neill national playwrights conference, new york shakespeare festival/public theatre, new dramatists (Resident Director), new york theatre workshop and south coast rep ***** I was an NEA/TCG directing fellow during which time I served as Assistant Stage Director on Handel’s RODELINDA (virginia opera). In addition I served as a Director in Residence (mark taper forum) under an Andrew W. Mellon fellowship ***** As an actor I have appeared regionally, off-Broadway and on television ***** As a Linklater-designated voice and acting instructor, I've served on the faculties of Emerson College, American Conservatory Theater, Shakespeare & Company, National Theatre Conservatory, University of Southern California, the Theatre School at DePaul University and New Zealand Drama School *****I am a graduate of Marymount Manhattan College (BFA) Yale School of Drama (MFA).
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