Doc. - ProfilesArchive

About Me

---------------------------------------------------------- B I O----------------------------------------------------------- -------------------------DJ Doc. born as IRAKLI PAICHADZE in Tbilisi, Georgia. Studing in Tbilisi State Medical University. From the childhood was playing football(may be the succesfull goalkepper:)) and listening to good music, from school ages was listening some club music, first real meeting with electronic music was when was 15 years old in ’’adjara music hall’’ on party of bob sincalair(now one of the ’’pop’’ :)) djs). Than bought new album phobia of dj Benny Benassi. After that till that days manly listening to Benny Benassi,also paul oakenfold paul van dyk, we can say he is a big fan of Benny italian football and girls:)). ------------------------------------------------------------ ------------------------------------------------------------ ------------------------------------------------------------ ------------------------------------------------------------ ------------------------------------------------------------ ------------------------------------------------------------ ----------------------------------------------D I S C O G R A P H Y----------------------------------------------------------- -------------------------------------3 years ago with dj jacob first and dj dot began producing trance music under the group name of ’’Eclectic Sound’’, and made the first album ’’only’’ there were some succesfull tracks for example: eight(8), cat’s death, reasons to die. . . etc. After they continued with progressive house with popular tracks(hoping, color shifting, save the day, criminal etc...)in 2006 doc with jacob first was the marburg dj festival in club ’’fun park’’, and were very succesfull and played at many parties with local dj producer(dj dennis kappeler) after began djiing also, had expirience to play in bulgaria in varna club ’’araganza’’. in admired electro and techno from label PUMP-MUSIC(noip, audio vegas, mobbing). Also remixed sopho khalvashi’s ’’visionary dream’’(this song won award of european wave). in 2007 began to produce electro and techno and made the new album ’’human factory’’ with very tunning tracks(razor, brand faces, economix, mexican, voices from tbilisi, g.s.m, camp island)in 2008 new year played in vitamin loung bar with jacob first and and dj dot. now working on the album of human factory vol2, 70percent ready, it will be very interest album with new remixers and vocalists. in 2009 going to create new label where we can present some talanted dj producers. also we produce some tracks without album, that one will be in limited edition and will be not for sale.

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Member Since: 3/5/2007
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some textELECTRO------------------------------------------------- ------------------------------------------------------------ ------------------------------------------------------------ ---DEFINITION AND CHARACTERISTICSElectro is an artistic musical form in the wide world of electronic music culture. With few exceptions, the definition of the electro sound is the use of drum machines as the rhythmic base of a track. Rhythm patterns tend to be electronic emulations of breakbeats, with syncopated kick drums, and usually a snare or clap accenting the downbeat. Adopted by many electro enthusiasts, the Roland TR-808 is a legendary drum machine created in 1980 with a immediately recognizable sound. It remains popular in this and other genres to the present day. The instrumentation is generally all-electronic, favoring analog synthesis, funk-style bass lines, sequenced or arpeggiated synthetic riffs, and atonal sound effects all created with synthesizers. Heavy use of effects such as reverbs, delays, chorus or phasers along with synthetic ensemble strings or pad sounds emphasize the common science fiction or futuristic theme of the lyrics and/or music. Most electro is instrumental, but a common element is vocals processed through a vocoder. Additionally, speech synthesis may be used to create robotic or mechanical lyrical content. Some earlier electro features rapping, but that lyrical style has become less popular in the genre from the 1990s onward.----------------------------------------------------- ------------------------------------------------------------ ------------------------------------------------------------ ------------------------------------------------------------ ------------------------------------------------------------ ----------------------------------------------------------HI STORY------------------------------------------------------- ------------------------------------------------------------ ------------------------------------------------------------ ----------------------------------------------- Bronx, NY based electro funk artist Afrika Bambaataa’s "Planet Rock" (1982) is one of the first electro records, using elements of Kraftwerk’s Trans-Europe Express and "Numbers" (from Kraftwerk’s Computer World album).In 1983, along came upper Manhattan, NY based Cutting Records’ first recording artist Hashim. Hashim, or Jerry Calliste Jr. created the influential electro funk tune "Al-Naafiysh (The Soul)". "Al Naafiysh" became Cutting’s first release in November of 1983, and Calliste became the label’s vice president (Kellman, 2007)[1]." At the time Hashim was influenced by Man Parrish’s "Hip Hop Be Bop", Thomas Dolby’s "She Blinded Me With Science" and Afrika Bambaataa’s "Planet Rock" [2]. "Al-Naafiysh (The Soul)" managed to crossover into the mainstream music markets around the world and is now one of the world’s most sought after electro tunes in electro music’s history.Bambaataa and groups like Planet Patrol, Jonzun Crew, Mantronix, Newcleus and Juan Atkins’ Detroit-based group Cybotron went on to influence the genres of Detroit techno, ghettotech, breakbeat, drum and bass and electroclash. Early producers in the electro genre (notably Arthur Baker, John Robie, Shep Pettibone, and the Latin Rascals) would feature prominently in the Latin Freestyle (or simply "Freestyle") movement of the early and mid-1980s. Baker and Pettibone would enjoy robust careers well into the house era, and both would elude the "genre trap" to successfully produce mainstream artists.
Record Label: unsigned
Type of Label: None