Soon after surging and spawning from an early Serge synthesizer unit, Dean took a shining to the otherworldly sounds of electronics, or was it just the knobs and patchcords...probably the knobs [hint hint]. After being suckered into playing guitar for a progressive rock band [not that sissy dream theater prog crap] French TV and a fun stint with an electric african-style [bunch of grooving white hippy guys] pop band called Ube he was drawn towards the industrial tech metal bands [drunkin' club daze]. From this a taste for dance music ensued [a victory for alcohol]. In 1999 at an excellent camping rave [Interstaller Dreamfest!] Dean caught an earshot of psytrance, the Return to the Source crew had appropriated one of the sound systems. So armed with a love for the sound, the style, the dancing, the chemicals, errr...uh...the incense, a new musical focus was found [later to be defocused].
The "big break" [my ass] came when in 2001 Deanie [Weenie] from his "hometown" of Louisville Kentucky [plug for southern city] moved to New York's Hudson Valley [not to be confused with NYC] and coupled into the New York City psytrance scene. He eventually hooked up with Deeper in Zen, Mind Warped, and D-Space, and the Machine Elf himself and thus began Soular Records. In the subsequent 5 years the Onnomon project released a number of tracks on Soular compilations, and a full-length album "No Monno" in 2004. Also, "Virtual God" was released on Yellow Sunshine Explosion's Classic Goa Vol. II- to be found in barginbins everywhere in Goa India [Still haven't seen the royalities on that]. Onnomon's tracks span from sheer and utter tastelessness to some serious funkshun trance wid da hooks, and some evil dark tracks, for fun. The concept behind the music is to let the inspiration dictate the music, not the genre, this inspiration is handed down from the chaos around us. Consequently, Onnomon tracks tend to blur stylistic lines. [the editor here says "hi!"]
