d.n.s.

Around the year 2002, the creative work of the post-folk project DONIS is becoming stylistically multidimensional. Consequently, a project d.n.s. with no touching points with ethnics originates. Although the stylistics is still not steady, some kind of purposefulness can be perceived in its sounds. d.n.s. music is based on experimental electronic collages, deep ambient, and coherent current of sound. Interlacing motives sometimes grow into sallies of uncontrolled rhythmics and industrial chaos. The music is created using various electronic instruments and environmental sounds collected by the author himself.