The Official Lauryn Hill Myspace profile picture

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Call me Lauryn Hill the mother of hip-hop invention; with her 1998 solo debut The Miseducation of Lauryn Hill, the Fugees' most vocal member not only established herself as creative force on her own, but also broke new ground by successfully integrating rap, soul, reggae, and RB into her own sound.Raised in South Orange, NJ, Hill spent her youth listening her parents' multi-genre, multi-generational record collection. She began singing at an early age, and was soon snagging minor roles on television (As the World Turns) and in film (Sister Act II: Back in the Habit). Her on-again, off-again stint in the Fugees began at the age of 13, but was often interrupted by both the acting gigs and her enrollment at Columbia University. After developing a following in the tri-state area, the group's first release -- the much-hyped but uneven Blunted on Reality -- bombed, almost causing a breakup. But with the multi-platinum The Score, the Fugees (and especially the camera-friendly Hill) achieved international success, though some pundits took shots at their penchant for cover songs.That criticism made Miseducation even more of a surprise. Hill wrote, arranged, or produced just about every track on the album, which is steeped in her old-school background, both musically (the Motown-esque singalong of "Doo Wop (That Thing)") and lyrically (the nostalgic "Every Ghetto, Every City"). As Miseducation began a long reign on the charts through most of the fall and winter of 1998 -- initially thanks to heavy buzz and overwhelming radio support for "Doo Wop (That Thing)" -- Hill became a national media icon, as magazines ranging from Time to Esquire to Teen People vied to put her on the cover. By the end of the year, as the album topped virtually every major music critic's best-of list, she was being credited for helping fully assimilate hip-hop into mainstream music. (Such an analysis, however, is lightweight at best: Hip-hop had been a huge force on the sales and radio fronts for most of the decade, and rappers Jay-Z, DMX, and Outkast had dropped similarly lauded LPs prior to or just after Miseducation's release, adding to the genre's dominant sales for the year). The momentum finally culminated at the February 1999 Grammy awards, during which Hill took home five trophies from her 11 nominations, including Album of the Year, Best New Artist, Best Female RB Vocal Performance, Best RB Song, and Best RB Album; the most ever for a woman. Shortly after, she launched a highly praised national tour with Atlanta rappers Outkast.Hill also faced a lawsuit from two musicians who claim they were denied full credit for their work on the album. In an interesting twist, Hill's album proved to be such a commercial and critical success that it shed doubt on the Fugees' future. Their in-fighting became common knowledge, and matters were complicated when many fans interpreted Miseducation's various anti-stardom rants as a public dissing of co-Fugee Wyclef Jean.She did continue shaping her solo career. The double-disc MTV Unplugged No. 2.0 appeared in spring 2002, showcasing a deeply personal performance from Hill. Brian Raftery, All Music Guide
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For two or three years I was away from all social interaction. It was a very introspective time because I had to confront my fears and master every demonic thought about inferiority, about insecurity or the fear of being Black, young and gifted in this western culture. It took a considerable amount of courage, faith and risk to gain the confidence to be myself. I had to deal with folks who weren’t happy about that. I was a young woman with an evolved mind who was not afraid of her beauty or her sexuality. For some people that’s uncomfortable. They didn’t understand how female and strong work together. Or young and wise. Or Black and divine." During this time, Hill abandoned celebrity and stopped doing interviews. She stopped watching television and listening to music and explored alternate methods of expressing herself, including creating and writing a considerable amount of music, poetry, screenplays, clothing designs, etc. Hill said:People need to understand that the Lauryn Hill they were exposed to in the beginning was all that was allowed in that arena at that time. There was much more strength, spirit and passion, desire, curiosity, ambition and opinion that was not allowed in a small space designed for consumer mass appeal and dictated by very limited standards. I had to step away when I realized that for the sake of the machine, I was being way too compromised. I felt uncomfortable about having to smile in someone’s face when I really didn’t like them or even know them well enough to like them.and went on to say;"I had to fight for an identity that doesn’t fit in one of their boxes. I’m a whole woman. And when I can’t be whole, I have a problem. By the end I was like, “I’ve got to get out of here.

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