Member Since: 07/02/2007
Band Members: Blankers - Guitar/
Eikenaar - Vox/
Kimenai - Bass/
Meurs - Drums
Sounds Like: I think I need some epinephrine, quickly. I feel as if I have been mauled and mangled and hit with a blunt instrument repeatedly. Then my heart stopped bleeding and my eyes bulged out and a single moment felt like a couple of hours, while my life drifted past me and I realized: mankind equals shit, evolution is going in the wrong direction and finally, not too far away, everything will end in a big pile of stinking shit. It is take or break time and it might be for another two millenniums. The cold is already creeping up on me. I hear the best walking the earth.
Anaphylactic Shock describe their music as a kind of doomy rock with extreme vocals. But yet it is so much more, mostly because that description does not sound heavy, but it is. (In this respect the Onlinde-Database my player gets his info from is more correct with tagging this album “heavy metalâ€, which goes to show that trying to be more right makes you turn out wrong anyway.) “2000 years†contains a sludgy, downtuned miserable beast of heavy rock with vocals that can’t decide between screaming and growling, and may be something that you don’t want to encounter late at night in a dark alleyway. The sound is distorted and dense, pounding and punishing the way you would expect it.
What makes this band’s music stand out is the self evidence and the and ease with which they tread in the mid- to low tempo area. Most bands would try to hide their lack of whatever and their will to be very extreme in either playing totally slow or totally fast – both of which becomes obvious and boring after a time, unless for the best of the best of each competition. Anaphylactic Shock stay cosily in the burning hell of midtempo where they melt the extreme visions of dark and psychotic hardcore (does anybody remember the term crust?) with the darkness and evil of classic metal. A fine mixture, perfect to set fire to something, be it the system or your sofa.
Where this band is headed lyrically, is easy to track down: on to a rather bleak and misanthropic future. Take “The future floats bleak and ugly†as a hint before chosing “death over life†or even “abandon all hopeâ€. And there probably is still this point to make over and over again, that most of what is happening seems to go into the wrong direction, that life is shit for most people and that happy-go-lucky indie-bands with meaningless lyrics won’t ever cut the crap and effect any kind of meaningful change. On the other hand, the main reason for a lot of things being so shitty is that god or nature have a weird sense of humour and that’s all. I mean, what is evolution’s / intelligent design’s reason for Paris Hilton? Who in his right mind could ponder this paradoxon and not start stabbing people in a shopping mall? You got the point.
Final note: Neurosis will never again make a record as groundbreaking and devastating and influential as “World of Pain†or “Souls at Zeroâ€, so it is probably a good idea for the fans to move on as well. After all, Neurosis are still a fucking force to be reckoned with, if mostly live, because their new albums tend to drag a wee bit. And then some. But with evil monsters as this one around, it is pretty easy to get your dose of nightmares now and again.
Record Label: Hypertension Records
Type of Label: Indie