Biomass

Juxtaposition/ post industrial reconstructions/ distopian soundscapes/ exploitation of jazz space/ analog drones/ media manipulation/ urban fields/ electric nuances/ hi frequency psycho-acoustics/ endless groove/ sub bass culture/ Qualified Person for Pharmacovigilance (QPPV). ............................................................ ... ............................................................ ...ELECTROZALI (Low Impedance -Loz017 CD)_ Cretan lyra samples are mixed with power electronics, analog drones and industrial dub. The familiar Biomass-style click’n’cut dub is enhanced by processed strings and uncanny vocals.Contagious grooves and choirs of stretched lyras amount to an honest tribute to traditional sounds. A meta-comment on tradition. Recorded at Napoli and Athens DSP Lab/ Mastered by John Sellekaers at Metarc/ Design by Paranormale "Pick Ra"(Athens)/ ............................................................ ... ............................................................ ...MARKET (Quetempo 004 CD/DVD)____________It is a hybrid of repetitive minimal soul. Dangerous electricity and supermarket field recordings streaming parallel with sub bass and crashing lyrical lines. Mattie May Thomas (1939) sings the blues from behind the static, from inside the sewing room of the Mississippi State Penitentiary pulling inside the music cell of market: sharp cuts and dangerous clicks accompanied by a non-linear image sampler composed by the landscape of consumption, the industry of the disposable product, the domination of the image as created by “the corporation”........All audio and video arrangements directed by Biomass at Napoli. Vocals by Mattie May Thomas. Mastered by Electroware at DSP lab Athens. Cover design by J.Edgar Hoover's boys........................................................ ........ ............................................................ ... MILEDROPS (Quetempo 002 CD)______________An analog fusion of dub , clicks & cuts and jazz roots. It is where electricity of bare-plugs touch , meets the Miles Davis sonic-atmosphere sampling “ascenseur pour l’ echafaud “ soundtrack ................................................... All tracks stolen, mixed, cooked, toasted, recorded by Biomass at Napoli. Mastered by Electroware at DSP lab Athens. Graphik movement by "Paranormale" the repsyche monster. ............................................................ ... ............................................................ ...