About Me
I am a dominant, bisexual, hedonistic, sensualistic, ethical slut. I practice bitchcraft as well as snarkfu. I'm a writer, a geek, an unashamed fangirl as well as gamer of all styles. I am a writer of both fanfic and novels, a lover of comics, and a collector of many things - including dice, blades and MLPs. I cosplay, larp, roleplay and enjoy costuming for renfaires and the like. I think clothing is a costume as well as life a stage on which we are all actors with the chance to perform. I like bad comedies, action buddy films and fandom films. My fandoms include but aren't limited to: X-Men, especially XMM, AXM and UXM; CSI; Twin Peaks; Firefly; Potterverse, Blade and Hellsing. I have many OTPs and, yes, you can have more than 1 one true paring. I'm anti-DC because, as a child, I was disgusted that removing one's glasses was enough to fool everyone around you as if they were too dense to notice that he still looked the same.
I am politically active with no affiliation but I am antistupidity, prochoice, progun control but not the banning of them, pro-pagan rights, pro-gay marriage as well as adoption by all qualified to love a child, pro-religious freedom, and while I am not anti-American I do not approve of our country or how it is being run. I believe we should all have civil unions and that handfastings should be recognized in every state. I think that polyamory is about loving deeply and not fucking freely. I am sexual and yet I don't believe in being a whore that fucks anything and anyone. I am free with my opinions and beliefs and yet more than willing to listen to the other side of the coin though I will not tolerate close minded bigots or flame wars.
I am in love and am loved in return. She is my Anam Cara and someone very special to me. She is more than just my love but my best friend as well. One of my best friends. The other is my kidlet. She is brilliant, funny and I admit I talk about her a lot. If you are antikid, you might want to move on. Same with being antibisexual or offended by such things.
Poetic Terrorism - Hakim Bey
WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. Later they will come to realize that for a few moments they believed in something extraordinary, & will perhaps be driven as a result to seek out some more intense mode of existence.
Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc.
Go naked for a sign.
Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty.
Grafitti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement...
The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails.
PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now.
An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE.
Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you.
Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.
