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Chino Dollar

About Me


BMI AWARDS RED CARPET

Add to My Profile | More VideosIt is a well-known fact that most artists are just not good business people. More creative than concrete, they are more concerned with their art than paperwork and numbers. This is especially true in the world of music- particularly rap. Not many record label CEOs have been able to balance company operations, create good music and simultaneously do them both well.Exceptions to this rule like superstars Cash Money CEO Brian “Birdman” Williams and DefJam president Shawn Carter AKA Jay-Z are few and far between. Another exception is Georgia-bred bulldog Chino Dollar. Since starting his label Mastermind Music a few short years ago, he molded Yung Joc into a platinum-selling artist, catapulted the career of Atlanta producer Nitty and helped boost the career of gold-selling artist Bubba Sparxxx.Now, he is set to bring in the New Year with an even bigger bang than years gone by with two as-yet-untitled albums from label duo Certified Gees and soloist J-One. And after the dust settles from that double dose, he will hit us with his solo debut album The Almighty Dollar. He already lit the fuse with the sizzling single “You Ain’t A Hood N*gga,” a diss song aimed at friend-turned-foe Gorilla Zoe.“Zoe was our people. One of the producers on my label Chris Flame developed him with the intention for me to distribute him, but I wasn’t ready,” says Chino. “Chris and Zoe already had the song ‘Hood Nigga’ when we introduced Zoe to (Block Ent. CEO) Block.“Now, people are coming back to me talking about he’s saying things about me. I made the song because sometimes you let your emotions get in the way.”Born Chauncey Stevens and raised between Athens, Ga. and Atlanta’s section of Decatur, Chino didn’t choose the music industry. The industry actually chose him. His first business venture wasn’t even in music. He opened a chicken shack with his cousin Marquet called Wings On Wheels in the heart of Atlanta’s East Side on Candler Road. Even though business was booming, they shut down after a year. Chino was caught on the other side of the law and had to serve six months in a boot camp.While he was on lock, his God-brother Yat had started a record label back in Athens. Yat bought studio equipment and signed local rap duo Lowdown and Dirty, who asked Chino to manage them. “When I got out, I was going back and fourth between Athens and Atlanta trying to figure out what to do,” Chino remembers. “They figured since I lived in Atlanta, I must know somebody in the music industry.”It was during this same time that Chino came across another aspiring artist Bubba Sparxxx. Although Bubba was already signed to another label, Chino’s artist Dirty (of duo Lowdown and Dirty) began producing beats for Bubba. In the process of putting together Bubba’s debut album Dark Days, Bright Nights, a friendship was formed.“Me and Bubba got close,” says Chino. “We got Bubba’s album together, and when he did his deal with Timberland and Interscope, we formed our own label New South. I was vice president.”Major distribution of their label depended on sales of Bubba’s 2003 follow-up album Deliverance. After the album failed to sell expected numbers, major labels backed away from a deal. “The label situation didn’t do too well but I learned a lot about the business,” says Chino.On the rebound from the situation with Bubba, Chino hooked up with another independent label as an executive officer. During his short stint at the label, he pushed female rapper Miss B underground success with regional club banger “Hit That B*$h With A Bottle.” But in 2004, Chino turned in his walking papers to the label. He took with him Miss B’s hypeman, an up-and-coming rapper named Yung Joc and started his own label Mastermind Music.“The first night I bought the studio equipment, I called Joc. He shot over to the house,” he expresses. Within months, Joc recorded over 40 songs.“I used to dibble and dabble with Joc in the studio. I would always write songs and come up with concepts,” Chino says. “When I came up with the concept for Joc’s ‘Dope Boy Magic,’ Joc was like ‘you need to rap on this one.’ When the people heard it, they was like ‘you need to rap a little more.’”Another one of those songs recorded by Chino was Joc’s 2006 smash single “It’s Going Down,” a song that sent Nitty’s production nationwide. So when Block Ent. CEO Russell “Block” Spencer got an earful of Joc, he signed Joc to a joint venture with Bad Boy South/ Block Ent./ Mastermind Music. As a part of the deal, Chino was to receive a 50/50 split in profits with Block.Chino’s next move is putting his experience, ability and know-how into a full roster of artists, which includes himself. Yung Joc is still on the label and Chino is still working with producers Chris Flame, Shannon Lee, Memphis native Black Elvis, rapper duo Certified Gees and solo artist J-One. After dropping all of this heat, he will be dropping his own certified heat The Almighty Dollar.“I’ve been around music my whole life. I know music, and I know business,” Chino insists. “I mold artists into stars with the talent God gave me, and I’ve got some of the hottest upcoming talents on my label. I can’t lose.”

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Member Since: 25/12/2006
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Check Out The New Article Below: Chino Dolla vs Block Ent

Block Entertainment CEO Russell “Block” Spencer just may have to cough up more than 50 percent of his earnings from Block Ent./ Bad Boy artist Yung Joc’s (born Jasiel Robinson) platinum debut album New Joc City if local Atlanta area businessman Chauncey “Chino Dollar” Stevens has anything to say about the matter in their DATE court date.“I have nothing good or bad to say about Block or Block Entertainment. I’ll speak the truth, and you decided right from wrong,” says Chino. “All I want is for Block to honor his part of the agreement and pay me. If he gets the royalty money in his hands, I will never see my share, and that won’t be good for me or him. I went through proper procedure, but Block never cooperated with me.”CEO of his own independent label Mastermind Music, Chino had recorded Joc’s multi-platinum single “It’s Going Down,” gold single “I Know You See It” and street hit “Dope Boy Magic” long before Block came into the picture. He says he picked beats, paid producers, orchestrated New Joc City as a whole and groomed Joc to be a successful artist. As part of the agreement, Joc would remain signed to Mastermind Music as a solo artist. In addition, Chino and Block would split profits in a 50/50 joint venture deal. Each was supposed to produce half of the albums to come together and receive co-executive producer credits and logo placements on the album.“When Block came to the table, we sat down with the same lawyer and came up with a 50-50 deal me joc and block all signed it,” says Chino.But after Block Ent. got a million-dollar deal with Sean “P. Diddy” Combs’ multi-platinum Bad Boy label two years ago, Block didn’t tell Bad Boy nor Atlantic Records of his preexisting deal and weeded Chino out altogether. “I didn’t get my credits which hinder my business from other opportunities,” Chino adds, who recently filed a court claim that would halt all album royalties until the matter is settled.Adding insult to injury, Chino also contends that recently signed Atlanta-based Jive Records artist Sunny Valentine’s regional smash “F U Pay Me” featuring Joc was recorded before the deal. At the time, Joc as a member of trio group Wize Guyz consisting Sunny and fellow ATL rapper Shawdy Slick and further explains Sunny’s line in the song: “Me and Joc some Wize Guyz on the track.”“Block charged Sunny $70,000 for Joc to feature on that song. Block charged Jive an arm and a leg, and I didn’t get my half of the money. I got the original record,” Chino insists. “He’s running around clearing Joc and not paying me my half. That’s a problem. I don’t have a problem with you making moves; just give me half of the money. Some things you just don’t do- like try to take food out of a hungry dog’s mouth. You might just get bit.”The drama all started back in 2004 when Chino first launched his Mastermind Music label with Joc. After purchasing musical equipment, building a studio and recording more than 40 songs with Joc, they pounded the streets of Atlanta with their brand new sound featuring a then-unknown Young Joc.Block, who had menial record sales with Boyz Na Da Hood’s 05 debut, got wind of how Joc was beginning to control the city, and he wanted in. So he stepped to Chino. The rest, as they say, is history.“My problem is not with Joc. People in the streets are saying ‘Joc left Chino and not standing up.’ But this man got to make sure his kids eat and keep the machine running. At the same time, he is the machine. He’s the biggest artist at Block Ent,” says Chino. “I hate I didn’t get to work with Joc on (his latest album) Hustlenomics because he is very creative and we make good music together. You gotta know how to guide Joc’s ideas. I guess this time he didn’t have that, and its reflecting in his music and sales.Even through all of the drama, Chino maintains that he learned valuable lessons from this. “Sometimes you got to step back and listen to the streets. A lot of people told me that he was a dishonest dude and owed them money for work they had done for him. But he came across to me like he was fair,” advises Chino. “Watch who you do business with. It’s a dirty game.”



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