K. Sridhar profile picture

K. Sridhar

"Opens our hearts and probes deep into our soul"

About Me

ABOUT K. SRIDHAR:"In the beginning there is the musician, the instrument, and the audience. In the end, all three merge into the Ocean of Sound" - K. SRIDHARTwo traditions co-exist in India, that of the North (Hindustani) and of the South (Carnatic). They share the same basic systems but differ greatly in the instruments used, by the Ragas played, and by the concept of musical expression. Mastery of both traditions is not only rare but gives K. Sridhar's music a universality that is profound.From infancy, K. Sridhar was initiated into the highly structured and precise training of the Carnatic tradition by his mother. As a descendant of fourteen generations of temple musicians, including Narasimha Bhagavatar of Tanjore, she was a renowned vocalist in her time. From the mid-1950's, K. Sridhar began his studies on the sarod under the guidance of Ustad Zia Mohiuddin Dagar, the foremost master of the rudra veena of his day and an internationally known specialist in the traditionally classical and devotional Dhrupad style within the Hindustani tradition.Interpretation of Dhrupad music instrumentally is not the same as a vocal interpretation. K. Sridhar stretches the limitations of plucked strings and allows the sarod the full range of its expressive voice. The sarod is an instrument of great complexity. As such, few musicians choose to play it. Sridhar's study of Hindustani music was long, rigorous and disciplined, in the old style of learning within gurukula. It was a training designed to prepare him for a lifetime spent as a performer, not just as a technician. This form of mentorship has all but disappeared from India today.At the age of 12, K. Sridhar became the youngest member ever of Ravi Shankar's orchestral group and started performing solo at an early age. At 25 he was granted the honorary title of Sur Mani (Sky Jewel) at the famous Kal-Ke-Kalakar festival in Bombay. At present, he is the senior most performing disciple of Z.M. Dagar and the only one performing in the West today. Deeply influenced by Ravi Shankar and Ali Akar Khan, K. Sridhar has woven together from all these influences a universally appealing sound.K. Sridhar started touring out of India in 1982 and has given hundreds of concerts worldwide. During the 1980's in Europe he often performed in the more traditional Dhrupad manner with pakhawaj player Arjun Shejwal. Starting in 1987 he toured internationally numerous times under the auspices of W.O.M.A.D., often as part of jugalbandhi (duet) with Carnatic violinist K. Shivakumar along with tabla and mridangam accompaniment. Two of these jugalbhandis are featured on a CD by Peter Gabriel's RealWorld label entitled "Shringar".K. Sridhar has made 12 recordings on both European and American labels, a few of which are multicultural collaborations. On his "Food For the Soul" CD he plays a Carnatic raga in the Hindustani manner. As a composer, he has provided numerous soundtracks for film including the French film, "Pondicherry: juste avant l'oubli," which won the prestigious Jean Vigo Award in 1988. Presently he divides his time between the USA, Europe, and India primarily as a concert artist.K. Sridhar's musical fluency has also allowed him to form exciting links with musicians from other cultures while enriching the repertoire of his own. He has conducted seminars on Indian music in the USA, France, Singapore and Mexico. His collaborations include musicians of various disciplines: Arabic, African, jazz, flamenco, Persian and European classical. He has received critical acclaim from such diverse locales as Australia, Canada, France, Germany, Hong Kong, India, Israel, Italy, Japan, Malaysia, Mexico, Scandinavia, Singapore, Spain, Taiwan, the UK and USA. He has been featured on British, Irish, and French TV as well as American, Danish, Swedish, and Mexican radio.K. Sridhar received a separate form of training from his spiritual guru. It is to him that he gives credit for lending the music a quality described as "an aspiration towards spiritual bliss". With rare intensity, the music of K. Sridhar offers to all listeners an opportunity to merge into a world of divine sound.

My Interests

Music:

Member Since: 12/8/2006
Band Website: sridhar.org
Band Members: K. SRIDHAR
Sounds Like: PRESS QUOTES:"The spiritual radiance from the fusion of musician and instrument suspended the room in an ocean of bliss." - G.S. Hohendadel, L'Alsacien, France, May 4, 2004"K. Sridhar executed magnificent interpretations (of the raga), obtaining in his music a perfect balance between melody, technique, and sentiment. The skillful concert was enjoyed to the maximum by around 1800 youth, adults, and seniors who jammed the cultural center." - A. Aurioles, El Sol de Puebla, Mexico, May 17, 2006"...an absolutely mesmerizing musical experience, not only for the ear, but also for the mind, heart, and spirit." - Durham's Independent, USA, September 15, 2004"Sridhar, to put it simply, was the total embodiment of sound." - S. Kim, The Queen's Journal, Canada, October 1, 1999"K. Sridhar is the Hendrix of the Sarod. While listening to his music one can close one's eyes and go on a journey to the outer limits of one's imagination....True Nirvana!" - Ma Ariv, Israel, April 1985"Combining a dhrupad sense of melodicism with a strong use of Carnatic rhythmic elements, a Sridhar performance is a rare and distinctive offering, full of heart." - S. Dill, The New Mexican, USA, May 2007"Sridhar expressed a universal tone language that can enchant even the most inexperienced listener." - Kjeld Frandsen, Copenhagen Observer, September 16, 2002"This music is to be heard in those quiet moments when the refinement and sheer skill of the playing can be appreciated." - Venue, UK, July 1996"As thunder and lightning crashed over the raging surf outside, Indian maestro K. Sridhar hunkered down over his sarod and quietly, ever so slowly, took the audience into another world. ... his exquisite use of grace notes eventually drew in percussionist T. W. on tabla, and together they brought the raga to a dizzying climax." - Japan Times, August 1994"... the sounds of the Sarod reveal the joys and groans and lamentations of the human soul." - Paris-Nantes Newspaper, France, July 1982

Record Label: Eight Gates Music, Country and Eastern
Type of Label: Indie

My Blog

SRIDHAR ENTHRALLS WITH PASSIONATE NOTES

An enthralling evening of Indian classical music featuring sarod player K. Sridhar was presented at the Skirball Cultural Center here Oct. 4.  Sridhar, one of the finest exponents of the sarod to...
Posted by K. Sridhar on Sat, 01 Dec 2007 06:33:00 PST

THE SAROD :: A BEAUTIFUL AND COMPLEX INSTRUMENT

THE SAROD :: A Beautiful and Complex Instrument The Sarod originated from the Arabic instrument, the rebab. Around 1300 AD it was named the Sah-roda; a bowed, gut instrument introduced to the Mughal ...
Posted by K. Sridhar on Sat, 09 Dec 2006 05:47:00 PST

K. SRIDHAR :: REVIEWS

REVIEWS: DIVINE SOUND This was an opportunity to listen using not only one's ears but also one's heart. It's been a long time since authentic Eastern music has been presented in this country in respe...
Posted by K. Sridhar on Sat, 09 Dec 2006 05:05:00 PST