..
Myspace Layout Generator by TheMyspaceLayout.com
18TH STOCKHOLM INTERNATIONAL FILM FESTIVAL
15-25 NOVEMBER 2007
11 days with over 180 films from 40 countries that are screened for very the first time in Sweden, visits from 100 filmmakers and actors in the theatres - welcome to the biggest filmfest of the year!
WINNERS 2007
The jury has made it's decisions and proudly presents the winners of the 18th Stockholm International Film Festival. The 7,3 kilo Bronze Horse for best film goes to a touching story about illegal abortion in Rumania.
STOCKHOLM LIFETIME ACHIEVEMENT AWARD 2007: Paul Schrader
Paul Schrader possesses a unique voice, which gives life to sharp, relentless characters in a modern city. Schrader’s images of an urban jungle are drawn with intellectual clarity, and he never hesitates to push his characters to their limits. With the linguistic brilliance of a screenwriter and a director’s eye for visuals, Paul Schrader has helped advance the cinematic medium for over three decades.
STOCKHOLM VISIONARY AWARD 2007: Wes Anderson
Wes Anderson receives the Stockholm Visionary Award for his humane and humoristic portraits of solitary human beings. In his films, he creates unique and stylized universes inhabited by characters searching for something to search for. Through his visionary filmmaking, Anderson has given a modern face to the classic ‘auteur’.
BEST FILM: 4 months, 3 weeks and 2 days by Cristian Mungiu
This brilliant film expresses the impact of societal repression on its characters with honesty and devastating humanity. Every aspect of the film – script, photography, performances and most importantly direction – uncovers profound truth in the smallest gestures. With its opinionated use of long takes and off-screen space, Cristian Mungiu understands the power of simplicity. 25/11, 18:30 at Skandia
BEST FIRST FEATURE: The Zone by Rodrigo Pla
This film features an intelligent and original execution of an increasingly evident and alarming global problem. Through its microcosm and thriller-like suspense, The Zone keeps the audience alert to the good and bad and the fear we all carry within. The simplicity of the storytelling and the genuine characters, combined with an elegant and subtle musical score, result in a film that stays with you.
HONORABLE MENTION, BEST FIRST FEATURE: Control by Anton Corbijn
Never resorting to clichés about the iconic Ian Curtis, Control creates a stark, fully realized world. Featuring powerful performances throughout, Anton Corbijn goes beyond the genre of the “rock film†into an evocative portrait of these characters lives. The spare simplicity of the camera and compelling use of music captures the emotional despair and alienation of Joy Division’s sound.
BEST SCRIPT: Carlos Reygadas for Silent Light
Carlos Reygadas’ screenplay in Silent Light captures the essence of life. With sparse, poetic and often painfully simplistic delivered dialogue (and through an almost documentary feeling), the film features genuine performances enhancing the cruelty of the silence. With an incredible backdrop of grand nature, Silent Light is a raw and truthful tale about human’s incapability for dealing with love, desire and responsibility.
BEST ACTRESS: Anamaria Marinca for 4 months, 3 weeks, 2 days
Never sentimental, always sharply specific, Anamaria Marinca brings empathy and complexity to her role. Throughout this film, she expresses the shifting internal tensions of her character, often with barely a word. We forget we are watching a “performance†and instead experience, moment by devastating moment, the brutal events of this day in the life of Otilia.
BEST ACTOR: Jason Patric for Expired
Daring to be unlikable, Jason Patric combines humor and rage with unexpected shifts of rhythm and tone in this electrifying performance. It is rare in film that a deeply flawed and potentially unsympathetic character can evoke such depth of emotion. Beneath his prickly exterior and commanding physicality, we experience a fully realized character, balanced between comedy and tragedy.
BEST MUSIC AWARD: Oliver Bernet for Persepolis
In this mesmerizing and original animated film, the music of Oliver Bernet enhances and contrasts the emotional experiences of the characters. His original score intertwines and explores different genres in a skillful and precise way.
BEST CINEMATOGRAPHY: Janusz Kaminski for The Diving Bell and The Butterfly
Janusz Kaminski’s cinematography brings expressive subjectivity and an original, off-kilter point of view to this powerful story. His bold photographic choices succeed in grounding us in the unforgettable perspective of the film’s protagonist, Jean Do. Combining visual economy with poetic lyricism, the photography of The Diving Bell and The Butterfly looks at the world with a fresh eye.
BEST SHORT FILM: Pathways by Hagar Ben-Hasher
In a strong and naked realistic approach, Hagar Ben-Asher explores the boundaries of how far a woman can go in her path to self- confirmation before she gets penalized for it. A reminder of how forbidden and threatening that female sexuality still is. In an impressive performance director/actor Hagar Ben-Asher captures this woman’s journey.
FIPRESCI-PRIZE FOR BEST FILM IN COMPETITION: Caramel by Nadine Labaki
SCHOLARSHIP 1KM FILM:Andreas Tibblin for När Elvis kom på besök
For an emotional intelligent and highly aesthetical and solid director. In only a few moments' intimacy and closeness are established, proving a talented eye for characters, content and visual presentation. The director has also presented the best future project.
HONORABLE MENTION 1KM FILM: Alexandra Dahlström for Lacrimosa
From a playful and highly tempered director delivering work straight from the heart, and with a passion for the art of narration. This director charms us with an uncompromising, young and promising voice
STAR! AUDIENCE AWARD: Juno by Jason Reitman.
Stockholm International Film Festivals audience prize for 2007 goes to Juno by Jason Reitman. The audience has voted at the theatres and online.
IFESTIVAL - WORLD WIDE WEB AWARD: Michalis Konstantatos for Two Times Now
For an emotional everyday horrorpiece, told through a cross cutting frenzy, the director poses questions on relations and where you draw the line between love and hate.
GULDBUBBLAN - LET'S MAKE A FILM: Niklas Fröberg
The audience of Let’s make a film has voted online. The award for Let’s make a film 2007 goes to Niklas Fröberg.www.stockholmfilmfestival.se
