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HMC was born and raised in East London UK and through his writing, rapping and producing has introduced a fresh new sound to bhangra. HMC is a transatlantic superstar who has become one of the talked about names in the Asian music industry. Having toured most of the UK..s nightclubs and performed at over 400 separate music events and with bhangra anthems such as ..Sohni Lagdi.., ..Boliyaan Paake.., and ..La Gayee Sada Dil.. under his belt HMC has definitely earned his place as the No.1 mc in the Asian music industry. With the help and guidance of some of bhangra..s biggest names such as Sukhshinder Shinda, Punjabi MC, Aman Hayer and Dj Vix he has been able to adapt to many different music genres and has developed a distinct style of musical flow, rocking stages and shows worldwide. HMC has appeared in numerous bhangra videos and due to his high profile has stirred interest in continents across the globe leading to stage shows worldwide some of which include India, Toronto, Montreal, Switzerland, Berlin, Germany, Italy and Portugal. A major achievement of HMC..s is that he is the only rapper and one of very few artists that have been able to work cross network with some of bhangra..s massive record labels such as Moviebox, T-Series, Untouchables (RDB) and Nachural Records and as a result has been able to collaborate with some of the industry..s top names and produce tracks with artists such as such as Jazzy B, Sukhshinder Shinda, Dj Vix, Aman Hayer, HS Meshi, Tariq Khan (Legacy), DCS, Madhan Madhi, KS Makhan. As well as working with the best in the bhangra industry HMC has performed at shows with international artists Akon, Montell Jordan, 112, Raghav and recently helped celebrate London..s successful bid for the Olympics in February by performing at a show in February which attracted a massive crowd of 35,000 people of all ages and colours proving his universal appeal. HMC is currently working on his forthcoming album which is eagerly anticipated across the globe and he assures us that it is well worth the wait...
