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RPM
RPM delivers the BPMs with its riveting blend of progressive house, breaks and electro stylings. Teflon minimalism and stripped-down streamlining conjure oodles of atmosphere and unleash a torrent of driven beats and acid buzz. The slick thrust of RPM’s captivating dance music is fire for the body while the transcendent mood is meat for the mind.
Technology
Music requires heart but RPM declares that technology offers songwriting power. “Technology inspires me to create,” says RPM, an artist whose background reaches farther than just music. “I have a degree in Information Systems Technology. The knowledge I have as it relates to technology co-exists with my love of music.” RPM is musically breeding the future of mankind, merging the organic (heart and soul) with the technologic in an inspired stab at the horizon … of music, of art and of man.
Primal
For some, music is about meaning, speaking a message, reaching out with ideas to mankind. But for RPM, it’s a return to the visceral, to the core emotional, instinctive relationship man has always had with music. Consider it a modern variation of the classic tribal dance. “I relate to music on a primal level,” explains RPM, “not a philosophical level.” Some music is about thinking. But RPM’s music is about feeling.
The Artist at Work
RPM performed at the Voo Doo Festival, held in New Orleans in 2000, as the drummer for Section 8 and Kinetic Output. He’s opened for Live, Stroke 9, Stone Temple Pilots, 311, Quiet Riot, Our Lady of Peace, Better Than Ezra, Cowboy Mouth, Blues Traveler, Cowboy Junkies, Ben Harper, Tonic, Sebastian Bach, The Flys and others. RPM is currently working with A&R Select, the world’s leading independent artist development firm, based out of Los Angeles, CA.
“RPM’s music should be illegal, at least if you think drugs should be illegal. It’s that good.”