Jim Pulte profile picture

Jim Pulte

About Me

"Please try to remember, James R. Pulte Investment Group Inc. is now out of business. Our fax machine is broken and we only take calls on our HARD LINE (No More Cellular Communication is accepted) between 6:00 and 7:00 AM 2nd and 4th Sundays of each and every month!! We're lookin foreward to hearing from every investor that's trusted in us over the years. Thank you and Happy New Year to your entire family."
1959: Jim bought my first guitar and powered it through the family TV set to practice.
He also bought his first album Lightnin Hopkins from Kansas City because he liked R&B music more than the music his parents listened to (for example Harry Belafonte).
"My mother owned just about every Harry Belafonte record and so I continued to buy many other blues records. It just sounded to me like the black guys were havin more fun!"
1961: The first band The Disciples was created. Jim was a 17 year old and the guitarist for the four-piece band. His Mom made the band’s reversible red and black jackets.
1962: The Disciples added a keyboard, which made Pulte a triple threat: singer, guitarist, and keyboardist That year they started playing student unions, proms, frat parties, etc…
1962: Pulte recieved his diploma. That evening he destroyed the famlys new Chev. Sedan on I35 just north of Norman Ok. Everyone walked away without a scratch. His first child was (unbeknownst to him and everyone else) already cooking in the oven!!
1963: Pulte's daughter was born in April 1963. In the summer of ’63 the band also auditioned for a job at the Rock Inn in Estes Park Colorado. They got the summer long gig playing to a packed house every night.
1964: Pulte remained an OU student and on weekends the band flew to Madison, Boulder, and Detroit for frat jobs. Sometimes in planes with more than one engine (booked by Mike Richie of Norman, Oklahoma).
1964: For another summer The Disciples played the Rock Inn at Estes Park . They added a saxophone player making it a 5 piece. They chartered and flew around a lot that year too.
1966: The band played Estes Park in the summer again. Then quit their job in July to take another with Ken Adamany (Cheap Trick’s manager long before there was a Cheap Trick). The audition was held in Janesville, Wisconsin. He booked the band all over Wisconsin, Illinois, Michigan and Ocean City, NJ. The Ocean City gig was at Tony Marts where Bob Dylan and The Band played before their Blonde on Blonde tour. They played Madison and Chicago and Detroit at a place called The Rooster Tail where they met Bob Seger and Doug Brown (future Southwind Band member). They got Doug into the group who was working with Mickey Stevenson (the vice president of Motown Records). He wrote Dancing in the Streets. Mickey started a record label in Los Angeles called Venture Records (an all black label almost) A New band to be called Southwind was born . We then signed with Mickey Stevenson's Company to make a record as The Southwind Band.
Pulte's old buddy Steve Miller lived in San Fran at that time and there were a lotta parties at that house. Tim Davis on drums and Jimmy Cook on Bass (Miller's early band) were friends from Wisconsin as well (The Ken Adamany folks). Jim lived in Mill Valley at that time(across the Golden Gate In Marin County). It was all about motorcycles at that time!! Jim rode his Triumph back and forth to LA dozens of times to work on the record play gigs do interviews write new songs with the group. Pulte placed one song on the Steve Miller Album "Children of the Future", which was a major turning point as a songwriter for him. The Southwind band made the single album for Venture Records, working with many of the staff producers at the label. Willie Hutchinson who later won a grammy for Superfly. Leon Ware who wrote many of the Jackson Fives early hits. Clarence Paul, Lonnie Stevenson,and Vickie Basemore all conspired with the band in writing and production of songs. Some of the players included Johnny Guitar Watson Willie Hutchinson Larry Williams Southwind began to play the hot spots in LA and the Valley and within a year signed a new record deal with Blue Thumb Records. It had been formed by Bob Krasnow, Tommy Li Puma and Don Graham, and Tommy produced the first record for the company. Southwind was lucky in many ways. Their manager was Dan Bourgoise who later worked as A@R Director at United Artists and was influential in signing Jim Pulte to the label in 1971 where Pulte made two solo albums. And of course Bourgoise founded Bug Music in 1975 and it became the largest Administrative publishing company for songwriters and acts who just didn't want to sell their souls and catalogs to major labels in order to stay in the music business. Bourgoise is truly the patron saint of songwriters, combating the many criminal owners of record labels over the years. He has fought battles in court to protect the rights and properties of many a writer. The first Album "Out the Window" was coproduced with Jesse Ed Davis, Pulte's old buddy for many years, Kiowa-Comanche guitar player for Conway Twitty, then the Taj Mahal Band. Davis recorded with Jackson Brown, the Stones, Bob Dylan and many others. Players on the "Out the Window" Album included Jim Keltner, Dr. John, Leland Sklar, and Buddy Emmons and of course Jesse ED.
More to Come!!
"LET ME HEAR YOUR IDEAS OR MATERIAL OR BOTH"

My Interests

Music:

Member Since: 11/3/2006
Band Website: http://www.myspace.com/jimpulte
Band Members: You can get Jim's cd "The Norman Fishintackle Choir" at:

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Or

CD Baby

reviews

    Congratulations on GrIndie Award author: RadioIndy.com
    RadioIndy isproud to present Jim Pulte a GrIndie Award for their CD "The Norman Fishintackle Choir." A GrIndie Award is RadioIndy's stamp ofapproval that this CD is an excellent quality CD. Please join us in congratulating this artist on this accomplishment. Long Time No See ! author: angus@japan
    Good songs + Good performance = Good SwampRock. Fun, Enjoyable, and Totally Pro CD author: William and the RadioIndy.com ReviewerTeam
    If you couldn't tell by the title, "The Norman Fishintackle Choir" by Jim Plute is down-home swamp music. This isan album put together by professionals, both in terms of mucisianship and recording/production quality. Jim's vocals are commanding and thesound is full. with impressive horns and backing soulful singers. The songs are complete and worthy of large crowds looking for a rip roarin' goodtime. "Don't Let me Miss a Trick" is a pumpin' party track with great melodies and a big sound. "Both Sides of the Beat"features some great saxophone dancing around the vocals. "Never Shoula Asked My Doctor" rolls along with some fun lyrics. Grab acold one and enjoy. If you enjoy blues, rock, or country music, you'll enjoy this one. 5 STARS IS NOTENOUGH author: Steve and Charlene
    So... we've known Pulte for over 30 years. I actually became a fan and met himin 1969 - now approaching 40 years ago. I know just about everything he does - or has ever done. We know and love him and his music. And still...[this is a true story]We have our iTunes wirelessly playing all over the house these days - including the kitchen. I was in there making myself a sandwich tonight whenCharlene fired up iTunes. The volume was set pretty high on the kitchen rig and when the 1st song started unexpectedly, I was startled out of somemindless or at least mind-wandering state. "Wow... this is great... who is this???" I literally mumbled out loud to myself:"miracle..." Describing the feeling of world-class music coming almost out of nowhere with no wires. Then of course, the vocal startedand right away I knew it was the indeed miraculous voice of Jim Pulte.We listened to the whole Norman Fishintackle Choir album and give it all the possible stars. Five ain't really enough. Welcome back,Jim! author: kenji konno
    Welcome back,Jim!!! Jim's two solo albums are my favorite. I'm very glad to listen to your new album. This is my new favorite album. Thank you,Jim!!!!!!!!!!!!!!!!!!!!!!!!!!!! The Norman Fishintackle Choir author: TimMcMullen
    Jim Pulte, is a purveyor of literate, articulate, meaningful, yet playful, gospel-tinged, horns and honky-tonk, Oklahomacountry roots rock. Pulte's soaring, high energy tenor is uniquely evocative and relatively unchanged after 35 years. If you heard his two classicrecords, "Out the Window" (produced by the brilliant Jesse Ed Davis) and "Shimmy She Roll, Shimme She Shake," then youknow what a unique niche he fills and how well he fills it. His newly available album, The Norman Fishintackle Choir, continues the roll. So what ifit's been thirty-five years between releases...? I encourage you to give it a listen; it'll start out strong and then grow on you!

Influences:

Lightnin Hopkins, Jimmy Rodgers, Mose Allison,
Wes Reynolds, Harry Belafonte, Johnny Tollison,
Chalky Richards, Levon, Preacher Smith,
Bobby Doyle, Elvis, Bobby Zimmerman,
Leonard Cohen, Randy Newman, Fagan and Becker,
... and the Geek Sisters; Arsenica, Electricia, and little Morticia. The MIT Blackjack Team, Dr. Hoffman, Owsley, Ram Dass, Bill Graham, Dayton Stratton
Sounds Like: Little Jimmy Ray
Record Label: http://www.sinkholerecords.com/
Type of Label: Indie

My Blog

Effulgence

The life train I'm on offers little chance of stops in just the right (chosen ) places. No signals at the crossings No flashing lights No scheduled stops Randomness seems to prevail just when I ne...
Posted by on Wed, 07 Nov 2007 18:26:00 GMT