Wawali Bonane:
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Only Artist with 3 songs featured on Smithsonian Folkways Recording Safarini in Transit: Music of African Immigrants!
Wawali Bonane was born in Banningville (now Bandundu), in the Democratic Republic of Congo (ex-Zaire). He was weaned on the sounds and rhythms of the Bandundu region. In 1966, Wawali dropped out of school with friend and partner Pepe Kalle, now one of Congo's top stars, to form their first band, Les Monkoy.
In 1974, Wawali was invited by superstar Tabu Ley Rochereou to join his band, Afrisa International (Click Here) . Throughout his career Wawali has been creating hybrid music known as soukous, a popular style that first came to prominence in the 1950's and combines elements of Cuban rhumba and Antillean music with Congolese aesthetics.
Following the soukous scene from Congo to Paris, the international center for soukous, Wawali was a mainstay on the scene, working as a support singer for a variety of performers and pursuing his own solo projects. After leaving Afrisa International, Wawali and longtime partner Steve Mgondo A.K.A. Ikhaman (Click Here) came to Seattle and tenaciously dug in with their band Yoka Nzenze. Later, they were joined by renowned soukous guitarist Nseka Binwela: a.k.a. Huit Kilos (Click Here) .They are also supported by an ever-changing variety of Seattle-based backing musicians.
Three songs on Safarini (Click Here) feature Wawali Bonane and Yoka Nzenze - Tcheni Tcheni, Wumba Wumba and Kusanga Ema. "Tcheni Tcheni" means "don't worry, don't worry", Wumba Wumba gives lessons on how to live a productive life, and Kusanga Ema is a love ballad to a woman named Kusanga, in a Congolese rhumba/calypso style. Wawali describes the singing as "like talking to someone… when you are in love, you forget your mother and everyone, but sometimes the person you love is not the one you can stay with forever".The Band - Yoka Enzenze (Listen to This)
Yoka Enzenze, translated from the Congolese language Lingala, means “Listen to This!†As early as ’74, at the beginning of his work with Tabu Ley, Wawali introduced songs’ ‘sebenes’, or, dance breakout sections, by interjecting a self-styled “Yoka Enzenze!†In 1990, on Afrisa International’s Bayaya album, he even worked his idea into the title, “Generation Soukous Enzenzeâ€.
Bonane left the Afrisa International band for the United States in 1993. Joined by fellow Congolese musicians Freddy Mfumu, Getry Mavambu, and Huit Kilos, the musicians regrouped in Seattle for the chance to play the area’s big festivals. Once reassembled in the Pacific Northwest, Wawali created his band, and “Wawali Bonane & Yoka Enzenze†hit the Seattle music scene. From the mid ‘90s they have been a fixture at African clubs and international festivals, including the Safari Club, Bohemian, and Ballard Firehouse, and Folklife, Bumbershoot and WOMAD Seattle.
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