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The blade transpierces the arm and a cut is made...Derived from pioneer bands of the goiânia metal scene, Alan Paulino decided to face another musical enterprise in the late 90..s. Along with former band musicians also active in the local scene the INBLEEDING was born with a completely different proposal, if compared to it..s previous experiences. The musical foundation coundn..t be other than the metal. Not the kind of metal particular to the transition of the century, completely obsolete and abandoned by the critics and the musical industry, but the contemporary metal that had being gathering a new legion of fans and bringing back the pride of impressing that black shirt with the logo of a favorite band. In the first years, a series of shows and even a full album that got to be recorded – but never released. Notwithstanding, as every band, the differences and the wastage became to hard to handle and the band..s crew waterwheel took place. It was time to measure the pros and counters. Whoever was to make part of the band would have to add to it.The cut was already wide openFar from wanting to stop what was being planned Alan invited a long time buddy to join the group. Luis Maldonalle..s admission became official. A virtuous musician with prestige in the shred national scene. It is clear that this new phase had made their music more complex and laborious. All of that due to Maldonalle and his refined technique and creativity. The results became to come to sight. Road gigs outside Goiânia and a new material that gave the band the title of the most promising band of 2005, by the Brazilian metal bible – Rock Brigade Magazine. It was time to begin the confection of the first album.The red shade slips through the skinThe hemorrhage sounding now splashed blood throughout the music. Without barriers and limitations PHOBIA came to light by the end of 2007.A full album – impossible to fill anything else by the way. There are 11 songs of seventy minutes of riffs executed with the precision of a teleguided missile towards the nearest speaker of a die-hard metal fan. The scrupulous production work was in charge of Gustavo Vasquez (xLINHA DE FRENTEx , ATTERO, MIASTHENIA), a name the has become firmly known as a completely solid “sound wall builder†of heavy music.Only stitches will be able to stop…In the midst of solos, melodies and insane gutturals PHOBIA displays a myriad of influences. Something that can only be done by those who lived countless phases of heavy music history. A product of those who listened, understood and assimilated the trash, the death and everything that came under the designation of metal. Creating then an identity as vast as a jam session between Allan Holdsworth and Pantera after of hours Master of Puppets auscultation. Having second thoughts? Listen to PHOBIA and take your own conclusions.