former guitarist, bassist and other assorted (pre-dominantly stringed) instrument player for a supergroup lost in time - which evolved into the Firefly Makani) refrains from his other projects' hyper breakbeat lo-fi ness and keeps aural output in lower and clearer gear for his solo work after things went a bit mad and the engineer decided that filtered static, string scraping and computer buffer underruns count as compositional material.
the resulting soundtrack pays homage to the sounds and impressions that were engraved in the composer's thinkbox during his youth.
