RECOMBINANT MEDIA LABS profile picture

RECOMBINANT MEDIA LABS

About Me

RML cultivates radical methodologies for experiential engineering; exploring performative processes which expand the formal aesthetic and technological boundaries of immersive installation and surround cinema.

The San Francisco facility contains a flexible black box environment that houses a high definition multichannel audio-visual system known as Surround Traffic Control. This full fidelity array consists of a design specification for 10 screens in 360 degrees supported by an ultra impact 16.8.2 horizontal and vertical sound diffusion system scalable for all types of rectangular rooms.

The RML theatre provides all international artists in residence the opportunity to take their creative impulse to the furthest frontiers of sonic cinematic language and present them in the formats for exhibition, symposia, workshops and real-time AV concerts.

My Interests

Music:

Member Since: 10/16/2006
Sounds Like:

16 L'Acoustics 115-XT Monitors, 8 SB-118 Subs, 2 SB-218 LFE, 32 Tactile transducers.

Artists: Biosphere, Chris Watson, Pole, Kode 9, Vladislav Delay, Carsten Nicolai, Blixa Bargeld, Kangding Ray, Richard Devine, Deadbeat, Pan Sonic, Speedy J, Monolake, Murcof, Fax, Matmos, Rechenzentrum, Trevor Wishart, Yasunao Tone, Florian Hecker, Curtis Roads, Zbigniew Karkowski, Antimatter, Daniel Menche, Thomas Brinkmann, Thomas Koner, Jarboe, The Gowns, John Duncan, Francisco Lopez, Otomo Yoshihide, Wobbly, Daedelus, Jean-Jacques Perrey, Semiconductor, Skoltz_Kolgen, Ryoichi Kurokawa, Ryoji Ikeda, Alexander Rishaug, William Basinski, Francis Dhomont, Richard Chartier, Thomas Fehlmann, Gudrun Gut, Morton Subotnick, Sue-C, Miguel Frasconi...


Type of Label: Major

My Blog

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