Like every kid in America at the time, the British Invaders turned our heads and hearts from the straight and narrow of grade school and Cub Scouts, creating a fork in the road that we still walk today. My earliest recollection of singing along with a pop song on the radio was 'Every Day', by Buddy Holly...the roller coaster song. Also around that time, local radio stations were playing "Ghost Riders in the Sky". That song was chilling when riding in the car at night, probably planting a seed for my love of twangy guitar parts.
Although great songs were plentiful at the time, the Beatles were an obvious quantum leap and a half above the status quo. Circa 1964, our transistor radios blasted the exciting sounds of each new pop rock band that crossed the Atlantic. Sunday nights, as we struggled to finish our homework, we patiently waited for Ed Sullivan to get past the puppets and comediens so we could watch the Cyrkle, Beau Brummels, Gerry and the Pacemakers, Donovan, and Rolling Stones showcase their new hit singles. Yeah, 45-RPM singles in the paper sleeves .... always available at Woolworths, right across from the downtown bus stop where we blew our paper route money every Saturday morning. My friends and I began to grow our hair as long as our parents would let us, as we begged in vain for Beatle boots and dickies.
There was no turning back at that point. Cub Scouts and knot-tying couldn't hold our interest any longer, as we shared hundreds of songs, ripped from vinyl to an old monoural Webcor reel-to-reel tape recorder. An old acoustic guitar was discovered in my Grandfathers attic. The strings were about a half inch from the neck, but it was a vast improvement over the cigar box guitars that my friends and I made prior to that. That shitty old guitar with the glitter pickguard still hangs proudly in the FWA home studio, strings now about 2 inches above the neck!
Dan Collins and I grew up within a stone's throw of one another, in the shadow of Lambeau Field on Green Bay's west side. Our fathers actually worked at the same company. It was a time when it seemed like every kid owned a guitar and dreamed of being the next Brian Jones or George Harrison. After a dozen garage bands and a few thousand versions of 'Jumpin' Jack Flash', early versions of the band started to emerge. Dan could sing, play guitar and piano, but chose to play bass because nobody else could. It was obvious that we were musically and rhythmically connected. Curt Lefevre, an east-side kid with a great sense of rhythm and a cool record collection, eventually joined us. The fit was perfect....and has been for the past 25 years.
The early 1980's were busy, with hours of driving to play $300 gigs in smoky little bars all over Wisconsin. At the time, we crossed paths with many great musicians who were true believers of their craft, and we became fast friends and supporters of each other. A Madison band called Spooner was very original and special, performing frequently to capacity crowds in our local rock club. We began to play some gigs together, as they shared their local haunts with us. Spooner had a hip little studio in a warehouse on Madison's east side, and they knew how to use it to make great records. We made our first record there, with Butch Vig at the controls. It was called it 'Main Street' ... in honor of the seedy little Green Bay strip where most of our gigs were played, and where our sound was nurtured and defined with the energy of hundreds of loyal supporters and friends. The record was released on Boat Records, an indie Madison label owned by Spooner. That recording garnered some national (and international) attention, enabling us to expand our horizons beyond our home base, playing many club and college dates. It was a time in which good indie rock music received airplay on college radio. Reviews were good and plentiful, including London's New Music Express.
A few years later, the band recorded 'Northern Distortion' at Short Order Recorder in Zion, Illinois, with producer/engineer Jeff Murphy. We had been longtime fans of Shoes, his legendary pop-rock band that had previously released three wonderful records for the Elektra records label. Jeff had also recorded two Material Issue records that really got our attention for their production value. 'Northern Distortion' was released on the Black Vinyl Records label, and distributed nationally.
Today, Fun w/ Atoms plays select live dates, and maintains a house gig in a favorite music club in downtown Green Bay.
The band is currently in the process of completing a new record for an anticipated release date in late 2008.
We thank you sincerely for your support and interest in our music. We have made many friends over the years, while doing this thing that we love.
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