Steven "Boogie" Brown has remained a unique contributor of the music business for well over 20 years. "Boogie" Brown has been responsible for his share of successful projects and hit records, usually working in the capacity of artist, producer, engineer, and now owner of his production company, BreakThru Productions. As an artist, producer, performer, percussionist & drummer for the NYC Peech Boys who recorded the 1982 classic house phenomenon "Don't Make Me Wait", the legacy of "Boogie" Brown's skills had been established long ago.
"Boogie" Brown has produced projects & collaborated with a long list of whose-who in the music business, most notable is his work with Afrika Baambatta, the Godfather of this hip hop game. This collaboration has put "Boogie" Brown's services in full demand internationally.
As the producer and soundscape designer for the award winning Nike "Freestyle" commercial, once again the talent and innovation of BreakThru Productions is evident. Being part of such a revolutionary project, with hip hop beats, basketball sounds, Nike sneakers screeching, professional basketball players doing magical tricks with the basketball, there's no wonder why we have so many imitators to this advertising style since the Nike "Freestyle" commercial was first aired in
March of 2001.
Steven "Boogie" Brown is multi-dimensional with a very unique and positive spin on his grooves. Break Thru Productions has a variety of projects under its belt ranging from major label production work, sound design for radio & television commercials as well as soundtrack work for feature films. There's no limit to the options being explored by "Boogie".
Learn about "Boogie" Brown's work with AFRIKA BAAMBATTA and T Peech Boys...
Afrika Baambatta
Known throughout the world as The Godfather of Hip Hop Music & Culture, Bam & Boogie frequently collaborate on projects in every genre of music, all over the world.
NYC Peech Boys
Boogie formed the innovative funk/dance group; known for the smash hits "Don't Make Me Wait", and "Dance Sister".
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