Compositeur, réalisateur artistiquePlusieurs centaines de musiques pour des documentaires, reportages,
jeux vidéo, dessins animés, courts-métrages.
Depuis 2000, musiques symphoniques pour des films diffusés dans les salles relief IMAX //// DISCOGRAPHIE : 2008 "Leaving the ozone"/ 2008 "Dolphins and Whales / 2007 "Investigations"/ 2006 "Fairytales" / 2005 "Sharks 3D"/ 2004 "The Fantasy" / 2003 "Ocean Wonderland" / 2002 "Urban Moods" / 2001 "Textures"/ 2000 "Papa te raconte" / 1999 "Climats" / 1999 "Walk the Walk" / 1998 "Light on" / 1998 "Elements"/ 1997 " "Shades of light" / 1996 "Mille Ans"/ 1995 "Techno 3D" / 1995 "Air" / 1994 "Alambic Hybrida" / 1992 "Alambic "numero2" / 1991 "Panorama" / 1990 "Colors" / 1989 "Acoustic power" / 1987 "l'envers du monde" ............................................................
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..............."SHARKS - The Original Motion Picture Soundtrack," described as "stirring" by Box Office Magazine, is the second powerful original score written by noted European composer Christophe Jacquelin specifically for the network of IMAX screens. Jacquelin's first composition for an IMAX theatre film was for the popular "OCEAN WONDERLAND" (2003), seen by over 5 million viewers to date. The SHARKS album is the culmination of Jacquelin's talents and passion for the underwater world and conservation, an interest he shares with the film's director, Jean-Jacques Mantello. Thanks to their very close collaboration, Jacquelin was able to compose the original motion picture soundtrack based on images, an unusual achievement in the film industry. Editing on the film began only once the score was completed, resulting in a perfect symbiosis of sound and image. Strings and woods were performed by the Bulgarian Symphony Orchestra led by Patrice Souillot. In addition to his work as a composer, Jacquelin is also a renowned sound designer and sound arranger. He has extensive experience in composing, arranging and mixing original music for documentaries, animated and corporate films, commercials, games, and interactive media. ............................................................
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..........................Contact:
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