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Lusofonia a (R)evolução

About Me


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PHOTOS
SHORT-VERSION
SYNOPSIS
In Lisbon, a new generation of musicians, producers and DJs is asserting itself. Tuned in to the aesthetical and technological developments in music, it nevertheless carries a distinctive trait inherited from the culture which they are a part of: the Lusophone world.
It is this trait that uphold the uniqueness of our artists in a historical context in which homogenization in the creative sphere thwarts all originality. Lusophony, the (R)Evolution is a calling card for the Lusophone musical identity.
It all began in the 15th century, when Portugal embarked on its maritime expansion.
A small country of around one million inhabitants travelled across the Atlantic and reached Brazil, ventured round Africa and Asia - of India, Japan or Indonesia. It wrought an empire, one of the foundations of which lay on the slave trade. This dark side of history (present from the empires of Antiquity up to the present age) created in Portugal a community of Africans who brought their customs, rituals, music and dances with them to Lisbon. Around the1450s, 10% of the population of Lisbon was of African origin. With the passage of time, the miscegenation between blacks and whites gave birth to multicultural peoples - it's not by chance that Brazil is the most multicultural country in the world.
Against such a background, music and dancing were elements of integration. Several types of music evolved throughout the centuries, the most popular of which being Fado - firstly a dance, then a song, its roots pointing towards multicultural blending, as put forward by José Ramos Tinhorão in his brilliant book Os Negros Em Portugal - Uma Presença Silenciosa (The Blacks in Portugal - a Silent Presence).
In the 20th century, music in the Lusophone sphere took on a role of protest against dictatorial regimes. Symbolic of which is the 25th April Revolution in Portugal - the revolution which started with a song. The country underwent a revolutionary period and protest music took on a seminal role in the shaping of consciences and the changing of attitudes. The same happened in Africa and in Brazil.
In the aftermath of the revolution, José Afonso, José Mário Branco and Sérgio Godinho used the Portuguese language to fight for change, and in the African countries, both the language and the music from Portugal (and in certain cases its Creole offshoots) had assumed their protest character by the hand of Rui Mingas, Super Mama Djombo and Bonga. Between Portugal and the Lusophone countries, music was both a fraternal bridge and a point of union. In the aftermath of the revolution, both Africans and Portuguese migrants returned hastily to Portugal, bringing with them a musical seed which would explode years later...
During the 1980s, collective work between musicians was reinforced. Paulo de Carvalho, José Afonso, Rão Kyao, Heróis do Mar, Tito Paris or Danny Silva are a few of the examples. The attempts of the artistic community to assume the Lusophone trait in their work lived side-by-side with the emergence and the assertion of a generation by way of Portuguese rock music (first half of the 1980s) and the birth of electronic music (late 1980s, early 1990s). Nevertheless, these movements of musical blending were not accompanied by the societies and integration policies.
But with the emergence of electronic music a new chapter was written. In the beginning of the 1990s, the country witnessed the arrival of a new culture brought on by electronic compositions, with Hip Hop as a driving force. In this decade, the descendents of Africans and second-generation migrants acquainted themselves with this culture, substantiated by releases such as "Rapública". The 1990s, with electronic music as a creative driving force, revealed a Portugal in which the Lusophone trait was expressed through the aesthetics of dance music.
The Portuguese language formed a global wave through genres such as House and Nu-Jazz, by way of Brazil; remixes of Cesária Évora were a success, and hailed as innovative projects. And it is at the beginning of the 21st century that we witness a generation in Portugal which synthesizes the whole legacy brought on since the 25 April 1974. A Lusophone streak is finally assumed in the creative sphere; a new wave is aware of the heritage of the past and affirms it as a distinctive trait. Hip Hop in Creole, dance music with samplings of Kuduro, Portuguese lyrics over contemporary structures - the possibilities exist and multiply themselves. Lusophony, the (R)Evolution is a musical treasure, which summarizes five centuries of history.
EQUIPA/TEAM
Conceito, Direcção e Produção/Concept, Direction and Production:
Red Bull Music Academy
Guião/Script:
Artur Soares da Silva e João Xavier
Produção Executiva/Executive Producer:
Mariana Moore Matos
Voz-Off /Voice-over:
Sofia Louro
Pós-Produção e Montagem/Editing & Post Production:
Subfilmes
Operadores de Câmara/ Camera Operators (Subfilmes):
Ricardo Correia, Pedro Ventura e João Ricardo Pinto.
Operadores de Câmara Exteriores/ Camera Operators (abroad):
Rita Maia (entrevista) e Henry Halonen (Câmara) - Londres e Filipe Silva (câmara) - Paris.
Tradução/Translation:
Miguel Moore Matos
Legendagem/Subtitles:
Mr Video
WHAT IS RED BULL MUSIC ACADEMY ?
Red Bull Music Academy is an initiative which brings together DJs, musicians and producers with education as a backdrop. Since 1998 it brings young talents together and teaches them the secrets of production and of the music industry and transmits the know-how which enable them to make their mark in the future of music. Every year it travels to a different city around the world, welcoming representatives from some 70 countries which exchange influences and learn together. This is a community of artists which roots itself in the conviction that music ought not to have any borders and that to be unique is fundamental.
www.redbullmusicacademy.com
MEDIA CONTACTS
Red Bull Music Academy - Media Office Portugal
Mariana Moore Matos
[email protected]
Red Bull Music Academy:
www.redbullmusicacademy.com
Red Bull Music Academy Radio:
www.rbmaradio.com
DOWNLOAD PRESS KIT
Press Kit | UK version
Press Kit | PT version
Visualiza aqui o documentário online.
EXTRAS
“The scratch is out on the street”
Largo do Carmo was a key place in the 25 April 1974 Revolution, which ended Fascism in Portugal. 32 years later, Hip Hop paid it a tribute through the most emblematic of Portuguese turntablists, DJ Nel’Assassin. In this conceptual performance he used recordings from the morning of the 25th of April 1974, together with scratching and contemporary beats.

My Interests

Music:

Member Since: 20/09/2006
Band Members: LIST OF INTERVIEWEES

Tozé Brito:
was one of the members of Quarteto 1111 (the first major Portuguese pop band in the 1960s), and since then has emerged as one of the main musicians and composers. He is currently the administrator of Universal Music Portugal.

David Ferreira:
is one of the most attentive editors regarding the emergence of new values and tendencies in Portuguese music. He is currently editor in Emi Music Portugal.

Hernâni Miguel:
has been the manager of some of the most important artists in the Portuguese urban music scene. He was the mentor behind the first major compilation of Rap music in Portugal: "Rapública".

Cool Hipnoise/Spaceboys:
Tiago Gomes, Francisco Rebelo and João Gomes form a trio which, from the more modern approaches of Funk, Jazz and even Reggae, has blended musical elements from the Portuguese-speaking world, namely from Brazil and Africa. They are essential in Portuguese modern music.

Chullage:
rapper with an intense social conscience and a refined sense of activism. After two albums he is a reference in the way of portraying social realities through music.

Conductor:
is portrayed in the documentary as the producer of the Conjunto Ngonguenha, a project from Angola which, from samplings of Angolan music has put together a Hip Hop album.

Kika Santos:
the greatest voice of Soul music in Portugal. Projects such as Dr Sax, Loopless, under her own name and in dozens of collaborations, make of her one of the most versatile and important voices around.

Celina Pereira:
singer and researcher of Cape Verdean music. She is also associated with projects in the field of education in multiculturalism, such as traditional Cape Verdean story-telling to immigrant children.

Pedro Tenreiro:
DJ, music collector and also the editor of Norte Sul, the record company which incorporates Valentim de Carvalho, the most historical of the 20th century Portuguese music labels.

Tito Paris:
one of the main ambassadors for Cape Verdean and African music in the whole world. Composer, musician and singer of a unique repertoire.

N´Du:
drummer which, resorting to the African matrix, manages to imprint an innovative sound to the bands with which he has worked, whether they be of Reggae, Hip Hop, Nu-Jazz, Funk or traditional rhythms such as Batuque, Gumbé or Semba. Essential in the Lusophone fusion.

Carlos do Carmo:
to refer Fado without mentioning Carlos do Carmo would be like telling an incomplete story. He as sung some of the best Lusophone poets, and his progressive stance has enabled Fado to release itself from some of its oldest orthodoxies renovating itself as musical genre.

Melo D:
one of the pioneers of Portuguese Hip Hop. He has participated in several bands throughout the years. His field ranges from Soul to Funk or Hip Hop, as you can ascertain from his most recent solo albums.

Luís Maio:
journalist and music critic in the newspaper "Público". He has become a respected opinion leader. His reporting work during the explosion of Portuguese rock music in the 1980s is still considered a reference.

Vítor Belanciano:
journalist and music critic. He has distinguished himself, since the 1990s, for his interpretation of new musical phenomena.

Rui Pereira:
one of the most brilliant Historians of his generation, he is one of the main Portuguese specialists in Arab studies and in the relation between Portugal and the African continent.

Nuno Sardinha:
one of the biggest specialists in African music and journalist in the RDP África radio station. His programme, "Música sem Espinhas" is followed by millions of people.

Tó Ricciardi:
DJ, producer and editor of Nylon, the label which resorted to the Lusophone sphere to create sounds and beats such as Nu-Jazz, Funk, Dub, House and other electronic genres.

José da Silva:
the Lusafrica label is unanimously considered one of the best within the African music panorama. He perceived the potential of Cesária Évora (who has sold more than 5 million records), being a producer and one of the most talented and attentive of Lusophone editors.

Raul Indipwo:
he started out with the Duo Ouro Negro in the 1950s creating Lusophone musical blending, and is today recalled as one of the greatest ever Portuguese-speaking artists.

Sam The Kid:
resorts to sampling in order to disclose the Portuguese music legacy, and is one of most talented rappers and producers in Portugal.

Kalaf e Lil´John:
part of the One Week Project, Buraka Som Sistema and the Enchufada label. The former is the central figure of spoken-word in Portugal, the latter one of the most versatile producers working in the country.

Johnny:
one of the pioneering Hip Hop and Drum'n'Bass Djs in Portugal, founder of the Cool Train Crew and one of the biggest specialists in Jazz and African music in the country.

Messias:
Reggae is a global phenomenon. Messias has been creating Reggae in Portuguese since the 1990s, and is the front-man of the band Mercado Negro.

Sara Tavares:
a unique talent and a figure of Pop music in Portugal. She creates a very unique Lusophone blending, as you might perceive in her latest album, "Balancé". Her voice is pure gold.

Gilles Peterson:
pioneer of the Acid Jazz scene, main figure of BBC's Radio 1, he is one of the major supporters of Brazilian music in the record industry.

Duda Guennes:
Brazilian journalist who has been living in Portugal since the 1960s.

Emanuel Pamplona:
one of the "April Captains" from the Portuguese Armed Forces, who were responsible for the 25 April 1974 Revolution which put an end to Fascism and gave birth to Democracy.

Pac Man:
singer of one of the biggest bands in Portugal - Da Weasel, whose sound gravitates around Hip Hop, Rock and Pop.

Karlon (Nigga Poison):
Nigga Poison are a Rap band who use the Cape Verdean Creole (which merges Portuguese and African languages) as a key piece in his sound.

Tekilla:
rapper, skateboarder, actor and Portuguese urban music buff.

SP & Wilson:
if there is any valuing of beatboxing in Portugal, these two can surely be blamed for it.


Type of Label: Major

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